London: 1824. This beautiful uncoloured aquatint was published by Thomas McLean. Acquatint by Thomas Sutherland (1785-1838) after Henry Thomas Alken. Dated March 1824. Aquatint is 8" x 25^1/2" the sheet is 15" x 33". It seems this was first produced in 1821 - so this would be a re-strike. ALKEN, Henry (1785 - 1851) was from a family of sporting artists, signing his early work 'Ben Tally Ho'. A keen sportsman he gave an authentic feel to his hunting prints and pictures. He became widely known for his sporting prints and pictures as well as his watercolour hunting, coaching and shooting scenes.

Centraal Museum, 1972. A vibrant and limited piece of Op Art (abstract, geometric) produced for the Utrecht Centraal museum exhibition of 1972, the first time that the museum paid attention to geometric pieces. This silkscreen, gives the appearance of a lithograph. It was issued in an edition of 200 pieces. It is signed and numbered to the verso in pencil by the artist. Housed and glazed in a red aluminum frame. The frame has had a small portion of the backing board cut away to display the artists name. If sold online will be sent without frame.
images size 49cm x 50cm. Frame size 65cm x 65cm (25½ by 25½ inches).

Zoetemeer: Wout van der Vet, 1991. Signed and numbered silkscreen print, printed in 16 passes. This is # 50 / 50. In a black mount and black metallic frame, with glass front. Measurement in frame: 715 x 515 mm (28¼ x 20¼ inches).

Magyar: Hirdelo vezengazgatoya. An original poster by Tibor for the 1971 film "Macbeth" directed by Roman Polanski. This was used for cinema audiences in Hungary. Good original condition, with no tears, but slight creasing / edgewear. No significant marks. An attractive copy. 800 by 575mm (31½ by 22¾ inches).

United States: Obvious State, 2019. A literary Art print / Poster featuring one of the cards from the "Visual Ode to Visual Women" series. 360 by 280mm (14¼ by 11 inches). As new, unopened.

United States: Obvious State, 2019. A literary Art print / Poster featuring one of the cards from the "Visual Ode to Visual Women" series. 360 by 280mm (14¼ by 11 inches). As new, unopened.

London: 1840. A reprint of this work by Hogarth. This engraving by S. Davenport. Goodchild's industry and piety are paying off. He's now no longer working a loom, but rather keeping his master's business: He holds the "Day Book", keys to the house and a pouch of money. A mid Victorian print. Beautiful colouring. Off white mounting board with lines around. Now in protective cellophane cover. engraving 6" x 7^1/4" Mount 11" x 12^1/2"

London: R. Ackermann's Repository, 1809. Plate number 50 from Ackermann's "Microcosm of London". A lovely aquatint. The architectural details were drawn by Pugin, and Rowlandson drew the figures. (both are credited on the sheet). The aquatinting was done by J.C. Sadler. Glazed and framed in a black and gilt frame. Total size: 405 x 345 mm (16 x 13½ inches). Ackermann produced this work between 1807 and 1810. One of the greatest of the colour plate books. "The plates by Rowlandson and Pugin present an unrivalled picture of London in early 19th century, of historic value, as many of the buildings no longer exist" (Tooley).

Deauville: Marthe Régnier, 1923. Lithograph (pochoir) hand coloured by the leading colourist Jean Saudé. Originally part of 'Le Nouveau Monde' (2ème série) circa 1923. Album no.25 - Planche no.32 « Couturière de génie ou Jenny couturière. De ce lovely robe vous peut etre…tres frére! P.S. excuse ma mauvaise français. Leonora », Leonora HUGHES. Signed in the plate. Size: 505 x 330 mm (20 x 13 inches). Georges Goursat (1863–1934) aka SEM, was a famous French illustrator / caricaturist. Around 1923, he published three fabulous albums under the general title of 'Le Nouveau Monde' (The New World). These featured all kinds of characters from Les Années Folles (1918–1934) - including his great friends Coco Chanel and the American dancer Leonora Hughes.

1981. An attractive Art poster from the Museum of Modern Art, New York showing an amusing work by Nitka. Signed in the plate. Measures: 645 x 445 mm (25½ x 17½ inches). Louis Nitka is an French born artist, illustrator and cartoonist who was born in 1940 to Polish parents. In 1965, he moved to New York and went on to illustrate for many well-known publications.

