London: Robert Clavel and James Knaplock in St. Paul's Church-Yard, 1704. First edition. Later Vellum with titles stamped to spine. Overall a decent copy. The vellum is clean and tidy, with a little foxing / marking only. A large, uncut copy. Lower corner of leaf D4 torn away, with loss of a few words from six lines of text. Paper flaw to leaves H-H2, with loss of a single word to recto and verso of each.ESTC T75521. 64p pages.
Samuel Wesley (1663-1735), Anglican clergyman and poet. Public outcry to the criticism of dissenting education in his 'Letter from a Country Divine' to his friend in London concerning the education of dissenters in their private academies (London, 1702) led Wesley to respond voraciously, firstly with this work, and then again in A Reply to Mr. Palmer's Vindication (1707).

London: Luke Meredith at The King's Head, 1685. Full title reads: "A loyal tear dropt on the vault of the high and mighty Prince Charles II. Of glorious and happy memory. By Henry Anderson, M.A. vicar of Kingsumborne in Hampshire."
The original funeral oration for Charles II. Now bound in faux leather boards with gilt titles to the front board. End papers from time of binding. Bound in to the rear are two additional leaves, printed in Circa 1816 and each offering a hymn composed by Joseph Wiggins. He was a member of Stretton Friendly Society (Quakers). The faux leather cover is clean and bright. The text is mainly clean, with a touch of marking / foxing to it. small number 19 to title suggests that this has been abstracted from a larger collection at some point. [6], 26, [4] p. ; 4⁰. Signatures: A-D⁴ +2 leaves. 200 x 150 mm (7¾ x 6 inches).
Conforms to Wing A3091. Bibliography - Wing (2nd ed.), A3091

London: Seeley, Jackson & Halliday, 1867. A first edition of this scarce work. Dark brown cloth. Contemporary brown end papers and owner's contemporary gift inscription to the FFEP. A quite reasonable copy. The brown cloth has marking to the corner of the front board, and there is some light fading from water spots to the rear board. The spine has darkened so that the title is illegible (no gilt, if ever any, remains). Internally clean and tidy throughout, with a touch of darkening to the pages only. Foxing spots to the end papers only. X, [1]-212, [ii]. pp
Samuel, Garratt 1817-1907 was also the author of "Signs of the Times" and "World Without End" amongst other works. He was an Evangelist within the Church of England. These sermons were given at the end of his tenure at Trinity Church in Lincoln's Inn Fields, before his departure for Ipswich. X, [1]-212, [ii]. pp

London: L. B. Seeley and Son, 1825. Original diced Russian calf with gilt decoration to spine. Bookplate to the inside board. Contemporary gift inscription to the end paper. There is an engraved vignette to the title page. After the treatise on Prayer, there is around 70 pages with examples of prayers for the faithful to use, and an index.

Edward Bickersteth (1786-1850) was an evangelical Church of England clergyman. He was active in promoting the Evangelical Alliance and was strongly opposed to the Tractarian movement. His son became the Bishop of Exeter.

There is rubbing to the edges of the boards, with a little bumping to the corners. The gilt to the spine has been rubbed and the titles are no longer legible. It appears that the book may have been repaired in the distant past (unsure) the end papers look a little newer. The binding is strong and secure. Internally clean and tidy throughout with just a little darkening. Overall a sound copy.

Geneva / Geneve: N/A, 1820. Undated, but likely from 1818-1822, this fine watercolour of Mary in the style of Raphaël, although unsigned has a contemporary paper attribution / provenance lightly tipped to it. This states that it was painted by Schenker and came from a collection. It was given by Ferdinand Dupon (?) as a souvenir of his two little brothers. Edged in gilt, the painting is in very good condition, with just a couple of tiny marks to it. 110 by 80mm (4¼ by 3¼ inches).

Schenker (1760-1848) was primarily an engraver, born in Geneva, worked Paris. Pupil of Saint-Ours and Macret, he studied intaglio printing. Worked for Bartolozzi in England and France. Director of the 'Ecole de gravure de Genève' (1817-1822). He engraved with Gâtine the illustrations for the series 'Le Bon Genre' published by La Mésangère. He was also clearly a skilled water colourist. Non datée, mais probablement de 1818-1822, cette belle aquarelle de Marie dans le style de Raphaël, bien que non signée a une attribution/provenance sur papier de l'époque légèrement inclinée. Cela indique qu'il a été peint par Schenker et provient d'une collection. Il fut offert par Ferdinand Dupon (?) en souvenir de ses deux petits frères. Bordée de dorure, la peinture est en très bon état, avec seulement quelques petites marques. 110 par 80 mm.

