Amsterdam: Wed. Aart Dirksz. Oossaan, 1694. A lovely copper plate engraving of the Nieuwe Kerk. Printed on two sheets, pasted together. A large print, believed to be from the large paper copy of the Beschryvinge van Amsterdam, Commelin's seminal work. Good clean impression on clean heavy laid paper. The paper holds a watermark of three crescent moons. This is often seen in Islamic printing, and was probably from Italian paper stock of the mid to late eighteenth century. Image size 26cm x 34cm. Sheet size 43cm x 50.5cm. A lovely uncoloured example of this engraving. First Edition.
. Une belle gravure sur cuivre de la Nieuwe Kerk. Imprimée sur deux feuilles collées l'une à l'autre. Une grande impression, que…
Amsterdam: Wed. Aart Dirksz. Oossaan, 1694. A lovely copper plate engraving of the Nieuwe Kerk. Printed on two sheets, pasted together. A large print, believed to be from the large paper copy of the Beschryvinge van Amsterdam, Commelin's seminal work. Good clean impression on clean heavy laid paper. The paper holds a watermark of three crescent moons. This is often seen in Islamic printing, and was probably from Italian paper stock of the mid to late eighteenth century. Image size 26cm x 34cm. Sheet size 43cm x 50.5cm. A lovely uncoloured example of this engraving. First Edition.
. Une belle gravure sur cuivre de la Nieuwe Kerk. Imprimée sur deux feuilles collées l'une à l'autre. Une grande impression, que l'on croit provenir de la grande copie papier de la Beschryvinge van Amsterdam, l'ouvrage fondamental de Commelin. Bonne impression propre sur un papier vergé épais et propre. Le papier contient un filigrane de trois croissants de lune. Ce type de filigrane est fréquent dans l'imprimerie islamique et provient probablement d'un papier italien du milieu ou de la fin du dix-huitième siècle. Taille de l'image 26cm x 34cm. Taille de la feuille 43cm x 50.5cm. Un bel exemple non coloré de cette gravure.
London: Henry Graves & Co, 1907. Printed by A. Salmon of Paris. The "The Cries of London" has been a recurring theme in English print making for over three centuries. The series of thirteen paintings by Wheatley were amongst the most popular. Originally published as print 10 in the series, St Paul's can be been in the background. Engraved by Thomas G. Appleton. Signed in pencil by Appleton to the bottom right. The impressed area is 450 x 360 mm (17¾ x 14¼ inches).
Condition: Overall this is in lovely condition. The image is clean and bright. There is a touch of light foxing to the cream paper surrounding the print (but not the print itself).
1836. A delightfully detailed etching inscribed and pencil signed. A good early strike. On paper with watermark of F. J. Head & Co. There is some evidence of having been in a mount, but otherwise in superb condition. Blank to verso. Image: 150 x 260 mm (6 x 10¼ inches). Sheet: 200 x 300 mm.
Peter Grahame (1836 - 1921) was a Scottish artist who trained at the Trustees' Academy in Edinburgh under Robert Scott Lauder. His landscapes were influenced by the paintings of Horatio McCulloch, and the poetry of Sir Walter Scott. He enjoyed great success at the Royal Scottish Academy, and at the Royal Academy, London.
Aug. Vind. [Augustae Vindelcorum] Augsburg, Germany: Johann Christian Leopold, 1760. A lovely copy of this original, first edition engraving by LANDERER after SCHMIDT. Plate 5 from the series "12 character heads". 19cm x 13cm on backing paper of 29cm x 22cm. Clean and tidy engraving on slightly darkened paper. laid onto heavy laid backing paper. A little marking only. Printing details to base of engraving. identified, named and dated from identical copies in the Philadelphia Museum of Art. Johann Christian Leopold (1699-1755) Print publisher based in Augsburg; son of Joseph Friedrich Leopold (q.v.); published mezzotints after Piazzetta; until 1760 at the earliest. His son Johann Christian Leopold the Younger (1729-1779), continued his business under the same name. Ferdinand Landerer…
Aug. Vind. [Augustae Vindelcorum] Augsburg, Germany: Johann Christian Leopold, 1760. A lovely copy of this original, first edition engraving by LANDERER after SCHMIDT. Plate 5 from the series "12 character heads". 19cm x 13cm on backing paper of 29cm x 22cm. Clean and tidy engraving on slightly darkened paper. laid onto heavy laid backing paper. A little marking only. Printing details to base of engraving. identified, named and dated from identical copies in the Philadelphia Museum of Art. Johann Christian Leopold (1699-1755) Print publisher based in Augsburg; son of Joseph Friedrich Leopold (q.v.); published mezzotints after Piazzetta; until 1760 at the earliest. His son Johann Christian Leopold the Younger (1729-1779), continued his business under the same name. Ferdinand Landerer (1730 Stein unter der Enns - 1795 Vienna) Engraver. Martin Johann Schmidt (Grafenworth, 1718 - Stein an der Donau 1801) Austrian baroque painter. This is an original antique engraving / print from 1760, not a reproduction.
