London: Darton and Harvey, 1805. First Edition. Two volumes bound as one. With titles, two engraved titles and 84 copper plate engravings (complete). The plates with decorative animal illustrations by J. Tookey after J. Ibbetson. Half calf binding with brown boards. The boards are somewhat stained. The binding is rubbed to the corners and edges. The gilt decoration and titles to the spine are still attractive though. Has the ownership signature of G. Goldney, Buckfield to the front end paper. Small bookshop stamp of Paul A Struck of New York to the inside board. Some of the pages and plates have light water staining (a couple there is more distinct staining), and there is light foxing in places. Pages a touch darkened. Overall, a nice copy though. Unpaginated. Julius Caesar Ibbetson (1759-1817), was a Yorkshire painter noted for his rural scenes and depictions of animals. This is the first printing of an important work of natural history, which was re-printed in 1848/9. 330 by 260mm (13 by 10¼ inches).

. Première édition. Deux volumes reliés en un seul. Avec les titres, deux titres gravés et 84 gravures sur cuivre (complètes). Les planches avec des illustrations d'animaux décoratifs par J. Tookey d'après J. Ibbetson. Reliure en demi-veau avec des planches brunes. Les planches sont légèrement tachées. Les coins et les bords de la reliure sont frottés. La décoration et les titres dorés au dos sont encore attrayants. La signature de G. Goldney, Buckfield, figure sur la première page de garde. Petit cachet de librairie de Paul A Struck of New York à l'intérieur de la planche. Certaines pages et planches présentent de légères taches d'eau (quelques taches plus nettes) et de légères rousseurs par endroits. Les pages sont un peu noircies. Dans l'ensemble, un bel exemplaire. Non paginé. Julius Caesar Ibbetson (1759-1817) était un peintre du Yorkshire connu pour ses scènes rurales et ses représentations d'animaux. Il s'agit de la première impression d'un important ouvrage d'histoire naturelle, qui a été réimprimé en 1848/9. 330 x 260 mm.

France: 1880. A large folder of pressed flowers and leaves. This begins with wheat / grains, and includes vegetables and flowers. Each has been tipped onto large sheets of heavy paper, and held in place by a hand written label with the french type, and name. The sheets are loose in an original folder. 42cm x 26cm (so each sheet is 46 x 52cm folded). There are 35 pages with at least one plant tipped in. (plus a number of blank leaves). These hold 67 complete plant or flower specimens, and a further six fragments (where the plant is largely lost). Specimens are tipped onto the recto only. The pages are in reasonable condition, but several in the middle section have been damp stained to the top third). (It would appear that some of the plants were pressed in situ and leaked water). Overal through and attractive and interesting collection.

. Un grand dossier de fleurs et de feuilles pressées. Cela commence avec le blé / les céréales, et comprend des légumes et des fleurs. Chaque feuille a été collée sur de grandes feuilles de papier épais et maintenue en place par une étiquette écrite à la main avec le type et le nom français. Les feuilles sont rangées dans une chemise d'origine. 42cm x 26cm (chaque feuille fait donc 46 x 52cm pliée). Il y a 35 pages avec au moins une plante collée. (plus un certain nombre de feuilles blanches). Elles contiennent 67 spécimens complets de plantes ou de fleurs, et six autres fragments (où la plante est en grande partie perdue). Les spécimens sont collés sur le recto seulement. Les pages sont en bon état, mais plusieurs d'entre elles, dans la partie centrale, ont été tachées par l'humidité jusqu'au tiers supérieur.) (Il semblerait que certaines des plantes aient été pressées in situ et aient laissé échapper de l'eau). Dans l'ensemble, il s'agit d'une collection intéressante et attrayante

