Illustrated

Criteria:
  • Category = Illustrated
  • A.B.C. Petits Contes avec des images de Job by LEMAITRE, Jules
    LEMAITRE, Jules
    A.B.C. Petits Contes avec des images de Job

    Tours: Maison Mame, 1933. A nice copy of this French A.B.C. with Job's delightful illustrations throughout. 54 pages. Second edition, identified by being "Maison Mame" rather than Alfred Mame et fils. Otherwise a faithful reproduction of the first edition. The boards are mainly clean, but have had some additional lines added by an owner at some point (not too damaging - see pics), and some rubbing to the edges. Internally in mainly good, clean and tidy condition, with nice lithographic illustration. The binding is slightly loose, but still holding together. 300 by 245mm (11¾ by 9¾ inches).

    . Un bel exemplaire de cet A.B.C. français avec les délicieuses illustrations de Job tout au long de l'ouvrage. 54 pages. Deuxième…

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    Tours: Maison Mame, 1933. A nice copy of this French A.B.C. with Job's delightful illustrations throughout. 54 pages. Second edition, identified by being "Maison Mame" rather than Alfred Mame et fils. Otherwise a faithful reproduction of the first edition. The boards are mainly clean, but have had some additional lines added by an owner at some point (not too damaging - see pics), and some rubbing to the edges. Internally in mainly good, clean and tidy condition, with nice lithographic illustration. The binding is slightly loose, but still holding together. 300 by 245mm (11¾ by 9¾ inches).

    . Un bel exemplaire de cet A.B.C. français avec les délicieuses illustrations de Job tout au long de l'ouvrage. 54 pages. Deuxième édition, identifiée comme étant "Maison Mame" plutôt qu'Alfred Mame et fils. Autrement, il s'agit d'une reproduction fidèle de la première édition. Les planches sont généralement propres, mais quelques lignes supplémentaires ont été ajoutées par un propriétaire à un moment donné (pas trop dommageable - voir les photos), et quelques frottements sur les bords. L'intérieur est en bon état, propre et bien rangé, avec une belle illustration lithographique. La reliure est légèrement décollée, mais tient encore. 300 par 245mm (11¾ par 9¾ pouces).

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    Book ID: 4736
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  • A Cabinet of Quadrupeds with historical and scientific descriptions; by CHURCH, John
    CHURCH, John
    A Cabinet of Quadrupeds with historical and scientific descriptions; Consisting of highly-finished engravings, by James Tookey.

    London: Darton and Harvey, 1805. First Edition. Two volumes bound as one. With titles, two engraved titles and 84 copper plate engravings (complete). The plates with decorative animal illustrations by J. Tookey after J. Ibbetson. Half calf binding with brown boards. The boards are somewhat stained. The binding is rubbed to the corners and edges. The gilt decoration and titles to the spine are still attractive though. Has the ownership signature of G. Goldney, Buckfield to the front end paper. Small bookshop stamp of Paul A Struck of New York to the inside board. Some of the pages and plates have light water staining (a couple there is more distinct staining), and there is light foxing in places. Pages…

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    London: Darton and Harvey, 1805. First Edition. Two volumes bound as one. With titles, two engraved titles and 84 copper plate engravings (complete). The plates with decorative animal illustrations by J. Tookey after J. Ibbetson. Half calf binding with brown boards. The boards are somewhat stained. The binding is rubbed to the corners and edges. The gilt decoration and titles to the spine are still attractive though. Has the ownership signature of G. Goldney, Buckfield to the front end paper. Small bookshop stamp of Paul A Struck of New York to the inside board. Some of the pages and plates have light water staining (a couple there is more distinct staining), and there is light foxing in places. Pages a touch darkened. Overall, a nice copy though. Unpaginated. Julius Caesar Ibbetson (1759-1817), was a Yorkshire painter noted for his rural scenes and depictions of animals. This is the first printing of an important work of natural history, which was re-printed in 1848/9. 330 by 260mm (13 by 10¼ inches).

