London: Printed by S. Roycroft for R. Blome, 1679. "The Fifth Edition, much enlarged with great variety of Bearings. To Which is added a Treatise of Honour, Military and Civil, According to the Laws and Customs of England, collected out of the most Authentick Authors, both Ancient and Modern by Capt. John Logan."
A very nice copy - recently bound in quarter calf with burgundy label and marbled boards. Recent end papers. The rest of the book is original and complete. This is an ex library copy, but the stamps are not too disfiguring. A stamp and a couple of location records to the title page. Otherwise some small stamps to the verso of plates. A few of the pages have minor nicking to the edges - but well away from the text. Slight browning to the pages. Overall though, a good clean copy, with nice clear and well pressed engravings in a flawless binding. The first part of the work (Guillim's) contains hundreds of examples of Arms throughout the text. The second part (the Analogia Honorum) contains two engraved dedications, 9 full page portraits and 105 engraved plates containing hundreds of Arms and honours. All uncoloured.
[xiv], 1-317, [ix]. [ii], 3-181, [ix]. pp + plates and engraved portraits. 380 x 250mm (15 x 9¾ inches).

1807. At the foot is written 'we three, fools be.' The character on the left seems to have a jester's hat on.
On May 13th, 1807, William Wilberforce, Lord Milton, the Hon. Henry Lascelles (afterwards Earl of Harewood), and Mr. Walter Fawkes were nominated as parliamentary candidates in the Castle-Yard at York. This was the first contested election in the seat for 66 years. The struggle was also memorable on account of the vast expense that Lascelles incurred.
William Wilberforce, whose party almost entirely lacked organization, was head of the poll. There were concerns that Wilberforce allied himself with a candidate whose wealth was based on the slave trade, and he was forced to write to the electors to explain himself. Perhaps it is Lascelles and Wilberforce who are mocked as the electors here.
The caricature has been drawn onto the reverse of a scarce caricature engraving, of "Mr Riley in Solomon". This is most probably Samuel William Ryley (1759-1837), actor, and author of The Itinerant, or Memoirs of an Actor, 1808. 208mm x 248mm. Wilberforce, William (1759–1833), politician, philanthropist, and slavery abolitionist. Following the abolition of the slave trade, the Tories called an election. for the first and only time in his career he faced a poll for Yorkshire. Confronting as he did the great wealth and influence of both the Fitzwilliam and the Harewood interests, it was a testimony to the personal esteem in which he was held, and to his effectiveness in representing the county over the previous quarter-century, that he was returned at the head of the poll. It was alleged, however, that Wilberforce had compromised his independence by a coalition with Henry Lascelles, the Tory candidate. Wilberforce denied the charge and defended himself in a published letter to the electors.
He acknowledged that some of his supporters had indeed also solicited votes for Lascelles, but this was without his sanction, and it would have been improper for him to constrain their actions.
Lascelles, Henry, second earl of Harewood (1767–1841), Politician. His family wealth came from the slave trade in Barbados. After being elected twice as MP for Yorkshire, he stood again in 1807 - Lascelles, who was opposed by clothiers threatened by the removal of protection for their trade, and subjected to polemic about his family's slavery interests, was beaten by Lord Milton.
Ryley [formerly Romney], Samuel William (1759–1837), Actor and author.
Educated in Kensington & Fulham, although apprenticed to the woollen trade in Yorkshire, he eloped with his master's daughter and the married at Gretna Green. He was a jobbing actor, who later won a little more fame with his autobiography. "Ryley's life exhibits, with painful clarity, the precarious existence of the supporting actor of his day—snatching, at one moment, at dreams of fame and, at the next, facing the reality of poor shelter and meagre rations" (ODNB). This caricature seems true to life, as he was described as being very thin.

London: 1813. An Anti-Catholic pamphlet, printed by J.J. Stockdale. An examination of the Claims of Roman Catholics, particularly those in Ireland, and concluding that "Too much is already conceded to the Papists." The initials W.L.J. appear in ink to the top of the title page. There are some annotations in ink throughout the text. These are in a contemporary hand, and appear to be proofing corrections - changing the grammar, correcting errors, and altering some footnotes. Perhaps this copy was being prepared for a second publication? If so, it came to nothing, as Copac cites only two holdings of this issue, with no others cited.Good clean, but with no wrappers (if any). This was once part of a larger work, and has been removed from this - but was published alone (with price, printers details and colophon here). There is a touch of darkening to the outside pages. Internally clean, with the annotations as described above. This work was published anonymously, and there is no reference on Copac or in bibliographies of anonymous literature to any author. However, the name Richard Mence Esq. is written in a contemporary hand alongside the stated "Country Gentleman" This would certainly fit well. Richard Mence was a Barrister, at Middle Temple, who went on to write about the Law of Libel. He was active in writing at this time, and his dedication in the Law of Libel, was to those who oppose "Disloyal and Seditious Principles" These almost certainly included Catholic Emancipation. With his awareness of Libel laws, he was perhaps wise to remain anonymous! 49 [i]. pp

London: Luke Meredith at The King's Head, 1685. Full title reads: "A loyal tear dropt on the vault of the high and mighty Prince Charles II. Of glorious and happy memory. By Henry Anderson, M.A. vicar of Kingsumborne in Hampshire."
The original funeral oration for Charles II. Now bound in faux leather boards with gilt titles to the front board. End papers from time of binding. Bound in to the rear are two additional leaves, printed in Circa 1816 and each offering a hymn composed by Joseph Wiggins. He was a member of Stretton Friendly Society (Quakers). The faux leather cover is clean and bright. The text is mainly clean, with a touch of marking / foxing to it. small number 19 to title suggests that this has been abstracted from a larger collection at some point. [6], 26, [4] p. ; 4⁰. Signatures: A-D⁴ +2 leaves. 200 x 150 mm (7¾ x 6 inches).
Conforms to Wing A3091. Bibliography - Wing (2nd ed.), A3091

