NA, 1952. Limited edition. 38 / 200 copies. No publisher details. loose leaves in a folder. Illustrated with 23 erotic lithographs on panels, 28 small Illustrations. in the text as well as erotically illustrated Front and back cover of the folder. (front with a pubic mound and back with a bottom). Held in a plain red clamshell box, with silk lining. The box has no indication of what is inside. Box has a little marking. The book itself is in excellent condition. 106 pages. 310 by 240mm (12¼ by 9½ inches). Édition limitée. # 38 / 200 exemplaires. Pas de détails sur l'éditeur. Feuilles en vrac dans un dossier. Illustré de 23 lithographies érotiques sur panneaux, 28 petites Illustrations. dans le texte ainsi que des illustrations érotiques Couverture avant et arrière du dossier. (devant avec un monticule pubien et dos avec un fond). Tenu dans une boîte à clapet rouge unie, avec doublure en soie. La boîte n'a aucune indication de ce qu'il y a à l'intérieur. La boîte a un petit marquage. Le livre lui-même est en excellent état. 106 pages. 310 par 240 mm

London: P: Printed by S. Roycroft for R. Blome, 1679. "The Fifth Edition, much enlarged with great variety of Bearings. To Which is added a Treatise of Honour, Military and Civil, According to the Laws and Customs of England, collected out of the most Authentick Authors, both Ancient and Modern by Capt. John Logan."
A very nice copy - recently bound in quarter calf with burgundy label and marbled boards. Recent end papers. The rest of the book is original and complete. This is an ex library copy, but the stamps are not too disfiguring. A stamp and a couple of location records to the title page. Otherwise some small stamps to the verso of plates. A few of the pages have minor nicking to the edges - but well away from the text. Slight browning to the pages. Overall though, a good clean copy, with nice clear and well pressed engravings in a flawless binding. The first part of the work (Guillim's) contains hundreds of examples of Arms throughout the text. The second part (the Analogia Honorum) contains 2 engraved dedications, 9 full page portraits and 105 engraved plates containing hundreds of Arms and honours. All uncoloured. [xiv], 1-317, [ix]. [ii], 3-181, [ix]. pp + plates and engraved portraits.

Paris: Au Bureau du Journal, 1840. First Edition. 24 plates of hunting scenes, each with captions in French, followed by 6 leaves of fanfares (text and music printed to one side of leaf only). A Scarce item, none for sale and only occasionally at auction. Moderate foxing throughout. Creasing to front free endpaper. In contemporary buckram binding with slight rubbing to the binding. Première édition. 24 planches de scènes de chasse, chacune avec légendes en français, suivies de 6 feuillets de fanfares (texte et musique imprimés sur un seul côté du feuillet). Un article rare, aucun à vendre et seulement occasionnellement aux enchères. Des rousseurs modérées partout. Pliage à l'avant de la page de garde libre. Dans une reliure en bougran de l'époque avec un léger frottement à la reliure.

Paris: Les Bibliophiles Fantaisistes, 1912. Limited edition, one of only 15 printed on Japon. Soft cover with integral folding wrapper. This is clean and bright, but there is splitting and chipping to the spine. Tipped in frontis portrait. Limitation page to verso of title. (There was a total edition of 500 copies, but only 15 on Japon). With many reproductions of his drawings. Internally an excellent example. 128 pages. Many pages uncut. 260 by 190mm (10¼ by 7½ inches). Edition limitée, une des 15 seules imprimées sur Japon. Couverture souple avec emballage pliable intégré. C'est propre et brillant, mais il y a des fissures et des ébréchures à la colonne vertébrale. Pointé dans le portrait de frontis. Page de limitation au verso du titre. (Il y eut un tirage total de 500 exemplaires, mais seulement 15 sur Japon). Avec de nombreuses reproductions de ses dessins. En interne, un excellent exemple. 128 pages. Beaucoup de pages non coupées. 260 par 190 mm