Paris: Laboratoires M. de Rive, 1950. A set of 12 advertising cards for various products from the de Rive laboratory. These are together as a leporello in a blue marbled hardback cover with cloth spine. The cards are bright and fresh, with product details in French to the verso of each card. Excellent condition. The boards, although clean and strong, have some fading to the spine. Dated from the style of the artwork. Raymond Gabutti (active 1937-1974) was primarily a film production designer, but also provided advertising artwork. Closed 165 by 125mm (6½ by 5 inches). fully opened is 140 cm x 12.5 cm Un ensemble de 12 cartes publicitaires pour divers produits du laboratoire de Rive. Ceux-ci sont réunis sous forme de leporello dans une couverture cartonnée marbrée bleue avec un dos en tissu. Les cartes sont lumineuses et fraîches, avec des détails sur les produits en français au verso de chaque carte. Condition excellente. Les planches, bien que propres et solides, présentent une certaine décoloration au dos. Daté du style de l'oeuvre. Raymond Gabutti (actif de 1937 à 1974) était avant tout un concepteur de production cinématographique, mais a également fourni des illustrations publicitaires. Fermé 165 xr 125mm. Entièrement ouvert est de 140 cm x 12,5 cm

Paris: G. Masson, 1877. First edition. Original pale green soft covers with an engraving of a sound machine to the front cover. Covers are sound but a little chipped to the corners of the front and rear covers. The spine has been reinforced. The binding has clearly been split at some point, but is now restored. two very small worm holes to the soft covers and title pages. The book itself is clean and tidy throughout, but with light foxing spots. Contents: Preliminary concepts I. Mode of sound propagation. Speed ​​of sound propagation. Reflection of sound. Refraction of sound II. Sound qualities. Musical intervals. Range. Musical scale. Harmonic sounds III. Vibrations of gases, solids and liquids. Vibration form IV. Superposition of vibratory movements. Sound wave interference. Faculty of ear analysis. Simple, compound, complex sounds V. Analysis of sounds by the phenomenon of influence and by the ear VI. On the timbre of musical sounds (string and wind instruments) VII. Of phonation VIII. Hearing Note A. Speed ​​of sound propagation Note B. Vibrations of solid bodies Note C. Theories of phonation (from Hippocrates to Louis Vacher) Note D. Mechanism of the apparatus for transmitting the vibratory movement of the tympanic membrane to the liquid of the labyrinth. 600 pages. 225 by 140mm (8¾ by 5½ inches).

. Première édition. Couvertures souples originales vert pâle avec une gravure d'une machine à son sur la couverture avant. Les couvertures sont saines, mais les coins des couvertures avant et arrière sont légèrement ébréchés. Le dos a été renforcé. La reliure a manifestement été fendue à un moment donné, mais elle est maintenant restaurée. Deux très petits trous de vers sur les couvertures souples et les pages de titre. Le livre lui-même est propre et bien rangé, mais présente de légères rousseurs. Table des matières : Concepts préliminaires I. Mode de propagation du son. Vitesse de propagation du son. Réflexion du son. Réfraction du son II. Qualités du son. Intervalles musicaux. Gamme. Échelle musicale. Sons harmoniques III. Vibrations des gaz, des solides et des liquides. Forme des vibrations IV. Superposition des mouvements vibratoires. Interférence des ondes sonores. Faculté d'analyse de l'oreille. Sons simples, composés, complexes V. Analyse des sons par le phénomène d'influence et par l'oreille VI. Sur le timbre des sons musicaux (instruments à cordes et à vent) VII. De la phonation VIII. L'audition Note A. Vitesse de propagation du son Note B. Vibrations des corps solides Note C. Théories de la phonation (d'Hippocrate à Louis Vacher) Note D. Mécanisme de l'appareil de transmission du mouvement vibratoire du tympan au liquide du labyrinthe. 600 pages. 225 x 140 mm

London: George Allen & Unwin Ltd, 1954. First edition (UK Edition). Ruth Herschberger, an American biologist and poet, wrote this work exposing the masculine bias in biology. In the UK this was published under a pseudonym. "One of the most unapologetically feminist works of its time" (Shira Tarrant "When sex became gender"). Today, it is surprisingly scarce. Original dust wrapper. Clean and tidy, with just a few tiny areas of edgewear. Pale blue boards are in excellent condition. Book itself is clean and tidy throughout, with just the odd foxing spot. 224 pages. 200 by 140mm (7¾ by 5½ inches).

