London: W. E. Andrews, Red Lion Square, 1815. First edition. Disbound journal, a single issue. No covers. Articles on "The State of Morals in answer to Cobbett's Register", "The continuation of an address to the Laity", "An English Catholic on Petitioning", "Rev. Mr. Martyn on the Nun-baiting order", "Rev. Mr Gandolphy on the Catholic Petition", and several other smaller articles. This was a time of much agitation for Catholic emancipation, and this is reflected in these pages. A clean and tidy copy, without any significant flaws (other than being disbound). Slight edgewear only. The register would suggest that this copy of the journal has come from a larger work. 1 - 40pp. 220 x 140 mm (8¾ x 5½ inches).

William Eusebius Andrews (1773-1837) was a Roman Catholic journalist, and editor of several Catholic journals. This work ran from 1813 to 1820, when he was forced to suspend publication, despite support from Bishop Milner. He revived the journal in 1834, and it was continued after his death. Andrews was also the founder of several other (mainly short lived) Catholic journals, and "The Friends of Civil and Religious Liberty", a tract society.

London: W. E. Andrews, Red Lion Square, 1815. First edition. Disbound journal, sewn, a single issue. No covers. Articles on "The Catholic Question", "Infant Baptism", and several other smaller articles. This was a time of much agitation for Catholic emancipation, and this is reflected in these pages, with the bulk of the articles, initially rejected by Parliament in 1815, the Catholics Emancipation act was finally passed in 1829. A clean and tidy copy, without any significant flaws. Slight edgewear only. The register would suggest that this copy of the journal has come from a larger work. 205 - 244pp. 220 x 140 mm (8¾ x 5½ inches).

William Eusebius Andrews (1773-1837) was a Roman Catholic journalist, and editor of several Catholic journals. This work ran from 1813 to 1820, when he was forced to suspend publication, despite support from Bishop Milner. He revived the journal in 1834, and it was continued after his death. Andrews was also the founder of several other (mainly short lived) Catholic journals, and "The Friends of Civil and Religious Liberty", a tract society.

Erdington, Warwickshire: St Mary's College, Oscott, 1885. First edition. A very nice copy of this Roman Catholic magazine. Blue cloth boards, with gilt titles and design. Comprising three issues of the magazine. 13 (misnumbered 12), 14 (June 1885), 15 (November 1885) with three photographic plates (portraits). The reprint / offprint contains two articles - one on "The Oscott Lodges" the other contains two poems by Peter Mowle (an Elizabethan Catholic) and a commentary.
[iv], 1-295, [i]. +12pp
The book is in sound condition. The blue cloth is a little faded and slightly rubbed. There is a touch of bumping to the head and tail of the spine. Internally, the book is clean and tidy, with a little foxing only. Contemporary owner's gift inscription to the inside front board with a library sticker from the South Brent Syon Monastery.
St Mary's College (or Oscott as it is often know) is a seminary training Roman Catholic Clergy. It opened in 1794, and in 1805 ordained Francis Martyn - the first Roman Catholic priest wholly ordained in England since the Reformation. Since this time, it has been under the authority of the Archdiocese of Birmingham. the Chapel at Oscott was created by the eminent Catholic architect Augustus Welby Pugin, who also created the museum and altar (from 1837 he lived partly at Oscott). The college played an important part in the Catholic revival of the mid 19th Century.

London: Robert white for Francis Tyon: 1667. Full leather. Second edition. Restored to spine. Blind stamped spine, with recent gilt titles to burgundy label. Bookplates of former owners to front flyleaf and paste down. (One being the Zion Research Library). The Parable of the Pilgrim was one of Bishop Patrick's most interesting works - constructed on similar lines to 'Pilgrim's Progress' The boards are clean and strong, but slightly bumped. Internally in good, but slightly bumped condition. Some staining to initial pages. A3 has loss to the bottom edge (not affecting text). J. H. Shorthouse, whose bookplate and signature both appear in this book, was an English novelist (1834-1903), influenced by Ruskin and Pre-Raphaelitism, author of the influential 'John Inglesant' among other works. he was also a a prolific 'book plater.' His bookplate appears in numerous bookseller's catalogues.