    . Première édition. Deux volumes reliés en un seul. Avec les titres, deux titres gravés et 84 gravures sur cuivre (complètes). Les planches avec des illustrations d'animaux décoratifs par J. Tookey d'après J. Ibbetson. Reliure en demi-veau avec des planches brunes. Les planches sont légèrement tachées. Les coins et les bords de la reliure sont frottés. La décoration et les titres dorés au dos sont encore attrayants. La signature de G. Goldney, Buckfield, figure sur la première page de garde. Petit cachet de librairie de Paul A Struck of New York à l'intérieur de la planche. Certaines pages et planches présentent de légères taches d'eau (quelques taches plus nettes) et de légères rousseurs par endroits. Les pages sont un peu noircies. Dans l'ensemble, un bel exemplaire. Non paginé. Julius Caesar Ibbetson (1759-1817) était un peintre du Yorkshire connu pour ses scènes rurales et ses représentations d'animaux. Il s'agit de la première impression d'un important ouvrage d'histoire naturelle, qui a été réimprimé en 1848/9. 330 x 260 mm.

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    Book ID: 4510
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  • A collection of 15 original caricature sketches by M.N.K.
    M.N.K.
    A collection of 15 original caricature sketches

    France: na, 1910. An attractive bundle of 7 pages, with 17 sketches / vignettes in ink on them. Caricature sketches, showing: (1) Two elderly gentlemen conversing; (2) Two gentlemen in circa 1910 dress; (3) two sketches showing horse riders and a small Chinese caricature; (4) A collection of soldiers, a gentleman frog, and a frog talking to a duck; (5) An anthropomorphic bakery and knights entering a forest; 6) a sailor ?; (7) Three Beatrix Potter style rabbit sketches. All of the caricatures are on pages removed from a sketch book. These are somewhat darkened. There is a little edgewear and nicking to the sheets. Sheet are various sizes, but mostly 200 by 120mm (7¾ by 4¾ inches).

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    France: na, 1910. An attractive bundle of 7 pages, with 17 sketches / vignettes in ink on them. Caricature sketches, showing: (1) Two elderly gentlemen conversing; (2) Two gentlemen in circa 1910 dress; (3) two sketches showing horse riders and a small Chinese caricature; (4) A collection of soldiers, a gentleman frog, and a frog talking to a duck; (5) An anthropomorphic bakery and knights entering a forest; 6) a sailor ?; (7) Three Beatrix Potter style rabbit sketches. All of the caricatures are on pages removed from a sketch book. These are somewhat darkened. There is a little edgewear and nicking to the sheets. Sheet are various sizes, but mostly 200 by 120mm (7¾ by 4¾ inches).

    . Une jolie liasse de 7 pages, avec 17 croquis / vignettes à l'encre. Esquisses caricaturales, montrant : (1) deux vieux messieurs conversant ; (2) deux messieurs habillés vers 1910 ; (3) deux croquis représentant des cavaliers et une petite caricature chinoise ; (4) une collection de soldats, un gentleman grenouille et une grenouille parlant à un canard ; (5) une boulangerie anthropomorphe et des chevaliers entrant dans une forêt ; (6) un marin? ; (7) trois croquis de lapins à la Beatrix Potter. Toutes les caricatures se trouvent sur des pages extraites d'un carnet de croquis. Elles sont quelque peu assombries. Il y a un peu d'usure sur les bords et des entailles sur les feuilles. Les feuilles sont de différentes tailles, mais principalement de 200 par 120 mm (7¾ par 4¾ pouces).

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    Book ID: 4482
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  • A beautiful collection of Architectural water colours
    A Collection of Greek Elements of Architecture by LEDONNÉ, Louis
    LEDONNÉ, Louis
    A Collection of Greek Elements of Architecture

    New York: N/A, 1900. A lovely collection of seven ink and water-colour designs by Ledonné, which were part of his submission for the "Designing" certificate from the Cooper Union for the Advancement of Science and Art. Together with a printed and embossed certificate from the college. The sheets comprise: "Tuscan Order Cap and Entablature" Nov. 1899; "Doric Order Pedestal and Base" Nov. 1899; "Doric Order Capital and Entablature" Dec. 1899; "Ionic Order Capital and Entablature" Jan. 1900; "Ionic Order Pedestal and Base" Feb. 1900; "Corinthian Order Capital and Entablature" April 1900; and a "Study of Corinthian Temple" Jan. 1901. Each of the sheets is approximately 49 x 37 cm. They are all in good, clean condition, but some have…