. Un bel exemplaire de cette gravure originale de première édition par LANDERER d'après SCHMIDT. Planche 5 de la série "12 têtes de personnages". 19cm x 13cm sur un papier de 29cm x 22cm. Gravure propre et soignée sur un papier légèrement assombri, posée sur un support épais. Quelques marques seulement. Détails d'impression au bas de la gravure. Identifiée, nommée et datée d'après des copies identiques au Philadelphia Museum of Art. Johann Christian Leopold (1699-1755) Éditeur d'estampes basé à Augsbourg ; fils de Joseph Friedrich Leopold (q.v.) ; a publié des mezzotintes d'après Piazzetta ; jusqu'en 1760 au plus tôt. Son fils Johann Christian Leopold le Jeune (1729-1779) poursuivit son activité sous le même nom. Ferdinand Landerer (1730 Stein unter der Enns - 1795 Vienne) Graveur. Martin Johann Schmidt (Grafenworth, 1718 - Stein an der Donau 1801) Peintre baroque autrichien. Il s'agit d'une gravure ancienne originale de 1760, et non d'une reproduction.
Amsterdam: Wed. Aart Dirksz. Oossaan, 1694. A lovely copper plate engraving of the Ooster Kerk. Printed on two sheets, pasted together. A large print, believed to be from the large paper copy of the Beschryvinge van Amsterdam, Commelin's seminal work. Good clean impression on clean heavy laid paper. The paper holds a watermark of three crescent moons. This is often seen in Islamic printing, and was probably from Italian paper stock of the mid to late eighteenth century. Image size 26cm x 34cm. Sheet size 43cm x 50.5cm. A lovely uncoloured example of this engraving. First Edition
. Une belle gravure sur cuivre de l'Ooster Kerk. Imprimée sur deux feuilles collées l'une à l'autre. Une grande impression, que l'on…
Amsterdam: Wed. Aart Dirksz. Oossaan, 1694. A lovely copper plate engraving of the Ooster Kerk. Printed on two sheets, pasted together. A large print, believed to be from the large paper copy of the Beschryvinge van Amsterdam, Commelin's seminal work. Good clean impression on clean heavy laid paper. The paper holds a watermark of three crescent moons. This is often seen in Islamic printing, and was probably from Italian paper stock of the mid to late eighteenth century. Image size 26cm x 34cm. Sheet size 43cm x 50.5cm. A lovely uncoloured example of this engraving. First Edition
. Une belle gravure sur cuivre de l'Ooster Kerk. Imprimée sur deux feuilles collées l'une à l'autre. Une grande impression, que l'on croit provenir de la grande copie papier de la Beschryvinge van Amsterdam, l'ouvrage fondamental de Commelin. Bonne impression propre sur un papier vergé épais et propre. Le papier contient un filigrane de trois croissants de lune. Ce type de filigrane est fréquent dans l'imprimerie islamique et provient probablement d'un papier italien du milieu ou de la fin du dix-huitième siècle. Taille de l'image 26cm x 34cm. Taille de la feuille 43cm x 50.5cm. Un bel exemple non coloré de cette gravure.
Rotterdam: 1923. Art Nouveau / Jugendstil paper design used to make in to a bag for the tobacco Van Nelle's Varinas from Rotterdam. This is for the Gold Label tobacco. 360 x 300 mm (14¼ x 11¾ inches). Beautiful original condition. One tiny mark to the paper. Otherwise spotless.
. Dessin en papier Art Nouveau / Jugendstil utilisé pour fabriquer un sac pour le tabac Van Nelle's Varinas de Rotterdam. Il s'agit du tabac Gold Label. 360 x 300 mm (14¼ x 11¾ inches). Très bon état d'origine. Une petite marque sur le papier. Autrement impeccable.
