Lausanne: La Guilde du Livre / Editions Clairefontaine, 1955. First French edition, first printing. Paperback (stiff grey card stock) with jacket (as issued). Scarce in wrapper. The wrapper has some creasing and rubbing, with edgewear. Previous repair has reinforced the wrapper spine (inside). The book block is disbound, with the majority of the pages detached from each other. Previous owner's bookplate to the inside board. 14 black and white photos (12 inside, 2 on the cover). 280 by 220mm (11 by 8¾ inches).
Martin Parr; The Photobook vol 1, page 187/201. Andrew Roth; Book of 101 Books, page 132; 802 photo books from the M. + M. Auer collection, page 336. Première édition française, premier tirage. Broché (carton gris rigide) avec jaquette (telle que publiée). Rare sous emballage. La cape présente des plis et des frottements, avec des usures des bords. Une réparation précédente a renforcé le dos de la cape (intérieur). Le bloc de livre est détaché, avec la majorité des pages détachées les unes des autres. Ex-libris du propriétaire précédent sur le tableau intérieur. 14 photos en noir et blanc (12 à l'intérieur, 2 sur la couverture).
Martin Parr ; Le livre photo vol 1, page 187/201. Andrew Roth ; Livre des 101 livres, page 132 ; 802 livres photo de la collection M. + M. Auer, page 336. 280 x 220 mm

Norway, 1885. Knud Knudsen, Axel Lindahl and unknown photographer - A group of 11 nice late 19th century vintage photographs from Norway, c 1885. Individual details are as follows:
K. Knudsen* (III. 24). 2781 Hammerfest. 1887. Image 13.5cm x 18cm. Mount 20cm x 24.5cm. Copy in the Nasjonalmuseet Robert Meyer Collection.
K. Knudsen (III. 25) 3609 Nordkap. 1885. Image 13.5cm x 18cm. Mount 20cm x 24.5cm. Copy in the Nasjonalmuseet Robert Meyer Collection.
K. Knudsen (III. 19) 2771 Parti fra Grono mod Svartisen, Nordland. C1885. Image 13.5cm x 18cm. Mount 20cm x 24.5cm.
K. Knudsen (III. 21) 2874 Troldfjord, Raftsund. C1885. Image 13.5cm x 18cm. Mount 20cm x 24.5cm.
K. Knudsen (III. 20) 2853 Parti af Raftsund. C1885. 13.5cm x 18cm. Mount 20cm x 24.5cm.
Axel Lindahl*. (II. 8). Bygdo, Gols Kirke, Hovestuen, Stabur. C1885. 16.5cm x 22.5cm. Mount 20cm x 28.5cm.
Anon. (III. 12). Norangsfjord. image 21.5cm x 13.5cm Mount 22.5cm x 29cm.
Anon (III. 15). Romsfalalsen, etc. norangsfjorden 16.5cm x 22.5cm. Mount 20cm x 28.5cm.
Anon (III. 11.) Labo Josundfjord 14cm x 21.5cm. Mount 20cm x 28.5cm.
Anon (III. 16). Romsdalhorn m Tegerlinder. 15cm x 22cm. Mount 21.5cm x 28cm.
Anon (II. 18). Domkirken Trondhjem Probably Axel Lindahl) 15cm x 20.5cm. Mount 22cm x 26cm. *Knud Knudsen, Photographer. Based in Bergen. Born 03.01.1832, death 21.05.1915
*Axel Lindahl. Photographer. Born 1841, death 1906

London: Hodder & Stoughton, 2006. First edition in original dust jacket. Hardback in black cloth with gilt title to spine. 24 colour plates and many b/w illustrations. 372 pp. 240 x 160 mm (9½ x 6¼ inches). The 12 books are: Principia Mathematica (1687) by Isaac Newton; Married Love (1918) by Marie Stopes; Magna Carta (1215); Book of Rules of Association Football (1863); On the Origin of Species (1859) by Charles Darwin; On the Abolition of the Slave Trade (1789) by William Wilberforce in Parliament, immediately printed in several versions; A Vindication of the Rights of Woman (1792) by Mary Wollstonecraft; Experimental Researches in Electricity (three volumes, 1839, 1844, 1855) by Michael Faraday; Patent Specification for Arkwright's Spinning Machine (1769) by Richard Arkwright; The King James Bible (1611) by William Tyndale and 54 scholars appointed by the king; An Inquiry into the Nature and Causes of the Wealth of Nations (1776) by Adam Smith; and The First Folio (1623) by William Shakespeare.

Dublin: Royal Irish Academy: 2015. First edition in original black and white illustrated boards, covered in a cream and black illustrated dust wrapper. 23.5 cm x 19 cm 42 biographies of men and women who played important roles in the Easter Rising of 1916. The biographies are from the Irish Dictionary of Irish Biography. The profiles describe 31 men and women who were Republican revolutionaries, 3 nationalist leaders who opposed the Easter Rising, as well as 6 men who were part of the regime opposed by the Easter Rising. There are also profiles of two historians of the Rising who were eyewitnesses. An introduction offers an overview of 20th century Irish political history, while an after word looks at the post-Rising lives of some of those profiled. The book is illustrated with full-page, b&w scraperboard engravings, some in two-page spreads. All 42 of the illustrations are by artist David Rooney. xvi, 1-367 pp