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    New York: N/A, 1900. A lovely collection of seven ink and water-colour designs by Ledonné, which were part of his submission for the "Designing" certificate from the Cooper Union for the Advancement of Science and Art. Together with a printed and embossed certificate from the college. The sheets comprise: "Tuscan Order Cap and Entablature" Nov. 1899; "Doric Order Pedestal and Base" Nov. 1899; "Doric Order Capital and Entablature" Dec. 1899; "Ionic Order Capital and Entablature" Jan. 1900; "Ionic Order Pedestal and Base" Feb. 1900; "Corinthian Order Capital and Entablature" April 1900; and a "Study of Corinthian Temple" Jan. 1901. Each of the sheets is approximately 49 x 37 cm. They are all in good, clean condition, but some have a little marking / foxing to one edge. A touch of creasing to a couple of corners. All are of an excellent standard, and suitable for framing. The Cooper Union was founded by inventor, industrialist and philanthropist Peter Cooper, in New York in 1858 (according to certificate, 1859 according to their website) and still exists today. The certificate, with an attractive engraved vignette of the Great Hall of the college. It is signed by both the director and the president of the college in ink, and has a blind stamped embossed seal. It shows that Ledonné was enrolled in the Free Night School, and presumably in an Architecture School (although this topic was called designing). We can find little about Ledonné. A Frenchman, he was in America between 1899 and 1903, and later returned to France and worked as a draughtsman or architect under the architect Eugené Dr Chifflot (Brother of Jules Léon Chifflot).

    . Une belle collection de 7 dessins à l'encre et à l'aquarelle de Ledonné, qui faisaient partie de son dossier pour le certificat "Designing" de la Cooper Union for the Advancement of Science and Art. L'ensemble est accompagné d'un certificat imprimé et gaufré de l'université. Les feuilles comprennent : "Tuscan Order Cap and Entablature" Nov. 1899 ; "Doric Order Pedestal and Base" Nov. 1899 ; "Doric Order Capital and Entablature" Dec. 1899 ; "Ionic Order Capital and Entablature" Jan. 1900 ; "Ionic Order Pedestal and Base" Feb. 1900 ; "Corinthian Order Capital and Entablature" April 1900 ; et une "Study of Corinthian Temple" Jan. 1901. Chaque feuille mesure environ 49 x 37 cm. Elles sont toutes en bon état, propres, mais certaines ont un petit marquage / rousseur sur un bord. Elles sont toutes d'un excellent niveau et peuvent être encadrées. La Cooper Union a été fondée par l'inventeur, l'industriel et le philanthrope Peter Cooper à New York en 1858 (d'après le certificat, 1859 d'après leur site web) et existe toujours aujourd'hui. Le certificat comporte une jolie vignette gravée représentant le grand hall de l'établissement. Il est signé à l'encre par le directeur et le président du collège, et porte un sceau estampé à l'aveugle. Il montre que Ledonné était inscrit à la Free Night School, et vraisemblablement à une école d'architecture (bien que ce sujet ait été appelé designing). Nous n'avons que peu d'informations sur Ledonné. Français, il a séjourné aux États-Unis entre 1899 et 1903, puis est rentré en France et a travaillé comme dessinateur ou architecte sous la direction de l'architecte Eugené Dr Chifflot (frère de Jules Léon Chifflot).

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    Book ID: 4419
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  • A Display of Heraldry: by GUILLIM, John
    GUILLIM, John
    A Display of Heraldry: Manifesting a more easie access for the Knowledge thereof than hath been hitherto published by any, through the benefit of Method; Whereunto it is now reduced by the study and Industry of John Guillim; Late Pursuivant at Arms. Bound with Analogia Honorum

    London: Printed by S. Roycroft for R. Blome, 1679. "The Fifth Edition, much enlarged with great variety of Bearings. To Which is added a Treatise of Honour, Military and Civil, According to the Laws and Customs of England, collected out of the most Authentick Authors, both Ancient and Modern by Capt. John Logan."
    A very nice copy - recently bound in quarter calf with burgundy label and marbled boards. Recent end papers. The rest of the book is original and complete. This is an ex library copy, but the stamps are not too disfiguring. A stamp and a couple of location records to the title page. Otherwise some small stamps to the verso of plates. A few of the…

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    London: Printed by S. Roycroft for R. Blome, 1679. "The Fifth Edition, much enlarged with great variety of Bearings. To Which is added a Treatise of Honour, Military and Civil, According to the Laws and Customs of England, collected out of the most Authentick Authors, both Ancient and Modern by Capt. John Logan."
    A very nice copy - recently bound in quarter calf with burgundy label and marbled boards. Recent end papers. The rest of the book is original and complete. This is an ex library copy, but the stamps are not too disfiguring. A stamp and a couple of location records to the title page. Otherwise some small stamps to the verso of plates. A few of the pages have minor nicking to the edges - but well away from the text. Slight browning to the pages. Overall though, a good clean copy, with nice clear and well pressed engravings in a flawless binding. The first part of the work (Guillim's) contains hundreds of examples of Arms throughout the text. The second part (the Analogia Honorum) contains two engraved dedications, 9 full page portraits and 105 engraved plates containing hundreds of Arms and honours. All uncoloured.
    [xiv], 1-317, [ix]. [ii], 3-181, [ix]. pp + plates and engraved portraits. 380 x 250mm (15 x 9¾ inches).

