Dublin: Royal Irish Academy: 1915. Original black and white illustrated boards, covered in a cream and black illustrated dust wrapper. 1st edition. 23.5 cm x 19 cm 42 biographies of men and women who played important roles in Ireland’'s Easter Rising of 1916. The biographies are from the Irish Dictionary of Irish Biography. The profiles describe 31 men and women who were Republican revolutionaries, 3 nationalist leaders who opposed the Easter Rising, as well as 6 men who were part of the regime opposed by the Easter Rising. There are also profiles of two historians of the Rising who were eyewitnesses. An introduction offers an overview of 20th-century Irish political history, while an afterword looks at the post-Rising lives of some of those profiled. The book is illustrated with full-page, b&w scraperboard engravings, some in two-page spreads. All 42 of the illustrations are by artist David Rooney; xvi, 1-367 pp

Totnes: James Cauty: Limited Edition Print onto 315 gsm archival paper - Edition of 21 stamped and with the initials AP (which probably stand for Artist's Proof). The Gift of Life, OMK Page Edition. Operation Magic Kingdom was a billboard and street poster campaign London 2007 against Iraq war also released as stamps and prints. print onto 315 gsm archival stock paper. OMK Blind stamped and hand numbered in pencil on front. Also official CNPD red stamp on back. Dimensions: 35,8 cm x 30.5cm with 4 binding holes in the left hand margin (last time this appeared at auction it reached £470)

Totnes: James Cauty: 2006. Limited Edition Print onto 315 gsm archival paper - This is one of James Cauty's famous anti-occupation of Iraq protest prints. These stamps were the subject of a legal action in 2003 by Royal Mail alledging copyright infringement

Totnes: James Cauty: Limited Edition Print onto 315 gsm archival paper - Edition of 81 numbered and stamped (this is 48/81) War Can Be Fun, OMK Page Edition. Operation Magic Kingdom was a billboard and street poster campaign London 2007 against Iraq war also released as stamps and prints. print onto 315 gsm archival stock paper. OMK Blind stamped and hand numbered in pencil on front. Also official CNPD red stamp on back. Dimensions: 35,8 cm x 30.5cm with 4 binding holes in the left hand margin

Totnes: James Cauty: Limited Edition Print onto 315 gsm archival paper - Edition of 99 - numbered and stamped (this is 35/99) Believe the Magic, OMK Page Edition. Operation Magic Kingdom was a billboard and street poster campaign London 2007 against Iraq war also released as stamps and prints. print onto 315 gsm archival stock paper. OMK Blind stamped and hand numbered in pencil on front. Also official CNPD red stamp on back. Dimensions: 35,8 cm x 30.5cm with 4 binding holes in the left hand margin

Wiinchester: Grayhound Press: 1930. One of 500 (number 217) copies. Printed in Frances by Ducros & Colas, Paris. IN Bodoni type on Van Gelder Paper. Four hand coloured pochoir illustrations. Folio.

The Hague: Martinus Nijhoff: 1937. First Edition limited to 315 numbered and signed copies. This is copy #280. Signed by Teerink. Cloth, small gilt cover device, top edge yellow, large 8vo, xi, 434 pp. 1574 entries. From a contemporary review: The bibliography is divided into six sections. In the first section the various collected editions of Swift's works are analysed in great detail. Sections 2 and 3 include bibliographies of A Tale of a Tub and Gulliver's Travels. Both these are useful, as they summarize information which otherwise can only be found in very specialized works. The fourth section is called Separate Works and, from the student's point of view, it is by far the most important. In this section there is a large number of definitely false attributions, while there are others which are very doubtful. The fifth and sixth sections are devoted respectively to Doubtful Works and Biography and Criticism.

