Lausanne: La Guilde du Livre / Editions Clairefontaine, 1955. First French edition, first printing. Paperback (stiff grey card stock) with jacket (as issued). Scarce in wrapper. The wrapper has some creasing and rubbing, with edgewear. Previous repair has reinforced the wrapper spine (inside). The book block is disbound, with the majority of the pages detached from each other. Previous owner's bookplate to the inside board. 14 black and white photos (12 inside, 2 on the cover). 280 x 220 mm (11 x 8¾ inches).
Martin Parr; The Photobook vol 1, page 187/201. Andrew Roth; Book of 101 Books, page 132; 802 photo books from the M. + M. Auer collection, page 336. Première édition française, premier tirage. Broché (carton gris rigide) avec jaquette (telle que publiée). Rare sous emballage. La cape présente des plis et des frottements, avec des usures des bords. Une réparation précédente a renforcé le dos de la cape (intérieur). Le bloc de livre est détaché, avec la majorité des pages détachées les unes des autres. Ex-libris du propriétaire précédent sur le tableau intérieur. 14 photos en noir et blanc (12 à l'intérieur, 2 sur la couverture).
Martin Parr ; Le livre photo vol 1, page 187/201. Andrew Roth ; Livre des 101 livres, page 132 ; 802 livres photo de la collection M. + M. Auer, page 336. 280 x 220 mm

Paris: unknown. A French tourist souvenir. Undated but circa 1890, comprising a burgundy decorated folder (some chips and tears to creases now repaired and strengthened). Inside are 12 anonymous photographs of Paris. Nice clean silver gelatin original photographs. Each 210 x 270 mm (8¼ x 10¾ inches). No information about photographer or photo studio. Reverse is blank. Some of these views have been named and numbered in the plate, so it would seem that the purchaser could choose their 12 favourites from a selection. Photographs comprise: a view of the city (Eiffel Tower in the background); The Eiffel Tower close up; a river cruise on the Seine; Avenue de L'Opera; Versailles; Luxembourg Senat; l'Opera; la Madeleine; Place de la Concorde; Notre Dame; Arc de Triomphe; Champs Elysees. The photographs are in good clean condition with no tears, a few have light creasing to them due to the thin photographic paper. Un souvenir touristique français. Non daté mais Circa 1890, comprenant un dossier décoré bordeaux (quelques éclats et déchirures aux plis aujourd'hui réparés et renforcés). A l'intérieur se trouvent 12 photographies anonymes de Paris. Belles photographies originales à la gélatine argentique propre. Grandes photographies - 210 par 270 mm. Aucune information sur le photographe ou le studio photo. Le verso est vierge. Certaines de ces vues ont été nommées et numérotées dans la planche, il semblerait donc que l'acquéreur puisse choisir ses 12 coups de coeur parmi une sélection. Les photographies comprennent : une vue de la ville (tour Eiffel en arrière-plan) ; La tour Eiffel en gros plan ; une croisière fluviale sur la Seine ; Avenue de L'Opéra; Versailles; Sénat luxembourgeois; l'Opéra; la Madeleine; Place de la Concorde ; Notre Dame; Arc de Triomphe; Champs Élysées. Les photographies sont en bon état de propreté, sans déchirures, quelques-unes présentent de légers plis en raison du papier photographique fin.

Paris, Editions Raymond Schall, 1944-1946. First Edition. Three volumes in pictorial boards, each in its original plain card sleeve and held in a protective slipcase. The slipcase is clean but with a touch of rubbing. Splitting to the top edge. Each of the individual sleeves are in good clean condition. The one for Victoire des Français has a small bump (tear) to the spine. This has been reinforced with archival tape to the inside, but is still visible. The books themselves are all immaculate. Jean Eparvier. A Paris sous la botte des Nazis. / Jean-Louis Babelay. Un an. Texte de A.-G.Leroux. Photographies de Roger Schall, Maurice Jarnoux, Raymond Mejat, De Morgoli & Reporters d`Agences. Gravure de Elie Bertillot. / Jean Louis Babelay. Victoires des Français en Italie. 8 mois de campagne vus par les correspondants de guerre. 27 cm. x 21,5 cm. Approximately 225 pages. Approximately 155 pages. Approximately 156 pages