PATRICK, SIMON (Symon) (1626–1707) was Bishop of Ely. Prior to that, he had been Rector of St Pauls, Covent Garden, and won the admiration of his parishioner's for remaining there during the plague years. He was a polemicist, whose chief works were protecting the Church of England against Papists. [16], 184, 183-214, 217-527, [1] pp Text continuous despite pagination. Conforms to ESTC R23052

London: Society for Promoting Christian Knowledge, 1863. A nice copy of this First Edition Thus. No date (dating from WorldCat for this SPCK edition). Hardback boards with green and brown printed design and titles to the front board. The boards are clean but a little darkened. Contents clean, but with neat gift inscription to front blank, dated 1890. Pages / full page woodcuts are printed on one side (recto) of the leaf only. Red borders. High quality engravings by the Dalziel brothers. 76 numbered leaves. 24 x 18 cm.

. Un bel exemplaire de cette première édition. Pas de date (datation de WorldCat pour cette édition SPCK). Carton rigide avec un dessin et des titres imprimés en vert et en marron sur la première page. Les planches sont propres mais un peu assombries. Le contenu est propre, mais il y a une inscription de cadeau sur la première page blanche, datée de 1890. Les pages / gravures sur bois pleine page sont imprimées sur un seul côté (recto) de la feuille. Bordures rouges. Gravures de haute qualité par les frères Dalziel. 76 feuilles numérotées. 24 x 18 cm.

London: Tho. Basset, James Adamson, and Tho. Newborough: 1687. Pamphlet. A contemporary account / bibliography of the tracts and pamphlets published by both sides. Most of these were anonymous, and there are marginalia which name the author in most cases in a contemporary hand. Title, text, errata. The errata has been crossed out, and the corrections listed have been made by hand in the text. Clagett was particularly close friends with his eventual successor at Gray's Inn, William Wake, the future archbishop of Canterbury. Clagett saw through the press Wake's "The present state" while Wake was lying low in Dorchester, leading to its sometimes being erroneously credited to Clagett (including by Wing, who referenced it as C4390). The title leaf is detached and a little grubby. The text shows some light staining in places and has some marginal ink notes, the first few leaves are partially detached at the top, everything else is well bound together. Wake, William (1657–1737), became Archbishop of Canterbury. He was originally from Blandford Forum in Dorset, and became a convinced Anglican after spending time in France. He wrote many tracts opposing Catholicism.
William Clagett (1646–1688) was an English clergyman and pamphleteer, particularly active during the reign of James II, when he was very anti-catholic. 1-40 pp. Wing C4390.

London: Seeleys: All published of this Anti-Catholic journal. Begun in July 1827, it ceased in 1828. Brown buckram boards with gilt titles to the spine. Volumes I & 2 bound as one. Bookplate of the Law Society to the inside board. Contemporary owner's signature to the half title. Contents to the beginning of volume I. The boards are in excellent condition. The pages of the journals are very clean and tidy, with only a touch of foxing or edge wear to them. The contents are a variety of articles and letters aimed at proving the superiority of the the Protestant Faith over Popish Superstition. There is even an article on Prophecies showing the overthrow of the Roman Church in volume II. It seems that the editors didn't prophecies the demise of the journal, as it ends at the end of the final issue without any comment. ii, 1-380. 1-288 pp.

London: Bickers & Son, 1879. First edition. In original hardback binding, red half leather and green buckram binding with gilt stamped coat of arms decorating the front board. Leather on spine is worn, with some scrapes. Boards themselves are a lightened in places / watermarked. There is a small watermark to the top right corner of the first two pages in the contents. All page edges gilt. Marbles end papers. xcviii, 105 pp. 250 x 160 mm (9¾ x 6¼ inches). Signed by the author to the top of the title page. This is a message to what appears to say 'Philip Grove of Leeds', and references two pages within the book, that subsequently have the name Grove underlined. Other paragraphs the author wishes to draw Grove's attention to are marked in the margin in a couple of places.