Standon: Edmundian Association: 1891. Original cloth gilt now a bit dulled, all edges gilt, some foxing at the front, else a very good copy. Owner's name to the ffep (Syon Abbey, South Brent). St Edmund's Hall was established in 1795 for the education of the children of Roman Catholic nobility. pp. vi, 80, Frontispiece and 7 Illustrations

Oxford: Printed at the Theater: 1676. The second edition of this work. Full leather. The boards are contemporary blind stamped calf. The spine has been sympathetically replaced in a period style by Temple bookbinders of Oxford. Engraved frontispiece with quotation from Ovid - Resoluta catenis etc: "The Prize and cause of our labour" (in a smirk of history, this later became the motto of Burnley football club). Ownership signature of Baron Pretyman to the title page and rear inside board. Decorative headpiece and initial letter to the beginning of the preface and the introduction. This is Clarendon's attack on Hobbes's great work. It is ironic that probably the largest printing run of Leviathan would later be from the Clarendon Press. *4, A-Z4, Aa-Rr4, S1. (S2 is blank). 322pp.

London: Longman and Co: 1870. Blue paper covers. Decorative border and titles in black. Adverts to rear cover. 45 songs, with the music and words. Oblong 8vo. This is the stated Fourth Edition of this work. 24 pp,

London: Longman and Co: 1869. Disbound. (Originally Blue paper covers - the front cover has now gone). Adverts to the rear blue cover 45 songs, with the music and words. Oblong 8vo. This is the stated Fourth Edition of this work. 24 pp,

Amsterdam: Tresling & Co: Three leaves from Hoytema's calendars, printed by Tresling & Co. of Amsterdam. September 1913 / Januari 1915 / September 1916. There is a title to the top edge, and a decorative frame, within which there is the main illustration for the month. Below is the calendar itself, with the day / date for the month. Each plate is 43cm x 21cm (narrow folio format). Each plate is produced by a colour lithographic technique, signed or monogrammed to the stone. The top edge of each has a fine serrated tooth pattern, where it has been detached from the original calendar. September 1913 may be a proof copy (?) it is much darker, and printed on a darker and stiffer card. Along with these full calendar pages are three large lithographs - which were the headers of calendar months. (I have identified October 1910 and November 1915, but not the third). There are also six small lithographs. These were originally footers of calendar sheets. Three are identified as 1913. The other three are unknown, but probably also 1913. Theo van Hoytema (1863-1917) was Dutch illustrator and book designer. He was particularly known for his nature images (more specifically birds). He grew up in The Hague, and afterwards in Voorschoten. He took drawing lessons at the Academy of Art in The Hague, and through his Uncle's contacts, he studied at the Zoological Museum in Leiden. <br />His first illustrations were published in 1891, "How the birds came to a King" He followed this up with "The Ugly Duckling" in 1893, and "The Happy Owls" in 1895. He married in 1891, but it was not a happy marriage, and did not last. He entered a restless period after the breakdown of his marriage, moving around, and staying for a while with his brother in London. Between 1904 and 1906 he spent time in a hospital, and a sanatorium for neurotics. On release, he lived with his sister in The Hague for the rest of his life. It was during this later period that he made the calendars which made him famous. Theo van Hoytema made 17 calendars. The final one – for the year 1918, was somewhat sketchy, as it was in preparation in the year of his death, and was not completed as a full colour lithograph. There are collections of his work in the Museum Bijmans Van Beuningen, Rotterdam, and the Rijksmuseum & Stedelijk Museums in Amsterdam. There is a road and square / park named after him in The Hague, with a memorial there.

Cambridge: Printed at the University Press for Edmund Jeffery: 1709. bound in a period full panelled calf, five raised bands to spine. Complete. Bennet, Thomas (1673–1728), Church of England clergyman and religious controversialist. He had prominent Whig principles, and these led to his early preferment under George. He wrote confutations, attacking Popery as well as Quakerism, and other dissenting groups. He also wrote attacking Non-Jurors. His later work and particularly his "Hebrew Grammar" did much to enhance his reputation. (See ODNB). collation: [viii +] 318 [+ 4+ 3] pp. ; page 127 is misnumbered as 129; final three pages are a catalogue of books printed for Edmund Jeffrey.