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    Book ID: 1859
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  • A Dissertation on the Antiquity and Use of Seals in England. by [LEWIS, Reverend John]
    [LEWIS, Reverend John]
    A Dissertation on the Antiquity and Use of Seals in England. Collected by **** 1736.

    London: William Mount and Thomas Page, 1740. Scarce first edition. In hard back neat burgundy coloured library cloth. Ex-library copy. With one full-page engraved plate showing seals, plus other engravings in text. Lovely deep impressions. [2],31,[1]pp. 255 x 195 mm (10 x 7¾ inches).
    Has expected library stamps, new endpapers. Tipped-in handwritten note to back of plate reads: This Tract is written by John Lewis author of the History of the Abbey of Faversham etc. Another small insert tipped-in to title page states: Purchased out of a donation of £250 given by George William Palmer Esq. to the Reading Free Public Library. One or two pages have been reinforced towards the spine edge. Light foxing, but overall in very good shape.

    Book ID: 2929
    View basket More details Price: £175.00
  • A Doorway in Fairyland. by HOUSMAN, Laurence
    HOUSMAN, Laurence
    A Doorway in Fairyland.

    London: Jonathan Cape, 1922. First edition. Hardback in blue cloth with title and decorative mushrooms to front board. Cloth on spine is brown, otherwise in good shape. 220 pages. 205 x 140 mm (8 x 5½ inches).

    Book ID: 3797
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  • A Guinness Sport Folio by [ANON]
    [ANON]
    A Guinness Sport Folio

    Guinness. Printed by John Waddington Ltd, 1952. As the slogan on the back cover says: There's nothing like a Guinness; except another! Softback colour promotional booklet, with the year divided in to various sporting activities by month. Undated, but circa 1952. First Edition. Designed for Guinness by S. H. Benson Limited. A few very small spots of foxing throughout, often barely visible. Otherwise very good. Illustrated throughout by Anthony Groves-Raines. 16 pages. 240 x 165 mm (9½ x 6½ inches).

    Book ID: 3005
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  • A Gun for Hire by NEWTON, Helmut.
    NEWTON, Helmut.
    A Gun for Hire

    Cologne: Taschen, 2005. First edition. Triple language (English, German and French) in dust wrapper. An account of both commercial and artistic work by Newton. Includes selections of colour and black and white full page photographs from advertising (Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Villeroy & Bosch, Absolut Vodka etc:) and magazine work (Italian, US & German Vogue, Sportmagazin etc:). A lovely collection of portraiture. Wrapper is near perfect (tiny nick to the top edge of wrapper). Book is immaculate. 216 pages. 31cm x 24cm.

    . Première édition. Triple langue (anglais, allemand et français) dans une jaquette. Un compte rendu du travail commercial et artistique de Newton. Comprend des sélections de photographies pleine page en couleur et en noir…

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    Cologne: Taschen, 2005. First edition. Triple language (English, German and French) in dust wrapper. An account of both commercial and artistic work by Newton. Includes selections of colour and black and white full page photographs from advertising (Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Villeroy & Bosch, Absolut Vodka etc:) and magazine work (Italian, US & German Vogue, Sportmagazin etc:). A lovely collection of portraiture. Wrapper is near perfect (tiny nick to the top edge of wrapper). Book is immaculate. 216 pages. 31cm x 24cm.

    . Première édition. Triple langue (anglais, allemand et français) dans une jaquette. Un compte rendu du travail commercial et artistique de Newton. Comprend des sélections de photographies pleine page en couleur et en noir et blanc provenant de publicités (Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Villeroy & Bosch, Absolut Vodka etc 🙂 et de magazines (Vogue italien, américain et allemand, Sportmagazin etc :). Une belle collection de portraits. La jaquette est presque parfaite (petite entaille sur le bord supérieur de la jaquette). Le livre est impeccable. 216 pages. 31cm x 24cm.