London: Jonathan Cape, 1966. First edition in dust wrapper. Wrapper is clean, with a touch of nicking and edgewear and with a 1cm closed tear to the head of the spine. Now in protective archival film. Hardback in clean and neat green cloth with just a touch of bumping. Book is in good clean condition throughout. What is interesting about this copy, is that there is a gift inscription to the verso of the half title, stating that the book was taken from the Iranian Embassy shortly after the SAS had ended the embassy siege in 1980. The annotation claims that it was taken from the embassy an hour after the siege, but apart from this seeming unlikely (with security concerns at the time) the date given is actually 3 weeks after the end of the siege. There is no evidence that this is true but a strange thing to make up and we offer it as an interesting oddity! 414 pages. 220 by 150mm (8¾ by 6 inches). Première édition sous couverture anti-poussière. L'emballage est propre, avec une touche d'entaille et d'usure des bords et avec une déchirure fermée de 1 cm à la tête de la colonne vertébrale. Maintenant dans un film d'archives protecteur. Couverture cartonnée en toile verte propre et soignée avec juste une touche de bosse. Le livre est en bon état de propreté partout. Ce qui est intéressant à propos de cet exemplaire, c'est qu'il y a une inscription cadeau au verso du faux titre, indiquant que le livre a été pris à l'ambassade d'Iran peu de temps après que le SAS eut mis fin au siège de l'ambassade en 1980. L'annotation prétend qu'il a été prise de l'ambassade une heure après le siège, mais à part cela qui semble peu probable (avec des problèmes de sécurité à l'époque), la date indiquée est en fait 3 semaines après la fin du siège. Il n'y a aucune preuve que cela soit vrai mais une chose étrange à inventer et nous l'offrons comme une bizarrerie intéressante ! 414 pages. 220 par 150 mm

Netherlands: 1960. An original study, in pastels with three nude images. Perhaps a basis for sculpture, as the work shows torsos, and is more sculptural than erotic. The signature is difficult to decipher, but appears to be E Schepp or similar.  The work shows clear skill, and is in very good condition. Appears to have been drawn in the 1960's or 1970's Mounted in passe partout.  The work is held in a glazed wooden frame. The price shown here is for the pastel itself, in the passe partout, but unframed. If you wish the frame, then this is also possible for a small additional cost. (Most of the additional cost is the difficult shipping!) Image 56.6cm x 44.5cm. Frame 77cm x 66cm Une étude originale, aux pastels secs avec trois images de nus. Peut-être une base pour la sculpture, car l'œuvre montre des torses, et est plus sculpturale qu'érotique. La signature est difficile à déchiffrer, mais semble être E Schepp ou similaire. Le travail montre une habileté évidente, et est en très bon état. Semble avoir été dessiné dans les années 60 ou 70 Monté dans passe-partout. L'œuvre est conservée dans un cadre en bois vernissé. Le prix indiqué ici est pour le pastel lui-même, dans le passe-partout, mais non encadré. Si vous souhaitez le cadre, cela est également possible pour un petit coût supplémentaire. (La majeure partie du coût supplémentaire est l'expédition difficile !) Image 56,6 cm x 44,5 cm. Cadre 77cm x 66cm

Edinburgh: 1870. Two beautiful watercolours of pixies playing together. Watercolour over pencil heightened with body white. Glaze and mounted under later gold passe partout with gilt frame Images and frames are in excellent condition. images size 115 mm x 70 mm Frame size 245 x 200 mm (9¾ x 7¾ inches).

Born in 1838 in Dunfermline, Scotland, he moved to Edinburgh, beginning to exhibit works at the Royal Scottish Academy in 1857, and then to London. Though he worked variously as a painter, sculptor and stained glass designer, John Lawson is best remembered as an illustrator of books and periodicals. His early work relates to those by his fellow Scotsman, Joseph Noel Paton, who is likely to have been a close friend. However, his later colour plates reveal his ability to adapt to a new market for popular children's books and annuals, and so work alongside his eldest daughter, Lizzie Mack.
His known contributions include: Stories Told to a Child by the author of 'Studies for Stories' (illus. with others, London, Alexander Strahan, 1865), Nursery Times; or, Stories about the Little Ones by An Old Nurse (London, Griffith & Farran, 1867), The Daisy and her Friends. Simple tales and stories for children by Frances Freeling Broderip (illus. with others, London, Frederick Warne & Co., 1869), The Children's Garland from the Best Poets selected by Coventry Patmore (London, Macmillan & Co., 1873), Little Talks with Little People (illus. with others, London, Cassell, Petter & Galpin, 1877?), The Little Folks' Picture Album (illus. with others, London, Cassell, Petter, Galpin & Co., 1877), Little Rosebud's Picture Book (illus. with others, London, George Routledge & Sons, 1879), Clever Hans by the Brothers Grimm (London, Thos. de la Rue & Co., 188?), God is Love. Bible stories and pictures for the young by Mrs Haskell (London, Ernest Nister, 1895), There Was Once: Grandma's Stories by Mrs. Oscar Wilde (London, Ernest Nister, 190?) and Bible Stories and Pictures (London, Ernest Nister, 1908).