London: Henry Graves & Co, 1907. Printed by A. Salmon of Paris. The "The Cries of London" has been a recurring theme in English print making for over three centuries. The series of thirteen paintings by Wheatley were amongst the most popular. Originally published as print 10 in the series, St Paul's can be been in the background. Engraved by Thomas G. Appleton. Signed in pencil by Appleton to the bottom right. The impressed area is 450 x 360 mm (17¾ x 14¼ inches).

Rotterdam: 1923. Art Nouveau / Jugendstil paper design used to make in to a bag for the tobacco Van Nelle's Varinas from Rotterdam. This is for the Gold Label tobacco. 360 x 300 mm (14¼ x 11¾ inches).

Shanghai: People's Fine Arts Publishing House, 1968. Poster shows Mao walking through fields, with a worker's hat in his hand. Blank to verso. 760 x 520 mm (30 x 20½ inches). The Cultural Revolution, or Great Proletarian Cultural Revolution, was a sociopolitical movement in China from 1966 until 1976.

Santa Monica: Editions Mirage, 1980. Silver screenprint in frame. Signed in pen (to bottom left), also signed in the plate. Size: 760 x 480 mm (30 x19 inches). If sold online - will be sent without frame. Erté was a Russian artist and designer known for his glamorous opera sets, jewellery, costumes, and graphic arts. His work is quintessentially emblematic of the Art Deco style in its use of tapering lines and simplified ornamentation inspired by the natural world.

London: S & I Fuller, 1824. This beautiful uncoloured aquatint is plate four of a series of four fox-hunting prints produced by S & I Fuller, at the Sporting Gallery, known as the "Leicestershire Covers." by Thomas Sutherland (1785-1838) after Henry Thomas Alken. Dated March 1824. aquatint is 11" x 30" the sheet is 17^1/2" x 35". NB. We also have Plate One for sale. ALKEN, Henry (1785 - 1851) was from a family of sporting artists, signing his early work 'Ben Tally Ho'. A keen sportsman he gave an authentic feel to his hunting prints and pictures. He became widely known for his sporting prints and pictures as well as his watercolour hunting, coaching and shooting scenes.

London: S & I Fuller: 1824. This beautiful uncoloured aquatint is plate one of a series of four fox-hunting prints produced by S & I Fuller, at the Sporting Gallery, known as the "Leicestershire Covers." by Thomas Sutherland (1785-1838) after Henry Thomas Alken. Dated March 1824. aquatint is 11^1/2" x 30" the sheet is 16" x 34". NB. We also have Plate Four for sale. ALKEN, Henry (1785 - 1851) was from a family of sporting artists, signing his early work 'Ben Tally Ho'. A keen sportsman he gave an authentic feel to his hunting prints and pictures. He became widely known for his sporting prints and pictures as well as his watercolour hunting, coaching and shooting scenes.

London: 1760. Copper engraving hand coloured with watercolour. The Rotunda was in Ranelagh Gardens, in what were public pleasure gardens located in Chelsea, then just outside London. Originally designed to be viewed through a zograscope. Title in both English and French. 25 x 39 cm (image); 33 x 48 cm (sheet). A zograscope is an optical device for magnifying flat images, as the shape of the lens enhanced the sense of the depth shown in the picture. The precursor to 3D images! These were very fashionable in the late 18th century.

Augsburg: B.F. Leizelt: 1750. A view of London - the title is printed in reverse. Coloured. Dimensions: 28 x 39.5 cm. Verso is blank. From "Collection des Prospects". Text in French. Originally designed to be viewed through a zograscope. A view down the Thames with Westminster bridge. A zograscope is an optical device for magnifying flat images, as the shape of the lens enhanced the sense of the depth shown in the picture. The precursor to 3D images! These were very fashionable in the late 18th century.

London: 1760. Copper engraving with watercolour. Originally designed to be viewed through a zograscope. Title in both English and French. 25 x 39 cm (image); 33 x 48 cm (sheet). A zograscope is an optical device for magnifying flat images, as the shape of the lens enhanced the sense of the depth shown in the picture. The precursor to 3D images! These were very fashionable in the late 18th century.