Schenker (1760-1848) était avant tout un graveur, né à Genève, a travaillé à Paris. Elève de Saint-Ours et de Macret, il étudie la taille-douce. A travaillé pour Bartolozzi en Angleterre et en France. Directeur de l'Ecole de gravure de Genève (1817-1822). Il grave avec Gâtine les illustrations de la série 'Le Bon Genre' éditée par La Mésangère. Il était aussi manifestement un aquarelliste de talent.

Romae: Typis Polyglottis Vaticanis. First edition. Volumes 1-5 of the Acta Apostolicae*. Vol.1 : 1909 (21 issue: Annus 1) - 20 December 1909 num. 21) / Vol 2 : 1910 (21 issues: Annus 2 20 Jan 1910 num. 1 - 19 December 1910 num. 23) / Vol 3 : 1911 (17 issues: Annus 3 - 16 Jan 1911 num. 1 - 20 December 1911 num. 17 / Vol 4 : 1912 (22 issues: Annus 4 - 15 January 1912 num. 1 - 30 December 1912 num. 22) / Vol. 5 : 1913 (19 Issues: Annus 5 - 25 Jan 1913 issue 1 - 31 December 1913 num. 19) Vol 1 & 2 have White 3/4 cloth with green boards. Vol 3-5 have white vellum. black leather labels with gilt titles. Internally mainly clean and tidy, with a little darkening to the page edges. Volume one has a little rubbing to the spine edges. Frontis portrait of Pope Pius X to volume 1.

These volumes came from the St Birgittae de Sion (Bridgettine) monastery at Chudleigh in Devon. They were donated to the Abbey (and each has an inscription stating this) by the Rev. Benedict Williamson. Wiliamson was a prominent Catholic Architect, and supporter of the Bridgetinnes. He was ordained a priest in 1909 and was behind many of the finest early 20th Century Catholic Churches.

*Acta Apostolicae Sedis (Latin for "Acts of the Apostolic See"), often cited as AAS, is the official gazette of the Holy See, appearing about twelve times a year. It was established by Pope Pius X on 29 September 1908 with the decree Promulgandi Pontificias Constitutiones, and publication began in January 1909. It contains all the principal decrees, encyclical letters, decisions of Roman congregations, and notices of ecclesiastical appointments. The laws contained in it are to be considered promulgated when published, and effective three months from date of issue, unless a shorter or longer time is specified in the law

London: R. W. for Henry Mortlock: 1673. Contemporary full leather, strengthened at some point. Recent burgundy label with gilt titles. The book has no end papers, and begins with the imprimatur pasted down to the front board. The final page is pasted to the rear board. The work begins with the title page. The book is in three parts. There is a lengthy "General preface", followed by the Contents, and "An examination of the pamphlet entituled Dr. Stillingfleet against Dr Stilllingfleet". The third part is "An answer to the book entitled, Dr Stillingfleet's Principles Considered". [LXXXVI], 1-12, 13-73,[i], 75-291. pp

The original boards are a little rubbed and bumped, but still holding well. The spine has been strengthened and although the leather appears cracked, it is holding well. The label is bright. Inside, the binding is quite cracked to the front hinge, but still secure. A contemporary hand has practiced it's writing of "imprimatur" to the inside board. The rest of the book is in good clean condition, with only moderate darkening. A tiny amount of edge wear to the title page, but nothing significant.

