London: 2016. Scarce. Limited edition, number 84 of only 100 copies. Published by Tangerine Press. Book is hardback in hand sewn and handmade marbled paper covered boards with a Japanese Silk spine. The front cover artwork is embossed in black with Heritage book white archival quality, Fourdrinier made, acid-free text paper on the inside and Hahnemuhle Ingres endpapers. 24 pages. The limitation is numbered in red, and signed by Billy Childish in blue pencil, with Hangman gallows stamp. In fine / as new condition.

London: Hildesheimer & Faulkner, 1892. First edition. Brown cloth binding with gold and silver blocked design and titles to front. Fully illustrated with charming chromolithographs, some full-page. All edges gilt. Boards a little bumped and scuffed, pages age toned and with some foxing, but overall in good shape. Features poems by (among others) Rossetti, Swinburne, Browning, Shelley, Weatherly, and Gilbert.40 pp. 250 x 190 mm (9¾ x 7½ inches).

London: George Routledge & Sons, [1881]. First Edition. Hardback. Green cloth spine with light green paper covered bevelled boards. Beautifully illustrated throughout with colour vignettes, words and music to nine charming songs. Boards are rubbed and book has been dropped at some point so top right corner has some creasing, otherwise good and clean. 29 pages. 250 x 215 mm (9¾ x 8½ inches).

Edinburgh: M. Macdonald, 1971. First edition. Softback with original card dust jacket. The dust jacket is very slightly sun faded in spine area. Neat ex libris to front endpaper. Otherwise the book and contents are spotless.
Joseph Todd Gordon Macleod (1903–1984) was a British modernist poet, actor, playwright, theatre director and historian, and also a BBC newsreader. He sometimes published poetry under the pseudonym Adam Drinan. Whilst studying at Rugby School, Macleod was a close friend of Adrian Stokes, and at Oxford he was a close friend of Graham Greene. This is his final poem sequence, entirely autobiographical, containing poems which meditate upon his friendships and familial ties, and the process of aging.
37 pages. 220 x 150 mm (8¾ x 6 inches).

Edinburgh: William Blackwood and Sons, 1884. Fourteenth Edition. Hardback in green cloth with red title and gilt illustration to front board and spine. Some minor spine and edge rubbing and light soiling. Complete with full page frontis and many b/w in text illustrations. 292 pages. 175 x 120 mm (7 x 4¾ inches).

Buckfast, Devon: Buckfast Abbey, 1923. First edition. A very nice copy of this Benedictine Quarterly Journal. Full of period Catholic adverts, articles, book reviews and poetry. Front illustration of Buckfast Abbey in 1829. A decent copy. The paper covers are a little darkened and marked. The yapped edges are slightly nicked and have a few small closed tears. Internally clean and tidy throughout. [viii], 141-208., [vi] pp.

Buckfast, Devon: Buckfast Abbey, 1929. First edition. A very nice copy of this Benedictine Quarterly Journal. Full of period Catholic adverts, articles, book reviews and poetry. Pale blue paper covers with silver decoration to the front cover. Frontis illustration of the Bishop of Plymouth (Bishop Barrett) Articles include a translation of the original document of "The Surrender of Buckfast Abbey". There is also a photograph of detail from the Buckfast choir stalls tipped in. To the rear is an attractive colour illustrated folding advert for a clerical outfitters in Exeter. A decent copy. The paper covers are a little faded to the edges. The yapped edges are slightly bruised. Internally clean and tidy throughout. 111-162., [xi] pp.

Buckfast, Devon: Buckfast Abbey, 1923. First edition. A very nice copy of this Benedictine Quarterly Journal. Full of period Catholic adverts, articles, book reviews and poetry. Frontis illustration of Dom Vonier (second Abbot of Buckfast). A decent copy. The paper covers are a little faded. The yapped edges are slightly nicked and have a few small closed tears. Internally clean and tidy throughout. The binding of the paper wrapper is coming away to the top edge, but is still holding. [vii], 209-282., [vi] pp. pp. [vii], 209-282., [vi].

