Norway, 1885. Knud Knudsen, Axel Lindahl and unknown photographer - A group of 11 nice late 19th century vintage photographs from Norway, c 1885. Individual details are as follows:
K. Knudsen* (III. 24). 2781 Hammerfest. 1887. Image 13.5cm x 18cm. Mount 20cm x 24.5cm. Copy in the Nasjonalmuseet Robert Meyer Collection.
K. Knudsen (III. 25) 3609 Nordkap. 1885. Image 13.5cm x 18cm. Mount 20cm x 24.5cm. Copy in the Nasjonalmuseet Robert Meyer Collection.
K. Knudsen (III. 19) 2771 Parti fra Grono mod Svartisen, Nordland. C1885. Image 13.5cm x 18cm. Mount 20cm x 24.5cm.
K. Knudsen (III. 21) 2874 Troldfjord, Raftsund. C1885. Image 13.5cm x 18cm. Mount 20cm x 24.5cm.
K. Knudsen (III. 20) 2853 Parti af Raftsund. C1885. 13.5cm x 18cm. Mount 20cm x 24.5cm.
Axel Lindahl*. (II. 8). Bygdo, Gols Kirke, Hovestuen, Stabur. C1885. 16.5cm x 22.5cm. Mount 20cm x 28.5cm.
Anon. (III. 12). Norangsfjord. image 21.5cm x 13.5cm Mount 22.5cm x 29cm.
Anon (III. 15). Romsfalalsen, etc. norangsfjorden 16.5cm x 22.5cm. Mount 20cm x 28.5cm.
Anon (III. 11.) Labo Josundfjord 14cm x 21.5cm. Mount 20cm x 28.5cm.
Anon (III. 16). Romsdalhorn m Tegerlinder. 15cm x 22cm. Mount 21.5cm x 28cm.
Anon (II. 18). Domkirken Trondhjem Probably Axel Lindahl) 15cm x 20.5cm. Mount 22cm x 26cm. *Knud Knudsen, Photographer. Based in Bergen. Born 03.01.1832, death 21.05.1915
*Axel Lindahl. Photographer. Born 1841, death 1906

London: Hodder & Stoughton, 2006. First edition in original dust jacket. Hardback in black cloth with gilt title to spine. 24 colour plates and many b/w illustrations. 372 pp. 240 x 160 mm (9½ x 6¼ inches). The 12 books are: Principia Mathematica (1687) by Isaac Newton; Married Love (1918) by Marie Stopes; Magna Carta (1215); Book of Rules of Association Football (1863); On the Origin of Species (1859) by Charles Darwin; On the Abolition of the Slave Trade (1789) by William Wilberforce in Parliament, immediately printed in several versions; A Vindication of the Rights of Woman (1792) by Mary Wollstonecraft; Experimental Researches in Electricity (three volumes, 1839, 1844, 1855) by Michael Faraday; Patent Specification for Arkwright's Spinning Machine (1769) by Richard Arkwright; The King James Bible (1611) by William Tyndale and 54 scholars appointed by the king; An Inquiry into the Nature and Causes of the Wealth of Nations (1776) by Adam Smith; and The First Folio (1623) by William Shakespeare.

Dublin: Royal Irish Academy: 2015. First edition in original black and white illustrated boards, covered in a cream and black illustrated dust wrapper. 23.5 cm x 19 cm 42 biographies of men and women who played important roles in the Easter Rising of 1916. The biographies are from the Irish Dictionary of Irish Biography. The profiles describe 31 men and women who were Republican revolutionaries, 3 nationalist leaders who opposed the Easter Rising, as well as 6 men who were part of the regime opposed by the Easter Rising. There are also profiles of two historians of the Rising who were eyewitnesses. An introduction offers an overview of 20th century Irish political history, while an after word looks at the post-Rising lives of some of those profiled. The book is illustrated with full-page, b&w scraperboard engravings, some in two-page spreads. All 42 of the illustrations are by artist David Rooney. xvi, 1-367 pp

Metz: P. Didion, [1870]. Wonderful military certificate of competency in the art of cane fighting. Soldiers were expected to pass many different competencies. This particular diploma was awarded to Monsieur Joseph Franc of the 115th French Infantry Regiment. Complete with the ink signatures of attending instructors. Undated, but circa 1870. 325 x 490 mm (12¾ x 19¼ inches). In the 1800s carrying a walking stick / cane was a symbol of a gentleman who was fashion conscious, but one who was also ready to defend himself. Whilst fencing was still practiced, it did not enjoy the same popularity with the newly empowered bourgeoisie. Enterprising fencing masters soon translated their skills to the use of the walking stick or la canne. Fascinatingly, 'la canne de combat' is still a sport practiced today by thousands of cannistes around the world.

Totnes: James Cauty: 2007. Limited Edition Print onto 315 gsm archival paper. Edition of 99 - numbered and stamped (this is 35/99). Believe the Magic, OMK Page Edition. 'Operation Magic Kingdom' was a billboard and street poster campaign in London (2007) against the Iraq war. Also released as stamps and prints. OMK blind stamped and hand numbered in pencil to front. Also official CNPD red stamp on back. With 4 binding holes in the left hand margin. Dimensions: 35,8 cm x 30.5cm James (Jimmy) Cauty, was formerly a musician with the band 'The Orb', and was a member of 'KLF'. More recently, he has been an artist, creating works of dissent, and working alongside artists such as Banksy and Billy Childish. He has been involved in Steve Lowe's L-13 Light Industrial workshop. He created the gift shop at Banksy's 'Dismaland'. His work also toured as part of the ADP (Aftermath Dislocation Principle) Riot Tour.

The Hague: Martinus Nijhoff: 1937. First Edition limited to 315 numbered and signed copies. This is copy #280. Signed by Teerink. Cloth, small gilt cover device, top edge yellow, large 8vo, xi, 434 pp. 1574 entries. From a contemporary review: The bibliography is divided into six sections. In the first section the various collected editions of Swift's works are analysed in great detail. Sections 2 and 3 include bibliographies of A Tale of a Tub and Gulliver's Travels. Both these are useful, as they summarize information which otherwise can only be found in very specialized works. The fourth section is called Separate Works and, from the student's point of view, it is by far the most important. In this section there is a large number of definitely false attributions, while there are others which are very doubtful. The fifth and sixth sections are devoted respectively to Doubtful Works and Biography and Criticism.

Oxon: Printed at the Theater, 1676. The second edition of this work. Full leather. The boards are contemporary blind stamped calf. The spine has been sympathetically replaced in a period style by Temple bookbinders of Oxford. Engraved frontispiece with quotation from Ovid - Resoluta catenis etc: "The Prize and cause of our labour" (in a smirk of history, this later became the motto of Burnley Football Club). Ownership signature of Baron Pretyman to the title page and rear inside board. Decorative headpiece and initial letter to the beginning of the preface and the introduction. This is Clarendon's attack on Hobbes's great work. It is ironic that probably the largest printing run of Leviathan would later be from the Clarendon Press. *4, A-Z4, Aa-Rr4, S1. (S2 is blank). 322pp.