. Première édition (édition britannique). Ruth Herschberger, biologiste et poète américaine, a écrit cet ouvrage qui dénonce les préjugés masculins en biologie. Au Royaume-Uni, l'ouvrage a été publié sous un pseudonyme. "L'un des ouvrages les plus résolument féministes de son époque" (Shira Tarrant "When sex became gender"). Aujourd'hui, il est étonnamment rare. Couverture en papier d'origine. Propre et bien rangé, avec juste quelques petites zones d'usure sur les bords. Les planches bleu pâle sont en excellent état. Le livre lui-même est propre et bien rangé, avec juste quelques rousseurs. 224 pages. 200 x 140 mm

Paris: Société Générale des Eaux Minérales de Vittel, 1934. Originaly hardback, faux crocodile skin covered boards with gilt titles. A touch of rubbing to the edges of the front board. Slight bowing to the front board. Blue cloth spine. Unpaginated. Title, memorial to Dr Maurice Casternan - the secretary general of l'association des Ancients Internes until his death in 1933. Frontis illustration showing the Ball of 1933 (a rather rowdy party!). Each hospital in the Paris region is then celebrated with photographs of the medical staff at each, and with their names below. The photographs are taken by Pierre Petit. (They are here printed, rather than tipped in). Often there is also a photograph of the hospital itself. Internally clean and tidy throughout. An excellent example 230 x 320 mm (9 x 12½ inches). Relié à l'origine, planches recouvertes de fausse peau de crocodile avec titres dorés. Une touche de frottement sur les bords du plat avant. Légère courbure au premier plat. Dos en toile bleue. Non paginé. Titre, mémorial au Dr Maurice Casternan - le secrétaire général de l'association des Anciens Internes jusqu'à sa mort en 1933. Illustration frontis montrant le Bal de 1933 (une fête plutôt tapageuse !). Chaque hôpital de la région parisienne est ensuite célébré avec des photographies du personnel médical à chacun, et avec leurs noms ci-dessous. Les photographies sont prises par Pierre Petit. (Ils sont ici imprimés, plutôt que renversés). Souvent, il y a aussi une photographie de l'hôpital lui-même. Intérieurement propre et rangé partout. Un excellent exemple de 230 par 320 mm (9 par 12½ pouces).

New York & London: D. Van Nostrand & Sampson Low, Son & Co, 1861. Attractive first edition in original black blind stamped buckram with gilt titles to spine. The binding is quite rubbed to the front hinge with cracking to the spine edge. A little bumping. Small bookseller stamp from A. Franck in Paris to the inside paste down. Moderate foxing to the end papers, and light foxing, particularly to the edges of the rest of the book. The binding shows signs of having been re-sewn at some point to plate 17 - it would appear the block split. The repair is quite crude but only at this point and not affecting plate. Complete with all 77 engraved plates. Lovely Frontis engraving of a steam locomotive, "The Rogers Locomotive and Machine Works". Discrete library / owner's stamp to the title page shows that this belonged to the Chemins de Fer in Algeria. After the title and colophon, there is a full page railway map of Great Britain in 1858. Many of the engravings are very specific engine parts shown in full detail, others show whole locomotives. 192 pages + plates. 370 x 250 mm (14½ x 9¾ inches).

Edinburgh: Mundell and Son, 1797. Title continues: "Together with observations on hollow and surface draining in general. The whole illustrated by explanatory engravings." Quarter leather with marbled boards. gilt title on label to spine. Owner's bookplate to the inside board. Scarce First Edition. 16 engraved plates (2 folding) - Complete. The binding (later re-back) has been done a little tight, so there is some breaking to the first gather. One of the plates has scuffing to the surface (not particularly noticeable). One leaf of "Conclusion." xv, 182 pp. Large 4to. 270 by 220mm (10¾ by 8¾ inches).

