Dieren: Gazelle Rijwielfabriek, 1920s. From 1899 to 1905, Vlaanderen worked on the Ed Cuypers architectural firm. He set up on his own and worked on many advertising assignments for various companies. For several decades, André Vlaanderen was the graphic designer for the Gazelle bicycle factory. In 1925, he developed the Gazelle logo, which the company still uses today. During the 1920s and 1930s, he was also the author of several small advertising comic books for Gazelle.

Netherlands: 1960. An original study, in pastels with three nude images. Perhaps a basis for sculpture, as the work shows torsos, and is more sculptural than erotic. The signature is difficult to decipher, but appears to be E Schepp or similar.  The work shows clear skill, and is in very good condition. Appears to have been drawn in the 1960's or 1970's Mounted in passe partout.  The work is held in a glazed wooden frame. The price shown here is for the pastel itself, in the passe partout, but unframed. If you wish the frame, then this is also possible for a small additional cost. (Most of the additional cost is the difficult shipping!) Image 56.6cm x 44.5cm. Frame 77cm x 66cm

Stuttgart: Württembergischer Kunstverrein, 1976. Large gold paperback. Lightly rubbed covers; with unavoidable finger marks a slight crease to upper right corner of front. Inside fully illustrated in both b/w and colour with Warhol's work on various different paper colours and qualities. In good condition. Text in German. 227 pages. 280 x 215 mm (11 x 8½ inches).

Jimmy Cauty. States Second Edition - 13th June 2016. This copy hand numbered #33 of limited number of 100. 1030 x 750 mm (40½ x 29½ inches). Please note: comes folded and in a deliberately 'distressed' condition. Each map has been hand-distressed and the deliberate tears may vary from ones shown in the images.

Reynès: Éditions de l'Eau, 1989. Oblong small quarto. Folded gatherings and plaid laid in to printer wrappers. In a silk covered slipcase. First edition. 6 original etchings engraved in black and burin by Albert Woda, and 6 full-page calligraphies by Franck Lalou. Limited edition of 70 numbered copies on Rives vellum paper for text and natural Arakajii japo for calligraphy, signed by both Woda and Lalou. One of 50 copies numbered from 8 to 57, this is # 24.

San Francisco: Straight Arrow Books, 1974. Bound in publisher's original full black cloth with the title stamped in white on the spine. In original illustrated dust jacket. Some wear and a small tear to top right of dust jacket, otherwise in quite a good condition and unclipped. Book is clean inside and in a good condition. 310 x 235 mm (12¼ x 9¼ inches).

London: Fire Dog Mothers, 1991. Fabulous collaborative work, produced in a limited edition of 200 numbered copies. In its original stapled colour illustrated soft covers.

1985. A Dutch oil painting of a landscape scene - a water mill by a canal with trees and sky. Probably an amateur artist, it is signed P.M. '85. Assumed 1985. Oil on canvas, and mounted in a wooden and gilt frame. Sold with the frame. Frame size 500 mm width x 420 mm height. Image size 285 mm x 230 mm. The painting is in very good condition, with just a touch of crackle to the glaze. The frame is mainly in good condition, but with a little rubbing to the lower edge.

Oxford: John Henry Parker, 1847. First edition. Ex-library. Complete. Uniformly bound in blood red library bindings, with gilt stamped title to spines. Part I is text volume, and Part II contains all 75 of the plates (many of which are hand coloured). Part I: xiii, 384 pp. Part II: 24, [75 plates] pp.

An original watercolour of Sint Gertrudiskerk in the Grote Markt Bergen op Zoom. Attractively presented, showing the tower of the church, and the restaurants in the market square. The image is behind passe partout. Image itself measures 80 mm x 200 mm. Passe partout frame is 200 mm, x 260 mm. The painting is signed, but the name is indecipherable. Presented in a white aluminium frame (glazed). This item is sold with the frame. Excellent condition. The passe partout is overcut a little.

Bogota: Galeria Fernando Quintana, 1988. First edition. Scarce exhibition catalogue from Colombia. Dark soft covers, with the 'negative' version of one of Warhol's famous Marilyn Munroe silkscreens adorning the front cover. Perfect binding. Unpaginated. High quality reproductions throughout. 285 x 240 mm (11¼ x 9½ inches).

Lakeland: 1955. Photographic record / Catalogue of the festival at Florida Southern College. Articles about several modern artists (those in title) and photographs of works exhibited. Stapled softback. Unpaginated.
230 by 160mm (9 by 6¼ inches).

Institut Français de Casablanca, 1995. First Edition. An attractive black and gold printed catalogue, from the artist Amina Benbouchta. 16 pages, loose in gathers. Includes 4 full page lithographs, including a double page spread at the centre. Limited and numbered. This is copy #35 of an edition of 900. Printed on vergé ivoire 250g on the presses of the printer Somigraf in Casablanca. Benbouchta is a Moroccan artist, educated in Canada and Paris. During the 1990s Benbouchta headed the fashion and culture magazine Les Alignés. 300 x 240 mm (11¾ x 9½ inches).

Paris: Librairie Hachette, 1876. First Edition. Red hardback cloth with matching red leather spine. Gilt titles and decoration to the spine. Gilt decoration to the front board showing that the book belonged to the Chambre Syndicale des Entrepreneurs Beaune in 1889. A touch of rubbing and darkening to the boards and spine. Marbled end papers and University of France bookplate showing that this was a First Prize for Graphic Design work in 1889. The work is full of text, and with a large number of engraved illustrations, showing the technique of perspective and artistic geometry. Text in French. 152 pages. 270 x 170 mm (10¾ x 6¾ inches).

Stockholm: Konstförlaget Grafia, 1916. 10 fabulous original lithographs, in illustrated card folder held together with cord. This album contains portraits of Swedish and international stage artists who were active in Stockholm during the WW1. Portrait sheets: 330 x 240 mm (13 x 9½ inches). Folder: 350 by 260 mm (13¾ by 10¼ inches). John Jon-And was a Swedish illustrator, set designer and artist. During WW1 he was employed as a cartoonist at Svenska Dagbladet in Stockholm.

Netherlands: Na. A lovely, and large "cuts" or scraps album from 1888. Including fire engines and equipment, black minstrel dancers, animals and soldiers from around the world. Contains over 200 cuts. Binding is a somewhat rubbed, but attractive album cover, with designs inlaid. 400 by 320mm (15¾ by 12½ inches).

California: Gingko Press, 2008. First edition. Richly illustrated in colour and b/w. Original half cloth. 144 pp. 315 x 240 mm (12½ x 9½ inches). E Pluribus Venom collects a large body of work produced by Shepard Fairey and presented at the Jonathan Levine Gallery during his massive exhibition in the summer of 2007.