Totnes: James Cauty: 2007. Limited Edition Print onto 315 gsm archival paper. Edition of 99 - numbered and stamped (this is 35/99). Believe the Magic, OMK Page Edition. 'Operation Magic Kingdom' was a billboard and street poster campaign in London (2007) against the Iraq war. Also released as stamps and prints. OMK blind stamped and hand numbered in pencil to front. Also official CNPD red stamp on back. With 4 binding holes in the left hand margin. Dimensions: 35,8 cm x 30.5cm James (Jimmy) Cauty, was formerly a musician with the band 'The Orb', and was a member of 'KLF'. More recently, he has been an artist, creating works of dissent, and working alongside artists such as Banksy and Billy Childish. He has been involved in Steve Lowe's L-13 Light Industrial workshop. He created the gift shop at Banksy's 'Dismaland'. His work also toured as part of the ADP (Aftermath Dislocation Principle) Riot Tour.

Totnes: James Cauty, 2005. Limited Edition Print onto 315 gsm archival paper. Edition of 29 stamped and numbered (this is 10/29). Part of the 'Stamps of Mass Destruction' campaign also released as stamps and prints. Stamped and hand numbered in ink on front, showing "Cautese National Postal Disservice" and the "C.N.P.D. Stamps of Mass Destruction Limited Edition". With this print is the COA (Certificate of Authentication) from Cauty - an attractive design, numbered. This is one of James Cauty's famous anti-occupation of Iraq protest prints. These stamps were the subject of a legal action in 2003 by UK's Royal Mail alleging copyright infringement. Dimensions: 32.8 x 30.5 cm. James (Jimmy) Cauty, was formerly a musician with the band 'The Orb', and was a member of 'KLF'. More recently, he has been an artist, creating works of dissent, and working alongside artists such as Banksy and Billy Childish. He has been involved in Steve Lowe's L-13 Light Industrial workshop. He created the gift shop at Banksy's 'Dismaland'. His work also toured as part of the ADP (Aftermath Dislocation Principle) Riot Tour.

Totnes: James Cauty, 2005. Limited Edition Print onto 315 gsm archival paper. Edition of 65 stamped and numbered (this is 06/65). Part of the 'Stamps of Mass Destruction' campaign also released as stamps and prints. Stamped and hand numbered in ink to front. "Cautese National Postal Disservice" certificate inclused. Has the "C.N.P.D. Stamps of Mass Destruction Limited Edition". This is one of James Cauty's famous anti-occupation of Iraq protest prints. These stamps were the subject of a legal action in 2003 by Royal Mail alleging copyright infringement. Dimensions: 32.8 x 30.5 cm. James (Jimmy) Cauty, was formerly a musician with the band 'The Orb', and was a member of 'KLF'. More recently, he has been an artist, creating works of dissent, and working alongside artists such as Banksy and Billy Childish. He has been involved in Steve Lowe's L-13 Light Industrial workshop. He created the gift shop at Banksy's 'Dismaland'. His work also toured as part of the ADP (Aftermath Dislocation Principle) Riot Tour.

1800. Two items. An original hand coloured copper engraving with two images of the coast of Japan with ships in the foreground. Also a full sheet of text, printed on both sides (one side is in German and the other in French). Sheet size for both is approx. 24.5 x 19.3 cm (image: approx. 9 x 14.5 cm). Translation of the text in to English:
Japan is a country that has only been better known for two hundred years and consists of several large and small islands on the north-east coast of Asia in the eastern great ocean, and because of its great wealth, especially in gold and other products, it has been an object of the Become European greed. The Portuguese settled here in the middle of the 16th century, but abused the goodness of the Japanese and were driven out by them. Since then only the Dutch have been allowed to trade in Japan, albeit with great restrictions; but the British failed two attempts that they made because of this.
The latest Russian venture of this kind also failed. In 1803 the Russian court sent the two ships under the command of Capitan v. Krusenstern were sent to make a trip around the world, including an envoy to Japan. This envoy, however, was not admitted to the audience, and the gifts he had brought with him were not accepted.
From the, by the captain v. Krusenstern 's masterful description of his journey around the world, the following two views are borrowed from Japan:
Fig. 1.
View of Megasaki near the city of Nangasaki in Japan, where the Russian ambassador was assigned his apartment, and the first visit of the Japanese interpreters, who are approaching the Russian ship in an open sloop, of which we can only see the rear.
Fig. 2.
The Russian envoy takes two boats or sloops, one of which is splendidly decorated, to the apartment in Megasaki assigned to him. Here we can get to know not only the design of the Japanese vehicles, but also the clothing of the Japanese.

Budapest: Athenaeum, 1935. Original tourist poster in brilliant colour for the capital of Hungary. A parade of people in colourful regional attire marches past the Saint Elisabeth Church in Budapest in this poster promoting travel to the capital of Hungary.
Design: Jeges Ernö; fully drawn into the stone at the bottom left corner.
Press : Athenaeum, printed in Hungary.
Edited by the Hungarian National Council of Tourist Traffic, Budapest. Jeges Ernö ( 1898-1956) was a poster designer and painter, working between the 1910's and the late 1940's.
In the 1910's Jeges tried out many fields of graphic design. He created lot of book covers and illustrations that show the influence of Art Nouveau and folk art. Jeges resumed designing posters after 1925, and continued to work during the 1930's. He designed some colorful commercial and event posters. He continued to design posters occasionally until the end of the 1940's.

London: F.G. Moon, 1842. A lovely copy of this tinted lithograph, produced by the skilled lithographer Louis Haghe and published by F.G. Moon. The publisher's details are printed in the plate, and state that it was printed 1st December 1842. Framed in a more recent dark green passe partout and dark hardwood frame. The visible area of the lithograph is 540 x 380 mm (21¼ by 15 inches). It will be slightly larger under the passe partout - the sheet size is 23 5/8" x 17 1/4". Frame size is 720 x 560 mm (28¼ x 22 inches). If sold online will be sold without frame. David Roberts, (1796-1864) was a successful Scottish artist, in 1838 traveled throughout the Middle East and produced many paintings. On his return to England, he and lithographer Louis Haghe published a hand-coloured six volume set of his works covering Egypt and Nubia and the Holy Land.

An engraved poster welcoming the new year of 1896. A naked woman is at the helm of a boat, with Time as the cox. As the boat rows away, the debris of 1895 is left in its wake. The poster measures 610 x 460 mm (24 x 18 inches). It is tipped onto a white backing cardboard. Signed in the plate A. Willette. To the bottom right is "Phg V. Michel" (after van Michel?) The debris of 1895 includes Panama and Arton. The later refers to Émile Arton, a Jewish financier who was arrested in November 1895 for his part in financing in the Panama crisis. His being Jewish suited Willette, who was strongly anti-Semitic.
Adolphe Léon Willette (1857–1926) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections.

Paris: Les Maitres de L'affiche, 1900. Plate 76 in the Les Maitres de L'Affiche series. Original stone Lithograph on vélin paper C. 1900
Printed by: Chaix 1899. Embossed with the publishers stamp to the lower right corner.
This image was created by a female artist named M. Louise Stowell to promote the bookseller situated in Rochester, New York. Both the design and the interesting use of typography were innovative for the period. It is a classic American image in a distinctive style. Her monogram appears in the lower right of the print. 395 by 285mm (15½ by 11¼ inches). Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller 11 x 15 inch format, was put together by Jules Chéret, the father of poster art Every month for 60 months, from December 1895 through November 1900, subscribers received by mail, 4 loose sheets (Maitres) with a cover sheet. Designed for a subscription audience it showcased the most influential posters of the era in a collectible small format