Johnstone (d. 1838), an Edinburgh surveyor, was promised a grant of £1000 by the recently formed Board of Agriculture to provide a detailed and accurate account of the system of land drainage developed by Joseph Elkington (d. 1806), a farmer in Warwickshire and designer of land drainage systems. Elkington was known to be in poor health, and it was feared that knowledge of his innovations might perish with him. "About 1763 Elkington inherited a farm at Princethorpe, where some years later he discovered, at Long Harold Pits along a geological fault, the method of land drainage for which he is remembered. He discovered by accident, after losing more than 800 sheep to liver rot, how some strata were porous and pervious to water while others were not, and that he could locate the former with the auger used in exploring for marl and coal."-ODNB

Leipzig: Deutsche Verlag-Aktien-Gesellschaft, 1904-1913. First Edition. 10 hardback volumes (I-X). Complete - although Krauss did later add supplementary volumes. Privately printed by Krauss. (From Vol. VII onwards publication is by the Ethnologischer Verlag). Some of the volumes are numbered, indicating a limited edition, but this is different with each volume. The Anthropophyteia is probably the most comprehensive collection of sexual folklore and ethnological sex research and one of the most important basic works on sex research and the history of customs and, in its outstanding achievement, the most important work in the life's work of FS Krauss. From Vol VII onwards, Freud contributed to the work. Red cloth with gilt titles to each volume. Overall in very good condition, with many of the pages uncut. A little bumping and edgewear overall. Vol I (1904) is clean and bright, with a little fading to the spine. Smaller catalogue bound in to rear; Vol II (1905) has some water staining to the front board. Smaller catalogue (32 pages) outlining Duhren's work on Marquis de Sade bound in to rear; Vol III(1906) good overall condition. 11 photographic plates bound in to the rear; Vol IV (1907) good overall condition. 10 photographic plates to rear; Vol V (1908) good overall condition. 9 photographic plates to rear; Vol VI, (1909) good overall condition. A little crinkling to the cloth on the spine. 22 photographic and illustrated plates; Vol VII. (1910) good overall condition. 19 photographic plates to rear; Vol VIII, (1911) Good overall condition. 29 photographic plates; Vol IX, (1912) Good overall condition. 16 photographic plates; Vol X, (1913): 5 photographic plates. This final volume contains the Jahrbucher, followed by the Erotische Zabuerwahnprozesse zu Berlin im Jahre 1913: Collation: XXIV, 530, [2]; XVI, 480, [4]; VI, 449, [6], 18, XI (plates); IV, 479, [9], X (plates); 413, [9], IX (plates); 519, [4], XXII (plates); 539 (including 19 plates); 528, [8], XXIX (plates); 602, [6], XVI (plates); 416, 69, V (plates). 270 x 200 mm (10¾ x 7¾ inches).

Paris: Impr. de A. Delalain, 1819. Second edition. 2 volumes. Complete. Contemporary full leather bindings with gilt to burgundy labels. The bindings are a little rubbed, but still sound. Volume I deals with quadrupeds, viviparous and oviparous, Reptiles and Fish. Volume II with Birds and insects. Pages and plates are clean and tidy, with just a little darkening. 22 plates contain 174 figures, across the two volumes (13 in volume I and 9 in Volume 2). The 1st edition appeared in 1799, without Buffon's name, under the title "Leçons d'histoire naturelle." 16, 276., 12, 420 pages. 170 by 100mm (6¾ by 4 inches).