London: Keating & Co: 1861. First edition. Pamphlet. 8vo. Contents clean and bright. Recent buff papers wrappers. A scarce pamphlet. Copac locates only 2 copies (Southampton & Durham). [3], 4-61, [1]. pp

London: E. Owen: The full title continues: Wherein the Account given of that book by the Author of the the Divine Legation of Moses Demonstrated &c. is particularly considered; The Antiquity of the book vindicated; The great Test (Chap. xix. 25-) explained; and a Future State shewn to have been the Popular Belief of the Ancient Jews or Hebrews. Full contemporary calf, with gilt decoration and titles to the spine. Owner's bookplate to the inside front board. This copy is a First edition of the Dissertation bound in with a First edition of the preface. (conforming to the ESTC entries for both works). The two title pages are bound in together at the front of the work, then the Preface is presented, followed by the Dissertation. Both works have their errata present. There is an owner's name in ink to the title page of the preface. The two titles show that the dissertation was published by E. Owen, and sold by S. Birt & B. Dod, S. Bathurst, J. Fletcher, W. Thurlbourn & E. Score. The preface was printed for W. Johnston, P. Davey & B. Law. Charles Peters [1690-1774] was a Cornish Church of England rector and Hebrew Scholar. Described by Polwhele as "The first Hebrew Scholar in Europe" Presumably meaning foremost! The production of this work is unusual, more in the style of the Seventeenth Century pamphleteers. The Dissertation, first published (as here) in 1751 was critical of William Warburton's work "The Divine Legation of Moses." Warburton responded, and a second edition (revised) was published in 1757. At this point, a lengthy preface was also added to deal with Warburton's comments. This was also published separately. It is this separate Preface offered here. Later (1760) he also published an Appendix, dealing further with Warburton's comments. He dies in 1774 and a volume of his sermons was produced in 1776. Lxiii, [i], 1-465, [i]. pp

London: Robert Clavel and James Knaplock: 1704. Later Vellum with titles stamped to spine. ESTC T75521. 64pp

London: Randal Taylor: 1687. Pamphlet. Disbound. Title, preface, text. The Test Acts were a series of English penal laws that served as a religious test for public office and imposed various civil disabilities on Roman Catholics and Nonconformists. The principle was that none but people professing the Established Church were eligible for public employment, and severe penalties were pronounced against recusants. In practice nonconformists were often exempted from some of these laws through the regular passage of Acts of Indemnity. The 1673 Act made the initial Test supremacy and the Sacraments. This was followed by a 1678 law to remove the exemption that Peers had enjoyed. Under James II the Test acts were temporarily suspended, but were enforced once more under William and Mary, and remained in force until 1829. [viii], 1-40pp. Wing D1593

London: Henry Brome at the Gun in St Paul's Church-yard: 1676. Bound in recent full calf preserving an old morocco label. One leaf (A2) is lacking. This is the engraved title page. The previous page (A1) explaining the symbolism of the illustration is present, as is the regular title page. A century of observations has separate dated title page on leaf L1r; pagination and register are continuous. "The lives and characters of the physicians of Bathe" has separate title page dated 1677 on leaf M8r; pagination and register are continuous. This copy conforms to the first edition of ESTC R10888 apart from the lack of engraved title. This copy has an additional plate at page 23. Pp.[30], 200. Conforms to Wing G2192 & ESTC R10888

London: Printed by S. Roycroft for R. Blome: 1679. "The Fifth Edition, much enlarged with great variety of Bearings. To Which is added a Treatise of Honour, Military and Civil, According to the Laws and Customs of England, collected out of the most Authentick Authors, both Ancient and Modern by Capt. John Logan."<br />A very nice copy - recently bound in quarter calf with burgundy label and marbled boards. Recent end papers. The rest of the book is original and complete. This is an ex library copy, but the stamps are not too disfiguring. A stamp and a couple of location records to the title page. Otherwise some small stamps to the verso of plates. A few of the pages have minor nicking to the edges - but well away from the text. Slight browning to the pages. Overall though, a good clean copy, with nice clear and well pressed engravings in a flawless binding. [xiv], 1-317, [ix]. [ii], 3-181, [ix]. pp + plates and engraved portraits. The first part of the work (Guillim's) contains hundreds of examples of Arms throughout the text. The second part (the Analogia Honorum) contains 2 engraved dedications, 9 full page portraits and 105 engraved plates containing hundreds of Arms and honours. All uncoloured.

Edinburgh: The Bannatyne Club: 1833. Library style half leather with buckram boards. Owner's bookplate for Andrew Smith of Whitchester viii, 350 pp.