New York: Random House, 1967. 1st edition. Signed twice by Warhol: to title page and to Hunt's 'tomato can' page. Stiff metallic wrappers showing some wear and with crease at back cover. As ever, the contents are in varied states of repair. This is the softback edition. In this copy: Pop-up castle in fine condition; Red accordion present, but doesn't make sound; Pop-up plane in fine condition; Chelsea Girls ad with spring attached; Dodecagon is missing, black string attached; Lou Reed pictorial record missing; Tri-fold pink and rainbow noses present; Pop-up tomato paste can in fine condition (with signature to page); For A Big Surprise!!! three tabs still attached; Balloon glued to pages, (this seems to be universal).
A little rubbing and bumping, with minor handling, but in excellent condition apart from the flaws mentioned here. Unpaginated - 280 x 215 mm (11 x 8½ inches). Alan Rinzler said "The two simultaneous editions, in cloth and paper, sold out quickly and the book is now a valuable out-of-print work of original Warhol art". Rinzler was consulting editor of the Loft 1967-1969. Involved in "producing with him [Warhol] in a very collaborative creative process The Andy Warhol Index Book, a large format heavily designed book with special fold-out and pop-up features, photos, audio recordings, and text.

In 1965, a photographer named Billy Liar had come to me with an idea for a photo book on Warhol and his factory, but when he brought me there, I took the opportunity to ask Andy if would like to participate more personally in creating a book that was also work of art, something he actually put together, as the author. And not just photographs and text but other ideas we could cook up that related to everything else he was producing at the time. Luckily, Andy was happy to agree and became the author of the book."
Alan Rinzler in his "Andy Warhol" blog post on his website.

Paris: c. 1965. Vintage René Gruau (1909–2004) designed programme for the Bal Du Moulin Rouge - Frisson, in Paris during 1966. In softback with original cord tie. Covers are somewhat aged / toned, in particular to the back. Otherwise in a very good condition. 20 pages. 210 x 295 mm (8¼ x 11½ inches). The fashion illustrator Count Renato Zavagli Ricciardelli della Caminate was professionally known as René Gruau, and his work is both instantly recognisable, and highly desirable! Programme vintage conçu par René Gruau (1909-2004) pour le Bal Du Moulin Rouge - Frisson, à Paris en 1966. En couverture souple avec attache cordon d'origine. Les couvertures sont un peu vieillies/tonées, notamment au dos. Sinon en très bon état. 20 pages. 210 x 295 mm (8¼ x 11½ pouces). L'illustrateur de mode, le comte Renato Zavagli Ricciardelli della Caminate, était professionnellement connu sous le nom de René Gruau, et son travail est à la fois immédiatement reconnaissable et hautement désirable !

Paris: Jacques Haumont, 1942. Softback book, with text in French. Illustrations in colour are by Claude Garnier. Title in English: 'The Nutcracker and the Mouse King'. Originally by Ernst Theodor Amadeus Hoffmann, that was first published in 1816. The story is the tale of a special Christmas toy who comes to life at night! Covers are age toned, and are detached (as one piece) from the text block. All pages also aged, and some transference of colour to subsequent page from the illustrations. Overall in a good condition. 72 pages. 187 x 120 mm (7¼ x 4¾ inches). Livre broché, avec texte en français. Les illustrations en couleurs sont de Claude Garnier. À l'origine par Ernst Theodor Amadeus Hoffmann, qui a été publié pour la première fois en 1816. L'histoire est l'histoire d'un jouet de Noël spécial qui prend vie la nuit ! Les couvertures sont vieillies et détachées (en une seule pièce) du bloc de texte. Toutes les pages ont également vieilli, et un certain transfert de couleur à la page suivante à partir des illustrations. Dans l'ensemble en bon état. 72 pages. 187 x 120 mm

Shanghai: Commercial Press, 1914. Two parts in one volume. Quarto. Pp. 324, iv; 74. Coloured frontispiece. Numerous collotype and coloured plates interleaved with text leaves. Each plate protected with a facing tissue-guard. Hardcover, bound in the original publisher's lovely silk-covered boards, sewn with threads in traditional Chinese style, upper board richly illustrated in gilt, and with gilt lettering. First edition. Includes list of dynasties; notes on the history and technique of Chinese drawing and painting; supplement of plates illustrating Chinese bronzes, ceramic art, and jade (separate title page). The silk covered boards are in very good to fine condition, a little discoloured (darkened) to the edges. Tiny split to the head of the spine. Internally In fine internal condition. Exceptionally well preserved, crisp plates. 280 x 220 mm (11 x 8¾ inches). Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms
Strehlneek owned an art gallery in Shanghai. In 1930, he was advertising this as the oldest establish firm dealing with art objects for the collector.