. Deuxième édition. 2 volumes. Complets. Reliures contemporaines en plein cuir avec étiquettes dorées sur fond bordeaux. Les reliures sont un peu frottées, mais restent saines. Le volume I traite des quadrupèdes, vivipares et ovipares, des reptiles et des poissons. Le volume II traite des oiseaux et des insectes. Les pages et les planches sont propres et nettes, avec juste un petit assombrissement. 22 planches contiennent 174 figures, réparties sur les deux volumes (13 dans le volume I et 9 dans le volume 2). La première édition est parue en 1799, sans le nom de Buffon, sous le titre "Leçons d'histoire naturelle". 16, 276. 12, 420 pages. 170 x 100 mm

London: George Bell and Sons, 1900. An interesting copy of this reprint edition. There are 31 steel plates (and 12 in page woodcuts) in the book. Of these the 30 steels that contain birds are all expertly hand-coloured. This was not part of the publication, so has presumably been done by an owner. This adds significantly to the attraction of the book. Contemporary green buckram boards with gilt titles. This is part of the Bohn's Libraries series, and has the Bohn's name and stamp to the spine in gilt. There is a little marking and bumping to the boards. The front end paper has been removed from this copy. The binding is a little loose, and slightly shaken, but still holding together well. There is some foxing / darkening throughout the book. xvi, 500, 32. pp. Advertising catalogue for Bohn's libraries to rear. 180 x 125 mm (7 x 5 inches).

Lugduni Batavorum [Leiden]: Apud Danielem, Abrahamum & Adrianum á Gaasbeeck, 1665. First edition (Leiden edition of van der Linden). Two volumes. Engraved title and engraved portrait of Hipocrates to the front of volume one. Full brown leather binding with simple gilt decoration and titles to the spine. Both volumes have a little rubbing to the spine, and with loss to the top surface leather on the spine (worse to volume 1 - see photographs). A few historiated initials and small vignettes throughout each volume. Dedication to the front of volume one. All edges gilt. Internally clean and tidy with a little darkening only. Text in Greek and Latin. Of particular interest in this copy is the ownership history. To the front of each volume is the paper ex libris of Syston Park, the celebrated library of Sir John Thorold. This library was largely dispersed by Sothebys in 1884 (although this copy does not appear to have been in that sale). The is also the small leather label of Huth Library "Ex Musaeo Huthii". This library was begun by Henry Huth (1815-1878) and continued by his son Alfred H. Huth. The Library was dispersed by Sotheby's in a number of sales between 1911 and 1920. Finally there is an ownership mark of John Burns dated 1920. Collation: *-***4, A-Lll8., [2], a-ttt6, (index) a-i3. pp = [38], 1-878[ii]., [4], 1-1034, [130]. pages. 200 by 125mm (7¾ by 5 inches).

. First edition (van der Linden's Leiden edition). Two volumes. Engraved title and engraved portrait of Hipocrates at the beginning of the first volume. Bound in full brown leather with gilt decoration and titles on spine. Both volumes show some rubbing to the spine and loss of the upper surface of the spine leather (worse for volume 1 - see photographs). A few historiated initials and small vignettes in each volume. Dedication at the beginning of the first volume. All edges gilt. The interior is clean and tidy, with only minor darkening. The ownership history of this copy is particularly interesting. At the beginning of each volume is the ex libris paper of Syston Park, the famous library of Sir John Thorold. This library was largely dispersed by Sothebys in 1884 (although this copy does not appear to have been part of that sale). There is also the small leather label of the Huth library "Ex Musaeo Huthii". This library was founded by Henry Huth (1815-1878) and continued by his son Alfred H. Huth. The library was dispersed by Sotheby's in several sales between 1911 and 1920. Finally, there is a John Burns ownership mark dating from 1920. Collation: *-***4, A-Lll8, [2], a-ttt6, (index) a-i3. pp = [38], 1-878[ii], [4], 1-1034, [130]. pages. 200 by 125mm.

Amstelodami [Amsterdam]: Apud Georgium Gallet, 1696. A lovely copy of this first edition. Sadly, lacks the additional engraved title page (frontispiece)*. But has all seven of the plates as called for. Full contemporary leather binding with gilt decoration and label to the spine. Attractive binding. A little rubbing but overall in very good condition. The pages and plates are in excellent, good, clean condition. The title (printed in red and black with a vignette) has an ownership signature for Dr Menard dated 1700. There are a small number of neat inked marginalia in the same hand throughout the book. Text in Latin.