This work was the culmination of an attack on Catholicism which began with the Discourse in 1671. Edward Meredith and the recusant Catholic Thomas Godden replied on the Catholic side, and here he continues his attack. His attack is wide ranging, from objecting to the Pope's decrees and the Council of Trent, through to accusing Ignatius Loyola of fanaticism. Edward Stillingfleet (1635-1699) was an Anglican theologian from Cranborne in Dorset. He was known as "The beauty of Holiness" for his good looks. He preached at St Margaret's, Westminster, on the day after the Great Fire in 1666. He was a leader amongst the "Latitudinarians" a group of young Anglicans, named pejoratively as "men of latitude" for the ease in which they switched side from the Parliamentary to the Royalist position after the Restoration. He was predominantly low church, and wanted reconciliation with Presbyterians - but certainly not with Catholics. Later he became the Bishop of Worcester (1689)

Boston: Apollo Press Joseph Belknap, 1795. A very nice copy of this scarce first edition. Recently rebound in half calf, with black marbled boards. Author's name and date in gilt to the spine. Binding is spotless. Internally complete, with some darkening to the initial pages. The page edges are rather chipped - but not affecting text. 43 pages. 250 by 160mm (9¾ by 6¼ inches).

John Clarke (1755–1798) was a minister of the First Church in Boston, Massachusetts. Born in Portsmouth, New Hampshire, he was educated at the Boston Public Latin School and Harvard University He joined the ministry of Boston's First Church in January 1778, and remained there until his death at age 42. He was a charter member of the American Academy of Arts and Sciences in 1780. & was associated with the Boston Library Society; the Humane Society of Massachusetts; and the Massachusetts Historical Society.
Joseph Belknap was a Boston publisher. He was the son of a noted Congregationalist minister Jeremy Belknap, and a member of his "long lane" church in Boston. Here he had been involved with the ratifying of the Confederating Constitution of America. He involved in the foundation of, and printer to the Massachusetts Historical Society in 1791

London: John Norton for Joyce Norton, 1633. A nice copy of this two volume work, unfortunately lacking the title page to Volume I. The volume starts on gather A. Original full leather boards, with a touch of bumping / edgewear to the boards. Recent spine with titles and date to the spine. There is a little water staining to the work, particularly to the edges, and a slight nicking to the edges of the blank front end paper. Some darkening / foxing, again particularly to the edges. Owner's inscriptions to the inside front board and to the 2nd end paper. (IWe think what is laid in as the first end paper is a later addition, when the spine was replaced - the second end paper appears from condition and inscriptions to be the original one). Also lacking is leaf 3I2 (page 99/100) with the text here also lacking. Bizarrely, a full page plate, dating from 1814 has been laid in to face page 275. This is an engraving by Wm Craig and L. Brown, showing national liberty crushing the nations of Europe. This is perhaps laid in here as it is opposite an homily against Disobedience and Wilfull rebellion. This long homily, published in various forms, is important, as it was part of the celebrations following the failure of the rebellions against Queen Elizabeth I. To the end of the work is "A thankesgiving for the suppression of the last rebellion."
1-98, [vi], 1-98 101-320 [iv]. 290 x 210 mm (11½ x 8¼ inches).

Augsburg: Pattloch Verlag, 1990. A lovely copy of this First Thus. Full dark blue leather, with one of Chagall's illustrations tipped onto the front panel black and gilt decoration to front board and spine. All edges gilt. Two silk bookmarks. End papers featuring Chagall's art. 4 °. With 64 colour illustrations after Chagall. The illustrations are high quality reproductions on glossy art paper, with titles to the verson. Text in German throughout. Fine inside and out. There is no significant wear to the book. Pagination:[10], 354, 39, 4 maps. pp
Also included is the brochure / pamphlet which accompanied the Bible. This tells the story of the creation of the art (in German) and also serves as the Certificate of Originality with number.
"Since my early youth, I have been fascinated by the Bible," said Marc Chagall, believing it to be "the greatest source of poetry of all time." The works presented here reflect Chagall's ongoing interest in the beauty and tragedy of humanity: "The Bible is like an echo of nature and this secret I have tried to transmit," (Abstracted from Artsy) 290 x 210 mm (11½ by 8¼ inches).
Ein schönes Exemplar dieses Ersten So. Dunkelblaues Vollleder, mit einer von Chagalls Illustrationen auf der Vorderseite, schwarze und vergoldete Dekoration auf Vorderdeckel und Rücken. Alle Kanten vergoldet. Zwei Lesezeichen aus Seide. Vorsatzblätter mit Chagalls Kunst. 4°. Mit 64 Farbabbildungen nach Chagall. Die Illustrationen sind hochwertige Reproduktionen auf glänzendem Kunstdruckpapier, mit Titeln zur Version. Text durchgehend deutsch. Innen und außen in Ordnung.