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    Book ID: 4920
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  • A Hint to the Ladies, or, A visit from Dr Flannel by CRUIKSHANK, Isaac
    CRUIKSHANK, Isaac
    A Hint to the Ladies, or, A visit from Dr Flannel

    London: Thomas Tegg. Isaac Cruikshank after Woodward. First edition. Approximately 1807. Framed in a later black and gilt frame under glass. Title etched below image. Date of publication from British Museum catalogue. Plate numbered "295" in upper right corner. Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4. Also issued separately. Visible plate: 26.5cm x 36.5cm. Frame: 43cm x 52cm. The plate is a little darkened, and with a couple of very light creases to the corner. But the hand colouring is very good, and the plate still worthy of display. Frame is a little dated, and with slight handling, but sound. Can be shipped without frame if required. "A grotesque old…

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    London: Thomas Tegg. Isaac Cruikshank after Woodward. First edition. Approximately 1807. Framed in a later black and gilt frame under glass. Title etched below image. Date of publication from British Museum catalogue. Plate numbered "295" in upper right corner. Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4. Also issued separately. Visible plate: 26.5cm x 36.5cm. Frame: 43cm x 52cm. The plate is a little darkened, and with a couple of very light creases to the corner. But the hand colouring is very good, and the plate still worthy of display. Frame is a little dated, and with slight handling, but sound. Can be shipped without frame if required. "A grotesque old doctor, with carbuncled nose, approaches a lady, bowing low and holding out a clumsy petticoat. He says: "Mrs Jenny said your Ladyship complain'd of being cold about the loins - so I have Just stept in with a warm flannel petticoat." She is seated beside a tea-table, and throws up her arms, flinching back in horror; she says: "I have no loins fellow! do you want to make a monster of me?!!" She wears a high-waisted, short-sleeved dress, under which her legs are defined. Her little dog barks at the doctor. A large urn and a small cup (overturned) and saucer, are the only objects on the table." (British Museum online catalogue).

    . Isaac Cruikshank d'après Woodward. Première édition. Vers 1807. Encadré dans un cadre noir et doré sous verre. Titre gravé sous l'image. La date de publication est tirée du catalogue du British Museum. Planche numérotée "295" dans le coin supérieur droit. Planche tirée de : Woodward, G.M. Caricature magazine, or Hudibrastic mirror. Londres : Thomas Tegg, [1808 ?], v. 4. Également publié séparément. Plaque visible : 26.5cm x 36.5cm. Cadre : 43cm x 52cm. La plaque est un peu assombrie et présente quelques plis très légers dans le coin. Mais la coloration à la main est très bonne et l'assiette est encore digne d'être exposée. Le cadre est un peu daté et a subi de légères manipulations, mais il est en bon état. Peut être expédié sans cadre si nécessaire. "Un vieux médecin grotesque, avec un nez en escarboucle, s'approche d'une dame en s'inclinant et en lui tendant un jupon maladroit. Il dit : "Mme Jenny a dit que Madame se plaignait d'avoir froid aux reins - je viens donc d'apporter un jupon de flanelle chaud." Elle est assise à côté d'une table à thé et lève les bras en arrière, frémissant d'horreur ; elle dit : "Je n'ai pas de reins, mon ami ! Voulez-vous faire de moi un monstre ?!!" Elle porte une robe à taille haute et à manches courtes, sous laquelle ses jambes se dessinent. Son petit chien aboie contre le médecin. Une grande urne et une petite tasse (renversée) avec sa soucoupe sont les seuls objets posés sur la table". (Catalogue en ligne du British Museum).

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    Book ID: 4467
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  • A Newly Discovered Treatise on Classic Letter Design printed at Parma by Damianus Moyllus circa 1480 by MOYLLUS, Damianus
    MOYLLUS, Damianus
    A Newly Discovered Treatise on Classic Letter Design printed at Parma by Damianus Moyllus circa 1480 reproduced in Facsimile with an Introduction by Stanley Morison

    Paris: At the Sign of the Pegasus, 1927. First Edition. White spine with gilt titles. Blue/grey boards with gilt design. Internally clean and tidy throughout. An very nice copy. This edition of the Alphabet of Damianus Moyllus of Parma, consisting of 350 copies, of which 300 are for sale, all on Arches paper, with text in Poliphilus and Blado types has been printed by the Officina Bodoni, Montagnola Switzerland 1927. Unpaginated. 190 by 130mm (7½ by 5 inches).

    Book ID: 3432
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  • A Noisy Book! by THOMSON, Ross
    THOMSON, Ross
    A Noisy Book!