Metz: P. Didion, [1870]. Wonderful military certificate of competency in the art of cane fighting. Soldiers were expected to pass many different competencies. This particular diploma was awarded to Monsieur Joseph Franc of the 115th French Infantry Regiment. Complete with the ink signatures of attending instructors. Undated, but circa 1870. 325 x 490 mm (12¾ x 19¼ inches). Has some stains and closed tears, but generally in a good condition. In the 1800s carrying a walking stick / cane was a symbol of a gentleman who was fashion conscious, but one who was also ready to defend himself. Whilst fencing was still practiced, it did not enjoy the same popularity with the newly empowered bourgeoisie. Enterprising fencing masters soon translated their skills to the use of the walking stick or la canne. Fascinatingly, 'la canne de combat' is still a sport practiced today by thousands of cannistes around the world. Magnifique certificat militaire de compétence dans l'art du combat à la canne. Les soldats devaient acquérir de nombreuses compétences différentes. Ce diplôme particulier a été décerné à Monsieur Joseph Franc du 115e Régiment d'Infanterie Française. Compléter avec les signatures à l'encre des instructeurs présents. Non daté, mais vers 1870. 325 x 490 mm (12¾ x 19¼ pouces). A quelques taches et déchirures fermées, mais généralement en bon état. Dans les années 1800, porter une canne / une canne était le symbole d'un gentleman soucieux de la mode, mais également prêt à se défendre. Alors que l'escrime était encore pratiquée, elle ne jouissait pas de la même popularité auprès de la bourgeoisie nouvellement investie. Les maîtres d'armes entreprenants ont rapidement traduit leurs compétences dans l'utilisation de la canne ou de la canne. Fascinant, la canne de combat est toujours un sport pratiqué aujourd'hui par des milliers de cannistes à travers le monde.

NA, 1952. Limited edition. 38 / 200 copies. No publisher details. loose leaves in a folder. Illustrated with 23 erotic lithographs on panels, 28 small Illustrations. in the text as well as erotically illustrated Front and back cover of the folder. (front with a pubic mound and back with a bottom). Held in a plain red clamshell box, with silk lining. The box has no indication of what is inside. Box has a little marking. The book itself is in excellent condition. 106 pages. 310 by 240mm (12¼ by 9½ inches). Édition limitée. # 38 / 200 exemplaires. Pas de détails sur l'éditeur. Feuilles en vrac dans un dossier. Illustré de 23 lithographies érotiques sur panneaux, 28 petites Illustrations. dans le texte ainsi que des illustrations érotiques Couverture avant et arrière du dossier. (devant avec un monticule pubien et dos avec un fond). Tenu dans une boîte à clapet rouge unie, avec doublure en soie. La boîte n'a aucune indication de ce qu'il y a à l'intérieur. La boîte a un petit marquage. Le livre lui-même est en excellent état. 106 pages. 310 par 240 mm

Leningrad: inshenerow-komandirow protiwoposharnoi oborony, 1940. Fabric-covered original cover with gilt titles, The gilt is a little faded, and some parts have been inked in so as to still be legible. A little marking and staining to the cover. Contains 1 exterior view of the institute building and 33 individual photographic portraits of lecturers and graduates, all named in the negative. These are tipped onto the card. The university, founded in 1933, is a forerunner of the "Akademija gos. Protiwoposharnoi slushby MTschS Rossii", which is located in Moscow today. A fascinating "photo-book" at a seminal period of Russian history. Image size 12: 8 cm. Album size 230 by 300mm (9 by 11¾ inches). Couverture originale recouverte de tissu avec titres dorés, La dorure est un peu passée, et certaines parties ont été encrées pour être encore lisibles. Un peu de marquage et de taches sur la couverture. Contient 1 vue extérieure du bâtiment de l'institut et 33 portraits photographiques individuels de professeurs et de diplômés, tous nommés dans le négatif. Ceux-ci sont renversés sur la carte. L'université, fondée en 1933, est un précurseur de l'« Akademija gos. Protiwoposharnoi slushby MTschS Rossii », qui se trouve aujourd'hui à Moscou. Un « livre photo » fascinant à une période charnière de l'histoire de la Russie. Taille de l'image 12 : 8 cm. Taille de l'album 230 par 300 mm.

Totnes: James Cauty: 2007. Limited Edition Print onto 315 gsm archival paper. Edition of 99 - numbered and stamped (this is 35/99). Believe the Magic, OMK Page Edition. 'Operation Magic Kingdom' was a billboard and street poster campaign in London (2007) against the Iraq war. Also released as stamps and prints. OMK blind stamped and hand numbered in pencil to front. Also official CNPD red stamp on back. With 4 binding holes in the left hand margin. Dimensions: 35,8 cm x 30.5cm James (Jimmy) Cauty, was formerly a musician with the band 'The Orb', and was a member of 'KLF'. More recently, he has been an artist, creating works of dissent, and working alongside artists such as Banksy and Billy Childish. He has been involved in Steve Lowe's L-13 Light Industrial workshop. He created the gift shop at Banksy's 'Dismaland'. His work also toured as part of the ADP (Aftermath Dislocation Principle) Riot Tour.

The Hague: Martinus Nijhoff: 1937. First Edition limited to 315 numbered and signed copies. This is copy #280. Signed by Teerink. Cloth, small gilt cover device, top edge yellow, large 8vo, xi, 434 pp. 1574 entries. From a contemporary review: The bibliography is divided into six sections. In the first section the various collected editions of Swift's works are analysed in great detail. Sections 2 and 3 include bibliographies of A Tale of a Tub and Gulliver's Travels. Both these are useful, as they summarize information which otherwise can only be found in very specialized works. The fourth section is called Separate Works and, from the student's point of view, it is by far the most important. In this section there is a large number of definitely false attributions, while there are others which are very doubtful. The fifth and sixth sections are devoted respectively to Doubtful Works and Biography and Criticism.