Buckfast, Devon: Buckfast Abbey, 1922. First edition. A very nice copy of this Benedictine Quarterly Journal. Full of period Catholic adverts, articles, book reviews and poetry. Frontis illustration of Dom Vonier (second Abbot of Buckfast) photographs throughout. A decent copy. The paper covers are a little faded. The yapped edges are slightly nicked and have a few small closed tears. Internally clean and tidy throughout. The binding of the paper wrapper is coming away to the top edge, but is still holding. [x], 1-72 pp.

London: Burns, Oates and Washbourne Ltd, 1946. Original cream covered paper covers over cream boards. Titles to both boards and wrapper. There is a frontis photograph of Gilbey at work, and a facsimile of a letter from the Apostolic delegate with a message from the Pope accepting the dedication of the book to him. This book comprised the collected poems from Gilbey's six earlier volumes, and an additional 40 poems included here. frontis photograph Captain Jack (John Newman) Gilbey b.1888 was the older brother of Alfred Newman Gilbey, RC priest and long-time Catholic chaplain of Cambridge University. He was the author of several collections of devotional poetry. 228pp.

London: Burns, Oates & Washbourne Ltd: 1941. Original red / orange cloth with titles in gilt to the front board, with cream paper wrapper. Titles to the front cover and spine of the wrapper. The poet has written and additional unrecorded 8 line poem to the front end paper of the book and signed it here. black and white frontis photograph of the author at work 48pp.

Leeuwarden: Hugo Suringar, 1873. Tiende druk. Boekje. Een gevierd gedicht over de Nederlanders die overwinteren in een houten hut. Zachte covers zijn delicaat en bijna los. 32 pagina's. 170 x 105 mm (6¾ x 4¼ inches).

London: Trigram Press, 1975. A very nice copy of this first edition volume of poetry. Limited to 550 copies - this one of the 500 trade edition. A collaboration between two authors, the book is divided in two halves. A green centre leaf separates the two halves. Stapled, with the staples somewhat rusty. Soft covers are clean and tidy, the glassine cover is very slightly darkened. Unpaginated, but 10 poems by each author, with printed on one side of the page only. 235 x 150 mm (9¼ x 6 inches).

Gouda: B. Van Goor, 1865. Vierde (4th) edition. Complete with six hand coloured plates by Trap (author unknown). Date is approximate. Scarce edition - copies of the 3rd and 5th appear in libraries with dates of 1854 and 1875 respectively. So estimate this circa 1865. Original brown buckram with gilt titles and decoration to front and rear boards. Binding is cracked to the paper, although the string is holding well. A little darkening and edge wear to the pages. Some small coloured cuts stuck to the front end paper. 80 pages. 160 x 110 mm (6¼ x 4¼ inches).

London: The Golden Cockerel Press, 1946. Limited edition in hardback marbled boards, with gilt stamped title to blue cloth spine. Our copy is # 493 of 750 copies. Lovely wood engravings by Gwenda Morgan. In very good condition with minimal handling. 19 pages. 190 x 130 mm (7½ x 5 inches).

London: Longman, Brown, Green and Longmans, 1842. An attractive Victorian plate book. Full brown leather with gilt decoration to the front and rear boards and gilt titles to the spine. Some rubbing to the spine edges. All edges gilt. Yellow end papers with more recent owner's name to the end paper. Half title, Frontis portrait of a very young looking Queen Victoria with tissue guard. Engraved title page with vignette. Second title page. An additional 12 engraved plates. Full of poetry, stories etc. An attractive copy. viii, 280 pp. 245 x 170 mm (9¾ x 6¾ inches).

London: Shree International, 1993. Bound in turquoise cloth covers with a peacock feather on the front cover, and a fabulous woven gold coloured and tasseled bookmark. Signed by Ramesh Patel to the front. Limited to 2,000 copies.
Text in Hindi, French, German, Spanish, English, Esperanto, Russian and Marathi. Poetry and colour images. Ramesh patel (Premormi) is a London based poet.