    Aylesbury: Abelard-Schuman Ltd, 1971. First edition. Hardback blue cloth boards, inside the original unclipped dust jacket. Pre-school book that's simple and funny. 32 unnumbered pages. 235 x 205 mm (9¼ x 8 inches).

    Book ID: 3659
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  • A Princess Comes to Our Town. by FYLEMAN, Rose
    FYLEMAN, Rose
    A Princess Comes to Our Town. With 12 illustrations by Gertrude Lindsay.

    London: Methuen & Co. Ltd, 1927. First edition. Gold blocked cloth case hardback binding. Lovely illustrations, including frontis. Boards have a little bumping and are slightly grubby / handled. Inside very clean. vii, 119 pp. 175 x 115 mm (7 x 4½ inches).

    .

    Book ID: 4195
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  • A propos de chansons. Récits pour les enfants. by FAUCHIER-DELAVAIGNE, Marcelle
    FAUCHIER-DELAVAIGNE, Marcelle
    A propos de chansons. Récits pour les enfants. Orné d' images en couleurs par Guy Arnoux.

    Paris: Berger-Lavrault, 1918. First edition. A lovely copy of this children's book, full of glorious hand coloured illustrations by Guy Arnoux. Hardback with coloured illustration and titles to the front board. White cloth spine. Both in excellent condition with just a touch of darkening. Now covered in removable plastic protection. The 48 pages nearly all have illustrations. In beautiful condition. One page only has a little darkening to the outside edge (not affecting text or illustration). A juvenile work on the historical background of several popular French children's songs: Le Pont d'Avignon; Le Roi Dagobert; Marlbrough; Il pleut, Bergère; Le Père Bugeaud; Monsieur Dumollet. Overall a fabulous copy. 32cm x 25cm. Conforms to FirstSearch / WorldCat OCLC: 15011961. Première…

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    Paris: Berger-Lavrault, 1918. First edition. A lovely copy of this children's book, full of glorious hand coloured illustrations by Guy Arnoux. Hardback with coloured illustration and titles to the front board. White cloth spine. Both in excellent condition with just a touch of darkening. Now covered in removable plastic protection. The 48 pages nearly all have illustrations. In beautiful condition. One page only has a little darkening to the outside edge (not affecting text or illustration). A juvenile work on the historical background of several popular French children's songs: Le Pont d'Avignon; Le Roi Dagobert; Marlbrough; Il pleut, Bergère; Le Père Bugeaud; Monsieur Dumollet. Overall a fabulous copy. 32cm x 25cm. Conforms to FirstSearch / WorldCat OCLC: 15011961. Première édition. Un bel exemplaire de ce livre pour enfants, rempli de magnifiques illustrations de Guy Arnoux, coloriées à la main. Livre relié avec illustrations et titres en couleur sur la première page. Dos en tissu blanc. Les deux sont en excellente condition avec juste un peu de noircissement. Maintenant recouvert d'une protection plastique amovible. Les 48 pages sont presque toutes illustrées. En très bon état. Une seule page présente un léger assombrissement sur le bord extérieur (n'affectant ni le texte ni l'illustration). Un ouvrage pour enfants sur le contexte historique de plusieurs chansons françaises populaires pour enfants : Le Pont d'Avignon ; Le Roi Dagobert ; Marlbrough ; Il pleut, Bergère ; Le Père Bugeaud ; Monsieur Dumollet. Dans l'ensemble, un fabuleux exemplaire. 32cm x 25cm. Conforme à FirstSearch / WorldCat OCLC : 15011961

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    Book ID: 4696
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  • Attractive copy of these Pugin engravings
    A Series of Views Illustrative of Pugin's Examples of Gothic Architecture: by LEEDS, W.H. & NASH, Joseph
    LEEDS, W.H. & NASH, Joseph
    A Series of Views Illustrative of Pugin's Examples of Gothic Architecture: Sketched from nature and drawn on stone by Joseph Nash, pupil to Augustus Pugin. With letter-press descriptions by W.H. Leeds.

    London: A. Pugin at his office, 1830. First Edition. Original buckram boards with leather spine and gilt titles. A touch of rubbing to the boards and the spine edges, but still an attractive copy. Slight fading to the edges of the boards.
    Engraved title, title and a further 21 plates (so 22 plates including title), plus 20 pages of Leed's text. Some foxing /darkening to the plates. [iv], 20, [22] pp. 350 x 265 mm (13¾ x 10½ inches).