John Case (c. 1660–1700) was an English astrologer and quack doctor. "Although there is no evidence that Case ever acquired a medical qualification, he nonetheless took up the title of Doctor and set up a practice in Ludgate selling medications to the unsuspecting, unquestioning public. The term quack in the Middle Ages meant "shouting", as these charlatans used to sell their wares at markets by shouting to gain attention. Case advertised profusely his remedies over decades and the elevated price of his elixirs and remedies hints at a steady and affluent clientele, many of whom were seeking a cure for the clap. Despite predicting the end of the world, owning an illusionist apparatus to scare people with images of their departed friends and selling unproven medicines, he rose briefly to fame thanks to his Compendium Anatomicum. In here Case defended the opinion of William Harvey's 1651 De Generatione Animalium (On the generation of animals), where the renowned physician and scientist established several theories that would set the stage for modern embryology and addressed many embryological issues including conception, embryogenesis, and spontaneous generation. Case's work was so superior to his other books that some doubted his authorship." (from Gonville & Caius, Cambs. Online archive).

*There seems some confusion about collation, and the lack of the engraved title seems common. The Wellcome foundation copy also lacks this. As do several old auction offerings (eg. Sothebys 1984). However other copies offered at auction have had this engraved title. [Wellcome II, 308; Russell 121 appears to include the frontispiece in the number of plates given] [XII], 192, [ii]. pages.

. Un bel exemplaire de cette première édition. Malheureusement, il manque la page de titre gravée supplémentaire (frontispice)*. Mais les sept planches sont présentes comme prévu. Reliure en plein cuir de l'époque avec décoration et étiquette dorées au dos. Reliure attrayante. Un peu de frottement mais dans l'ensemble en très bon état. Les pages et les planches sont en excellent état. Le titre (imprimé en rouge et noir avec une vignette) porte une signature du Dr Menard datée de 1700. Il y a un petit nombre de marginalia encrés de la même main tout au long de l'ouvrage.

John Case (c. 1660-1700) était un astrologue et un médecin charlatan anglais. "Bien qu'il n'y ait aucune preuve que Case ait jamais acquis une qualification médicale, il a néanmoins pris le titre de docteur et a ouvert un cabinet à Ludgate pour vendre des médicaments à un public sans méfiance et sans questionnement. Au Moyen Âge, le terme "charlatan" signifiait "crier", car ces charlatans avaient l'habitude de vendre leurs marchandises sur les marchés en criant pour attirer l'attention. Case a fait de la publicité à profusion pour ses remèdes pendant des décennies et le prix élevé de ses élixirs et remèdes témoigne d'une clientèle régulière et aisée, dont beaucoup cherchaient un remède contre la claudication. Bien qu'il ait prédit la fin du monde, qu'il ait possédé un appareil d'illusionnisme pour effrayer les gens avec des images de leurs amis décédés et qu'il ait vendu des médicaments non éprouvés, il a connu une brève gloire grâce à son Compendium Anatomicum. Dans cet ouvrage, Case défend l'opinion de William Harvey sur De Generatione Animalium (Sur la génération des animaux), publié en 1651, où le médecin et scientifique renommé établit plusieurs théories qui ouvriront la voie à l'embryologie moderne et abordent de nombreuses questions embryologiques, notamment la conception, l'embryogenèse et la génération spontanée. Le travail de Case était tellement supérieur à ses autres ouvrages que certains ont douté de sa paternité". (extrait des archives en ligne de Gonville & Caius, Cambs).

*Il semble qu'il y ait une certaine confusion au sujet de la collation, et l'absence du titre gravé semble courante. L'exemplaire de la fondation Wellcome en est également dépourvu. De même que plusieurs anciennes offres de vente aux enchères (par exemple, Sothebys 1984). Cependant, d'autres exemplaires proposés aux enchères portaient ce titre gravé. [Wellcome II, 308 ; Russell 121 semble inclure le frontispice dans le nombre de planches indiqué] [XII], 192, [ii]. pages.