. Paris, Editions Raymond Schall, 1944-1946. Trois volumes en cartonnage illustré, chacun dans sa pochette cartonnée d'origine et dans un étui de protection. L'étui est propre mais présente quelques frottements. Le bord supérieur est fendu. Chaque pochette est en bon état. Celle de la Victoire des Français présente une petite bosse (déchirure) au niveau du dos. Elle a été renforcée à l'intérieur avec du ruban adhésif d'archivage, mais elle est encore visible. Les livres eux-mêmes sont en parfait état. Jean Eparvier. A Paris sous la botte des Nazis. / Jean-Louis Babelay. Un an. Texte de A.-G.Leroux. Photographies de Roger Schall, Maurice Jarnoux, Raymond Mejat, De Morgoli & Reporters d`Agences. Gravure de Elie Bertillot. / Jean Louis Babelay. Victoires des Français en Italie. 8 mois de campagne vus par les correspondants de guerre. 27 cm. x 21,5 cm. Environ 225 pages. Environ 155 pages. Environ 156 pages

NA. The photo-diary of a German family, who embarked on a world tour in 1928. 227 original photographs and 94 photo-postcards / commercial photographs are collected and captioned on 79 pages. The album was purchased on their journey at Niagara Falls, and is a limp leather, with an original painting of a native American to the front cover. The photographs vary in size, but are mainly about 14 cm x 9 cm each. Most in excellent condition. Often one man (presumably album owner) is marked with a small cross to the image.
Places visited include: The journey on S.S. Lutzow (commissioned 1907 as Norddeutscher Lloyd steamship); New York; Buffalo N.Y.; Niagara Falls; Toronto; Cleveland, Ohio; Detroit, Michigan; Native Americans (posing for tourists in ceremonial dress); Chicago; San Francisco; S.S. Taiyo Maru (Originally the German "Cap Finisterre" handed to the Japanese in 1920 as war reparations); Hawaii & Honolulu, with locals posing for tourists; Tokyo, Japan; Fujiyama; Geisha's and tourist photographs; Kobe; Shanghai; Hong Kong; Manila & Philippines; Singapore; Sumatra; Ceylon; Cairo; Genova; Davos; Switzerland & Germany. The card pages of the album have nicks and closed tears, but not affecting photographs. A fascinating record of a (presumably) wealthy families tour around the world by steam ship and train. 290 x 350 mm (11½ x 13¾ inches).

Bruxelles: N/A, 1910. From a Brussels collection, a photograph album featuring small (6.5 x 8.5cm) tourist photographs. These comprise: Port Said & Cairo (25 photographs) Mont St Michel (5) Dublin & Surroundings (15) and Glendalough (10) A total of 55 photographs. No date, but circa 1910 from the Dublin street scenes (not a car in any, trams and horses / coaches only). The photographs are in good clean condition. They are the well printed and focused images of commercial photographs of the day. The album, of mock snake skin covered card boards, is secured with cord. Each sheet is covered with a tissue guard. The album is a little bumped and with edgewear. Some of the images have become detached from their mounts, but still an attractive collection. Album size 130 by 190mm (5 by 7½ inches).

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London: N/A, 1954. Beautifully bound by Sangorski & Sutcliffe. The attendees captured here include H.R.H. Princess Margaret, The Duke & Duchess of Gloucester, The Duke and Duchess of Kent. Landscape album 246 by 307mm (9¾ by 12 inches). 4 blank leaves, 2 titles (printed in red and black). 28 black and white silver gelatin prints (193x245 mm) mounted on 14 leaves. A further 4 leaves of blanks to the rear. Full morocco binding titled in gold on the first cover in a double frame of gilt fillets, ribbed spine decorated with gilt fillets, gilt fillets on the cuts, interior border highlighted with gilt fillets, binding signed Sangorski & Sutcliffe, London. A little bumping to the corners. Slight handling to the binding only. An inscription has been scratched away on a front end paper. Still a lovely copy. The first 14 photos document the visit of Princess Margaret who was then 24 years old, the next 6 photos concern the Princess and the Duke of Gloucester, the last 8 photos the Duchess of Kent (Princess Marina) and her eldest son (Now Prince Edward, Duke of Kent). Single album, or produced in a very few copies. Although this is a private collection, the indications are that it was produced by press photographers from the Daily Mail. To the title page, the address is Northcliffe House, London. EC4 - which was the headquarters of the Daily Mail at the time. A couple of the photographs can be identified as being used in the press at the time. Also identified in the pictures are Philip Rosenthal, of Rosenthal Porzellan, Germany. Lord Rothermere, Mr Stokes (The organiser of the exhibition).