    Book ID: 2826
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  • A smoking bandsman holding his Tuba by CIG
    CIG
    A smoking bandsman holding his Tuba

    France: NA, 1880. A nice original caricature of a standing bandsman, holding his tuba (or his euphonium) under his arm. He is smoking and looking to one side. He appears to be in military uniform, but also has an earring, so probably just a late nineteenth century band uniform. Drawn in pencil. The image is in very good condition, but does have a couple of small ink stains to it. Sheet is 20cm x 11.5cm. Signed in pencil "Cig" to the bottom right of the sheet. A nice piece.

    . Belle caricature originale d'un musicien debout, tenant son tuba (ou son euphonium) sous le bras. Il fume et regarde de côté. Il semble porter un uniforme militaire, mais…

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    France: NA, 1880. A nice original caricature of a standing bandsman, holding his tuba (or his euphonium) under his arm. He is smoking and looking to one side. He appears to be in military uniform, but also has an earring, so probably just a late nineteenth century band uniform. Drawn in pencil. The image is in very good condition, but does have a couple of small ink stains to it. Sheet is 20cm x 11.5cm. Signed in pencil "Cig" to the bottom right of the sheet. A nice piece.

    . Belle caricature originale d'un musicien debout, tenant son tuba (ou son euphonium) sous le bras. Il fume et regarde de côté. Il semble porter un uniforme militaire, mais il a aussi une boucle d'oreille. Il s'agit donc probablement d'un uniforme d'orchestre de la fin du XIXe siècle. Dessiné au crayon. L'image est en très bon état, mais présente quelques petites taches d'encre. La feuille mesure 20 cm x 11,5 cm. Signée au crayon "Cig" en bas à droite de la feuille. Une belle pièce.

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    Book ID: 4483
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  • A Tavern scene by POTTER, Pieter Symonsz.
    POTTER, Pieter Symonsz.
    A Tavern scene

    Amsterdam: Clement de Jonghe, 1645. Rare first edition. Engraved by Gerrit Adriaensz de Heer. This mid Seventeenth century engraving shows the interior of an inn, with drinkers and smokers. Mounted onto stiff paper, the engraving is in good, clean condition. Signed in the plate. The names of the drinkers are engraved by each figure. Engraving is 17cm x 23.5cm.

    . Première édition rare. Gravée par Gerrit Adriaensz de Heer. Cette gravure du milieu du XVIIe siècle montre l'intérieur d'une auberge, avec des buveurs et des fumeurs. Montée sur papier rigide, la gravure est en bon état. Elle est signée dans la planche. Les noms des buveurs sont gravés à côté de chaque personnage. La gravure mesure 17 cm…

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    Amsterdam: Clement de Jonghe, 1645. Rare first edition. Engraved by Gerrit Adriaensz de Heer. This mid Seventeenth century engraving shows the interior of an inn, with drinkers and smokers. Mounted onto stiff paper, the engraving is in good, clean condition. Signed in the plate. The names of the drinkers are engraved by each figure. Engraving is 17cm x 23.5cm.

    . Première édition rare. Gravée par Gerrit Adriaensz de Heer. Cette gravure du milieu du XVIIe siècle montre l'intérieur d'une auberge, avec des buveurs et des fumeurs. Montée sur papier rigide, la gravure est en bon état. Elle est signée dans la planche. Les noms des buveurs sont gravés à côté de chaque personnage. La gravure mesure 17 cm x 23,5 cm.

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    Book ID: 4646
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  • A thoughtful man by Tregear
    Tregear
    A thoughtful man it's devilisish lucky I thought of my umberella

    London: G. Tregear, 1835. A nice copy of this hand coloured lithograph, showing a poor man in ragged clothes, with a ragged umbrella which doesn't protect him from the rain. The implication from the spelling is that he is a drinker. Printed to the top right, it states this is Tregear's Flights of humor #8. First published in 1831. Firstsearch / Copac states that this is Flights of humour #7. It seems that this is a slightly later printing of the series. Good attractive colours, with strong contrast. The stiff card is slightly darkened / marked to the background, but is still a nice copy of this scarce caricature. The print is 29.5cm x 23.5cm. This is slightly smaller…

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    London: G. Tregear, 1835. A nice copy of this hand coloured lithograph, showing a poor man in ragged clothes, with a ragged umbrella which doesn't protect him from the rain. The implication from the spelling is that he is a drinker. Printed to the top right, it states this is Tregear's Flights of humor #8. First published in 1831. Firstsearch / Copac states that this is Flights of humour #7. It seems that this is a slightly later printing of the series. Good attractive colours, with strong contrast. The stiff card is slightly darkened / marked to the background, but is still a nice copy of this scarce caricature. The print is 29.5cm x 23.5cm. This is slightly smaller that the first issue. Otherwise conforms to OCLC: 1238037496. Two small pieces of fixing tape to the rear.

