London: Gollancz, 2003. Very nice copy of this first edition, signed and dated) by the author to the title page. Spotless cloth. Clean and tidy dust wrapper, now held in archival protection. 240 by 160mm (9½ by 6¼ inches). 421 pages

Paris: H. Floury, 1908. First edition. One of a thousand copies (not numbered) on Velin paper. Grey boards with minimalist titles to the spine and front board. There is a little rubbing to the edge of the spine. Front board is a little bowed. Contains 2 portraits, 11 plates by Beardsley and 2 cul de lamp. Internally a very nice clean copy. 129 pages. Plates have glassine guards. The spine is darker than the boards and has possibly been neatly re-laid. 26cm x 20cm.

London: Methuen & Co, 1895. Second edition. 301 pages followed by 32 pages of publisher's advertisements dated January 1895. From the library of the author Maarten Maartens. He has written his real name inside on the FFEP. Boards are bumped and rubbed, and there is sun fading to the spine. Page edges are spotted, but inside not so much. 190 x 135 mm (7½ x 5¼ inches).

Paris: The Olympia Press, 1961. Green paperback. Has green decorative border on title page. Previously owned by Julian Mitchell, the British playwright, screenwriter and occasional novelist. Best known for his play 'Another Country'. B/w illustrations by the author are also in text. 241 pages. 175 x 110 mm (7 x 4¼ inches).

San Francisco: Re/Search Publications, 1990. First thus. Large paperback. Colour illustrated covers. Front cover and all illustrations by Phoebe Gloeckner; back cover and all photographs by Ana Barrado. Preface by William S. Burroughs. Editors V. Vale and Andrea Juno. 127 pages + catalogue. 280 x 215 mm (11 x 8½ inches). RE/Search Publications is an American magazine and book publisher, based in San Francisco. It was founded by its editor V. Vale in 1980. In several issues, Andrea Juno was also credited as an editor.

London: Chatto & Windus / Book society, 1958. First edition, original wrappers, original green cloth. This was Murdoch's fourth novel. It is set in Imber Court, an eccentric lay Religious community in Gloucestershire. 320 pp.

London: Faber & Faber Ltd, 2015. First Edition, first printing. Hardback. Signed in black ink on the title page by Kazuo Ishiguro. Publisher's original grey boards with gilt stamped title to spine and dark green endpapers. In original dust jacket. 240 x 160 mm (9½ x 6¼ inches). Kazuo Ishiguro is also the author of the book Remains of the Day.

London: Hodder & Stoughton, 2005. Very nice copy of this first edition, signed and dated) by the author to the title page. Spotless cloth. Clean and tidy dust wrapper, now held in archival protection. 230 by 140mm (9 by 5½ inches). 309 pages.

London: Faber and Faber Ltd, 1955. UK first edition, first impression. Hardback in unclipped dust jacket. 110 [1] pages. 225 x 145 mm (8¾ x 5¾ inches).

London: Eveleigh Nash, 1906. First edition. Original red cloth with gilt titles and blind embossed Prussian eagle to the front boards. Bookplate for W.H. Smith Library to the front paste down.
xiv. 550. pp.
200 by 130mm (7¾ by 5 inches).

London: Smith, Elder / Chapman & Hall, 1850. Two First editions, bound together in a contemporary full leather binding. All edges gilt. Both by Titmarsh, a pseudonym for Thackeray. The 15 full page illustrations to the Kicklebury's are unsigned, the 8 plates in Rebecca & Rowena are attributed to Richard Doyle. These were two of the 'Christmas books' written by Thackeray. 88, viii, 102 pages. 185 by 140mm (7¼ by 5½ inches).

London: The Blackamore Press, 1929. This is limited edition # 98 of 550 copies. In Japanese style cream coloured silk binding over bevelled hardback boards. Top edge gilt. 33 pages. 215 x 155 mm (8½ by 6 inches). From the 12th century Japanese short story about a Heian court lady who defies social convention. It was one of ten short stories told in the collection Tsutsumi Chūnagon Monogatari.

London: William Heinemann, 1900. One of 200 deluxe copies printed on Van Gelder paper. Cream boards with gilt design. Featuring the illustrations of the Brothers Rhead (George Woolliscroft and his brother Louis). The illustrations are each in two states. 330 x 260 mm (13 x 10¼ inches).

London: Martin Secker, 1931. First Edition, that was limited to only 2000 copies. Hardback in publisher's original green cloth, with the spine lettered in gilt and with the image of a phoenix in gilt to the front board. Top page edges gilt, other edges left untrimmed. Last page states that it was printed in Great Britain by the Botolph Printing Works. 97 pages. 260 x 170 mm (10¼ x 6¾ inches).

London: Collins, 1956. First Edition; signed by the author, in its original dust jacket. Very good book, in green cloth. 256 pp. 210 x 140 mm (8¼ x 5½ inches). Ralph Hammond Innes CBE, was a British novelist who wrote over 30 novels, as well as children's and travel books.

New York: Benziger Brothers: Benziger Brothers, 1928. Original green cloth with blind stamped shamrock to the front board, and gilt titles and shamrock decorations. Original dust wrapper (nowprotected in mylar) with an illustration of an Irish map to the front cover, and a list of other novels to the rear panel. First issue. "Taking the town of Druninara as a setting, he presents with the accuracy of an eye witness vivid and poignant scenes of that futile (1916) uprising that nevertheless was the beginning of the end of British ascendancy in Ireland." (Publisher's blurb). The Reverend Joseph Cannon Guinan was a parish priest in Ardagh, County Longford. 332 pages. 19 cm x 13 cm.

London: J.M. Dent, 1962. A corrected proof, bearing printers / proof reading corrections. Paper covers (front cover detached but present). Slight staining to covers. Includes Peake's own illustrations.
44 pages
230 by 140mm (9 by 5½ inches).

Leicester: Edmund Ward, 1944. Limited numbered edition. 93/200. Quarter green leather with vellum boards. Gold pentagram to the front board. Held in a slipcase. Eight coloured illustrations. Top edge gilt with rough cut other edges.
96pp.
195 by 135mm (7¾ by 5¼ inches).