Totnes: James Cauty: 2007. Limited Edition Print on 315 gsm archival paper. Edition of 21 stamped, and initialled in pencil with AP (which probably stands for Artist's Proof). The Gift of Life, OMK Page Edition. 'Operation Magic Kingdom' was a billboard and street poster campaign in London (2007) against the Iraq war. This was also released as stamps and prints. OMK blind stamped and hand numbered in pencil to front. Has official CNPD red stamp on verso. With 4 binding holes in the left hand margin. Dimensions: 35,8 cm x 30.5cm. (last time this appeared at auction it reached £470).

Martha's Vineyard: The Indian Hill Press, 1998. Printed in black and red with a lovely 'woodcut' design by Daniel Waters. On thick cream paper. In a good condition, but has a small closed tear to one edge, and has signs of having been folded at some point. Blank to verso. 590 x 380 mm (23¼ x 15 inches).

Totnes: James Cauty: 2006. Limited Edition Print onto 315 gsm archival paper - This is one of James Cauty's famous anti-occupation of Iraq protest prints. These stamps were the subject of a legal action in 2003 by Royal Mail alledging copyright infringement James (Jimmy) Cauty, was formerly a musician with the band 'The Orb', and was a member of 'KLF'. More recently, he has been an artist, creating works of dissent, and working alongside artists such as Banksy and Billy Childish. He has been involved in Steve Lowe's L-13 Light Industrial workshop. He created the gift shop at Banksy's 'Dismaland'. His work also toured as part of the ADP (Aftermath Dislocation Principle) Riot Tour.

Totnes: James Cauty: 2007. Limited Edition Print onto 315 gsm archival paper - Edition of 81 numbered and stamped (this is 48/81) War Can Be Fun, OMK Page Edition. Operation Magic Kingdom was a billboard and street poster campaign London 2007 against Iraq war also released as stamps and prints. print onto 315 gsm archival stock paper. OMK Blind stamped and hand numbered in pencil on front. Also official CNPD red stamp on back. Dimensions: 35,8 cm x 30.5cm with 4 binding holes in the left hand margin. Comes with a separate 'Cautese National Postal Disservice' bank note.

New York: Arianne Lancell / Alsparck, 1983. Original lithograph of a bearded man in a Winter hat. Part of a suite of work based on Carmilla, the gothic novel by the Irish writer Sheridan Le Fanu. Signed in pencil. Numbered 29 / 297 copies. Authenticated by the artist's own dry stamp (a cat's head). On vellum. Very good condition as the work has never been framed. Sold unframed. 555 x 455 mm (21¾ x 18 inches).
The description for this character in the novel reads: This evening there arrived from Gratz the grave, dark-faced son of the picture-cleaner, with a horse and cart laden with two large packing cases, having many pictures in each.

1713. Engraving taken from Isaac de Larrey's Histoire d'Angleterre. Designed by B. Picart and engraved by Gouwen. Shows the Thames and London Bridge, as well as mythological figures, including Britannia, leaning on the shield of the Union - only formed 6 years before this engraving - alongside a lion. A little darkening to the leaf, and a small tear to the right edge, but overall in very good condition. 400 x 260 mm (15¾ x 10¼ inches).

1920. Gorgeous oval shaped drypoint etching with aquatint, and small detail / colouring by hand. The work is unsigned - but most likely by Jean Gilles. This is a fantastic example of the Années folles (France in the 1920s) passion for what was known as 'Boudoir Art. Gilles worked in the style of Louis Icart or Jean Hardy. Under white cardboard mount. The etching and the mount are both in a very good condition, with just a small spot or two (covered by mount). Whole item including card mount 600 x 400 mm (23½ x 15¾ inches). Image 370 x 195 mm. Perfect fro framing.

Paris: 1848. Lithograph of the dramatic death of the Général de Bréa and his Aide de Camp Mangin at the hands of insurgents from the Fontainebleau barrier. The murders took place at the Maison-Blanche guard house in Paris, during the June Rebellion. An important part of the French Revolution of 1848. 255 x 340 mm (10 x 13½ inches).

Bern: Albin Uldry, 1991. Scarce original edition silkscreen printed poster on heavy wove. This work was created to commemorate the 700th anniversary of the Swiss Confederation on 1er août 1991. Referenced in the book "Keith Haring, Posters, catalogue raisonné", Jurgen Doring, Prestel 2017 (C120). Sold unframed. In very good condition. Swiss citizen Pierre Keller, then a teacher, first met Keith Haring in New York in 1981. They became friends, and in 1987 Haring visited Switzerland. It was Keller when he later worked for British American Tobacco who supervised the creation of a series of advertising posters for 'Lucky Strike'. 1000 x 700 mm (39¼ x 27½ inches).

Paris: Rüe de la Harpe vis a vis le Soleil d'Or, 1737. Original etching. Depicts a follower of Bacchus in the centre, on the left a man with a thyrsus standing in a giant cup and drinking from a conch shell; and on the right a statue of Pan on a plinth. Etching is annotated in the lower left Bouchardon del. Under gold edged duck egg blue passe-partout. Has a small area of green (paint?) to bottom left. Otherwise very good. Actual image size: 210 x 145 mm (8¼ x 5¾ inches).

London: R. Ackermann's Repository, 1808. Plate number 9 from Ackermann's "Microcosm of London". A lovely aquatint. The architectural details were drawn by Pugin, and Rowlandson drew the figures (both are credited on the sheet). The aquatinting was done by J. Bluck. Ackermann produced this work between 1807 and 1810. One of the greatest of the colour plate books. "The plates by Rowlandson and Pugin present an unrivaled picture of London in early 19th century, of historic value, as many of the buildings no longer exist." (Tooley).

ShangrilART, 2017. Hand screenprinted with Pip Seymour indigo ink on 380 microns board. Signed by both artists, and numbered # 34 of a limited edition of 60. One of eleven Brexit based artworks by Chris Hopewell and Stanley Donwood; thwarted romance, doomed love, hopeless heartache and punches in the face! 590 x 420 mm (23¼ x 16½ inches). Stanley Donwood is the pen name of British artist and writer Dan Rickwood. He is best known for his work on the artwork for the musician Thom Torke and his band Radiohead.

Chris Hopewell is British music video director and screenprinted poster maker. He has directed videos for, among others, Radiohead, Franz Ferdinand, The Killers, The Offspring and various other bands.

ShangrilART, 2017. Hand screenprinted with Pip Seymour indigo ink on 380 microns board. Signed by both artists, and numbered # 34 of a limited edition of 60. One of eleven Brexit based artworks by Chris Hopewell and Stanley Donwood. Tales of love from the transition period. Thwarted romance, doomed love, hopeless heartache, and a slap in the face! 590 x 420 mm (23¼ x 16½ inches). Stanley Donwood is the pen name of British artist and writer Dan Rickwood. He is best known for his work on the artwork for the musician Thom Torke and his band Radiohead.

Chris Hopewell is British music video director and screenprinted poster maker. He has directed videos for, among others, Radiohead, Franz Ferdinand, The Killers, The Offspring and various other bands.

Valencia: Hija de E. Mirabet, 1928. An anonymous colour lithographic poster, mounted on linen.
"Chang and Fak-Hong's United Magicians presents The Bhuda".
63.5 x 44 cm.
Chang and Fak Hong were a popular illusionist duo of the 1920s and 1930s, renowned throughout Europe and the United States.
Very good condition. A few foxing spots to the white and cream edges. Slight fraying to the undressed linen edge. Overall very attractive.