    . Bel exemplaire de cette lithographie coloriée à la main, représentant un pauvre homme en haillons, avec un parapluie en haillons qui ne le protège pas de la pluie. L'orthographe laisse entendre qu'il s'agit d'un buveur. En haut à droite, il est indiqué qu'il s'agit du numéro 8 des "Flights of humor" de Tregear. Publié pour la première fois en 1831. Firstsearch / Copac indique qu'il s'agit de Flights of humour #7. Il semble qu'il s'agisse d'une impression légèrement plus tardive de la série. Belles couleurs attrayantes, avec un fort contraste. La carte rigide est légèrement assombrie / marquée à l'arrière-plan, mais reste un bel exemplaire de cette caricature rare. L'impression mesure 29,5 cm x 23,5 cm. Elle est légèrement plus petite que la première édition. Sinon, elle est conforme à l'OCLC : 1238037496. Deux petits morceaux de ruban adhésif au dos.

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    Book ID: 4567
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  • A Vanished World. by VISHNIAC, Roman
    VISHNIAC, Roman
    A Vanished World.

    London: Allen Lane, 1984. Second printing of this fascinating photo-book. In hardback in brown boards, under original unclipped dust jacket. Foreword by Elie Wiesel, himself a Jewish prisoner in the Auschwitz and Buchenwald concentration camps. This book is illustrated with a comprehensive selection (180) of Vishniac's celebrated photographs of the Jews of Eastern Europe in the lead up to World War Two. Many of the photos are are full-page. The images were taken secretly, under difficult circumstances, between 1934 and 1939, and the negatives smuggled out sewn in to clothing etc. It is not an over statement to say that these photographs remain important to preserve for posterity unforgettable images of pre-war Jewish life. Unpaginated [96 pages]. 315 x 315 mm

    Book ID: 3618
    View basket More details Price: £40.00
  • A View from Baxter's Livery Stables, Cambridge by DIGHTON, Robert
    DIGHTON, Robert
    A View from Baxter's Livery Stables, Cambridge

    London: 1810. Hand coloured portrait of Mr Baxter. Reads: Drawn Etch'd & Pubd. by Dighton. 6. Charg. Cross. Jany. 1810. Shows Baxter full length, standing with his body turned to the left, not quite in profile. Very clean and fresh looking. According to the National Portrait Gallery Baxter was: Livery stable owner. Just one from a collection of 40 that Dighton published in the 1800s. This is sold in a frame, under glass. Can be sold without frame, if desired. Frame weight will affect cost of shipping. Area visible inside mount: 280 x 200 mm (11 x 7¾ inches). Entire item in frame: 430 x 320 mm (17 x 12½ inches).

    . Portrait de M. Baxter colorié à la main.…

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    London: 1810. Hand coloured portrait of Mr Baxter. Reads: Drawn Etch'd & Pubd. by Dighton. 6. Charg. Cross. Jany. 1810. Shows Baxter full length, standing with his body turned to the left, not quite in profile. Very clean and fresh looking. According to the National Portrait Gallery Baxter was: Livery stable owner. Just one from a collection of 40 that Dighton published in the 1800s. This is sold in a frame, under glass. Can be sold without frame, if desired. Frame weight will affect cost of shipping. Area visible inside mount: 280 x 200 mm (11 x 7¾ inches). Entire item in frame: 430 x 320 mm (17 x 12½ inches).

    . Portrait de M. Baxter colorié à la main. Lire : Drawn Etch'd & Pubd. by Dighton. 6. Charg. Cross. Jany. 1810. Baxter est représenté en pied, debout, le corps tourné vers la gauche, pas tout à fait de profil. L'image est très nette et fraîche. Selon la National Portrait Gallery, Baxter était : Propriétaire d'une écurie. Ce portrait fait partie d'une collection de 40 portraits publiés par Dighton dans les années 1800. Ce portrait est vendu dans un cadre, sous verre. Peut être vendu sans cadre, si désiré. Le poids du cadre aura une incidence sur les frais d'expédition. Surface visible à l'intérieur du cadre : 280 x 200 mm (11 x 7¾ inches). L'ensemble de l'objet dans le cadre : 430 x 320 mm.

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    Book ID: 4692
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