London: Henry Hills, 1687. Disbound, title, text. This pamphlet, almost written in the form of a play, outlines a debate between Peter Gooden and Edward Stillingfleet & William Clagett. It is interesting to see that Gooden was anonymously described as a Lay-gentleman. Although not a Jesuit, he was certainly a "seminary priest". The title and first couple of leaves are detached, the title has been cropped loose in the bottom margin with a slight loss to the date. The text has light browning throughout, the last page is a little darkened and slightly marked. Gooden, Peter (1643–1694), Roman Catholic priest. educated at Lisbon. He spent the end of Charles's reign at Aldcliffe Hall and set up a school here. Under James II he was made chaplain to the Duke of Berwick's Regiment, but after the revolution he returned to Aldcliffe. He had frequent conferences with Anglicans. 'No man', says Dodd, 'was better qualified to come off with reputation in a personal conference' as 'he was naturally bold and intrepid, had a strong voice, a ready utterance, and generally made choice of such topics as afforded him matter to display his eloquence.' (DNB). [1] - 40 pp. WING G1099

London: Thomas McLean. First edition lithograph, published 1829. Image is 28.5 x 39.5 cm. Laid onto brown card (35 x 50 cm). To verso is a blank mount of the same size. The print is reasonably clean, but has a damp stain across the cave wall, and light foxing. A little nicking and edgewear to the edges of the card. Issued as #6 of "Political sketches" - Issued in 5 volumes. (Arthur Wellesley, 1st Duke of Wellington; George William Finch-Hatton, 10th Earl of Winchelsea). Description is: "The Earl of Winchelsea conceived so great a disgust with politics, on account of the passing of the Catholic Emancipation Act, that he announced it to be his intention of retiring altogether from the House of Lords. Moore, the lyrical poet, ever ready with his joke, took occasion, on the day after his Lordship's announcement of his resolution, to tell the story of a man in the gallery at Drury Lane, who, having paid his shilling to see George Barnwell, and not choosing to be disturbed from his tragedy-state of mind by the noise which an Easter Monday audience generally makes before the play begins, called out lustily for silence, and having, with much difficulty, obtained a hearing, very gravely acquainted the audience, that if they did not conduct themselves in a more orderly manner, he should be under the necessity of leaving the house. The public laughed with the poet and at the Earl, well knowing that such resolutions are the offspring of temporary emotions, and are never kept." Mclean. Illustrative Key to the Political Sketches of H.B. From No.1 to No. 600. Conforms to the National Portrait Gallery copy: NPG D40941. The Duke of Wellington is mentioned in this sketch, as he was the Prime Minister at the time of the passing of the Catholic Emancipation Act.

. Première édition de la lithographie, publiée en 1829. L'image mesure 28,5 x 39,5 cm. Collée sur une carte brune (35 x 50 cm). Au verso se trouve un montage vierge de la même taille. L'estampe est relativement propre, mais présente une tache d'humidité sur la paroi de la grotte, ainsi que de légères rousseurs. Les bords de la carte sont légèrement entaillés et usés. Publié en tant que n° 6 de "Political sketches" - Publié en 5 volumes. (Arthur Wellesley, 1er duc de Wellington ; George William Finch-Hatton, 10e comte de Winchelsea). La description est la suivante : "Le comte de Winchelsea a éprouvé un tel dégoût pour la politique, en raison de l'adoption de la loi sur l'émancipation des catholiques, qu'il a annoncé son intention de se retirer complètement de la Chambre des lords. Moore, le poète lyrique, toujours prêt à plaisanter, eut l'occasion, le lendemain de l'annonce par sa Seigneurie de sa résolution, de raconter l'histoire d'un homme dans la galerie de Drury Lane, qui, ayant payé son shilling pour voir George Barnwell, et ne voulant pas être dérangé de son état d'esprit tragique par le bruit qu'un public du lundi de Pâques fait généralement avant le début de la pièce, demanda bruyamment le silence, et se retira de la salle, Après avoir payé son shilling pour voir George Barnwell, et ne voulant pas être dérangé dans son état d'esprit tragique par le bruit que fait généralement le public du lundi de Pâques avant le début de la pièce, il réclama bruyamment le silence et, après avoir obtenu avec beaucoup de difficultés d'être entendu, il informa très sérieusement le public que s'il ne se comportait pas de manière plus ordonnée, il serait obligé de quitter la maison. Le public a ri avec le poète et le comte, sachant bien que de telles résolutions sont le fruit d'émotions passagères et ne sont jamais respectées". Mclean. Clé illustrant les croquis politiques de H.B. du n° 1 au n° 600. Conforme à l'exemplaire de la National Portrait Gallery : NPG D40941. Le duc de Wellington est mentionné dans cette esquisse, car il était Premier ministre au moment de l'adoption de la loi sur l'émancipation des catholiques.