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Na. A lovely large format photograph album of a tour of England and Wales in 1893. There was also a tour of Bavaria, Salzburg and Innsbruck in 1895.

The album starts in 1893 and has 38 photographs (mostly Albumen) of England and Wales. These are mostly large (24cm x 32cm) images. There are some smaller (18.5 cm x 23.5cm). They appear to be commercially purchased photographs. There are also a further 9 smaller (17cm x 22cm and 12cm x 18cm) images of cottages with descriptions on the back. These seem to be personally taken photographs?

The trip began with the Needles on the Isle of Wight, (24cm x 32cm) and continued with similar photographs of the Isle of Wight, Tennyson's house, Southsea & Portsmouth, Tintern Abbey. The tour then moved on to Wales, and there are photographs of North and South Wales, with quite a few of Betws-y-coed, and some bridges in the area. The trip moved on to Chester, with a number of photographs of Eaton House in Chester, and Hatfield House.

A second part of the album covers a trip in 1895, comprising 23 photographs of Bavaria, Salzburg and Innsbruck.

The photographs are all of good condition, still bright, with a touch of fading only. A few have light creasing, or the odd tear where they have come away from the album at some point, but overall a very presentable and attractive album of English and European topography from the 1890's. The album itself is black buckram with leather spine and corners. There is some rubbing to the boards, and some scuffing. A tape repair (with black tape) to the spine. The album measures 37cm x 45 cm. The photographs have hand written annotations below describing the view. There is some staining to the inside boards of the album and a few of the cardboard backing sheets are wavy, but this doesn't really affect the photographs.

London: Elliott & Fry. Albumen image. Profile of Ruskin. Although undated, the image would seem to be Circa 1870. Printed on mount, recto: "John Ruskin M.A., L.L.D. // Elliott & Fry Copyright 55 Baker St London W." Printed to Verso: "Elliott & Fry // Photographers // 55 Baker St, London // W." To the bottom of the verso is printed "Marion, imp Paris" and embossed "Marion & Co. London."It is also printed "No." but no number is written. The photograph was taken in 1867 when Ruskin was 48. The image is a little faded, but clearly still a portrait of Ruskin! The verso is clean. Overall in excellent condition. 165 x 110 mm (6½ x 4¼ inches).

The same image is lodged with the National Portrait Gallery. Here it does not have Ruskin's name (but does have the photographer's details). This is catalogued as a carte-de-visite, and dated 1867. Presumably the photographer issued the photograph of Ruskin shortly afterwards. This is referenced NPG Ax39887. The Albumen Process was developed in 1847, and was the first commercially exploitable method of producing a photographic print on a paper base from a negative. It was the dominant form of photographic positive until the turn of the century.

Spain: n/a, 1850. A nice example of a Spanish ambrotype photograph. The image is a 2.5 x 2 inches (quarter plate) glass plate held in a gold coloured soft metal frame (3 inches by 2.5 inches) This in turn is held in a leather backing (with some rubbing). some slight surface scratching to the protective glass. A very nice clean image, with a touch of hand colouring to the woman's cheeks. This from a Spanish collection.
Total size: 80 x 72 mm (3¼ x 2¾ inches).

Ambrotype also known as a collodion positive in the UK, is a positive photograph on glass. Each is a unique original that could only be duplicated by using a camera to copy it. Developed circa 1850, by the mid 1860's Tintype and Albumen photographs had superseded the process.