Düsseldorf: Künstler-Verein Malkasten, 1855. An attractive theatre poster, advertising a performance of Pannemann's Traum, starring Oswald Achenbach. A nice clean poster, in the style of Gustave Dóre. laid onto a backing sheet which is fractionally larger than the poster. The backing card has a little nicking to the edges, and marking to the rear. Overall, an excellent copy. 390 by 290mm (15¼ by 11½ inches). First Edition of this scarce poster. There are no other copies available to purchase at the time of cataloguing
. Une belle affiche de théâtre, annonçant une représentation du Traum de Pannemann, avec Oswald Achenbach. Une belle affiche propre, dans le style de Gustave Dóre, posée sur une feuille de support qui est légèrement…
Düsseldorf: Künstler-Verein Malkasten, 1855. An attractive theatre poster, advertising a performance of Pannemann's Traum, starring Oswald Achenbach. A nice clean poster, in the style of Gustave Dóre. laid onto a backing sheet which is fractionally larger than the poster. The backing card has a little nicking to the edges, and marking to the rear. Overall, an excellent copy. 390 by 290mm (15¼ by 11½ inches). First Edition of this scarce poster. There are no other copies available to purchase at the time of cataloguing
. Une belle affiche de théâtre, annonçant une représentation du Traum de Pannemann, avec Oswald Achenbach. Une belle affiche propre, dans le style de Gustave Dóre, posée sur une feuille de support qui est légèrement plus grande que l'affiche. La carte de support présente quelques entailles sur les bords et des marques au verso. Dans l'ensemble, un excellent exemplaire. 390 par 290mm (15¼ par 11½ pouces). Première édition de cette affiche rare. Il n'y a pas d'autres exemplaires disponibles à l'achat au moment du catalogage.
1947. A limited edition print by Dutch figurative painter Kees Salentijn. Colourful parrot numbered # 59 of 120; on rag paper. Signed by the artist. The image is sized 240 x 170 mm (9½ x 6¾ inches). It is held behind passe partout and in an aluminium glazed Barth frame. The item is sold in the frame. Total size: 335 by 300 mm (13¼ by 11¾ inches). Beautiful condition. Frame is also in excellent condition. Kees Salentijn was born in 1947, and attended the Rijksacademie voor Beeldende Kunsten in Amsterdam with O.B. Kat as his mentor.
Paris: Lemercier / Martinet. Rare hand coloured lithograph - showing actors on a stage in masks and costumes. On a banner being held up it reads: Toujours du paté d'anguille. Perhaps this is a reference to Contes et Nouvelles de Jean de la Fontaine? Blank verso. Corners a little creased. 260 x 315 mm (10¼ x 12½ inches). Rare lithographie coloriée à la main - montrant des acteurs sur une scène en masques et costumes. Sur une banderole brandie, il est écrit : Toujours du paté d'anguille. Peut-être est-ce une référence aux Contes et Nouvelles de Jean de la Fontaine ? Verso vierge. Coins un peu froissés. 260 x 315 mm (10¼ x 12½ pouces).
London: George Bell & Sons, 1895. Original grey and black hardback boards. Gilt titles. A little marking to the top of the front board. A touch of bumping to the boards. Internally clean, with just a touch of darkening to the end papers. Frontis illustration by Toulouse Lautrec. Numerous illustrations both in text and full-page plates on glossy art paper. Xvi, 368 pp. 225 x 150 mm (8¾ x 6 inches).
Ramerding: Berghaus Verlag, 1985. Reprint. Original printed 1976. Large softback with illustrated colour covers. Contains 32 art nouveau posters - most of which are in colour. Posters from the likes of: Ludwig Sütterlin, Aubrey Beardsley, Alphonse Maria Mucha, William Bradley, Th. Th. Heine and Dudley Hardy. Covers a little rubbed at edges, but overall in very good condition. Unpaginated. 490 x 345 mm (19¼ x 13½ inches).
London: BFI Publishing, 1982. Glossy hardback, First Edition. Fully illustrated in colour, with notes on each poster. Begins with a comprehensive introduction detailing the designers of the film posters, and their relationship to Ealing studios. Includes posters advertising: 'Kind Hearts and Coronets'; 'The Lavender Hill Mob'; 'Nicholas Nickleby'; 'Hue & Cry'; 'The Captive Heart'; 'Passport to Pimlico'; 'The Ladykillers'; 'Whisky Galore!' and many others. Boards have minor fading to top left of front. Book is in a very good condition. Appears almost unread. 67 pages. 210 x 210 mm (8¼ x 8¼ inches).
Paris: Ch Bance, 1814. An attractive hand coloured engraving by Debucourt after Carle Vernet. First state, with 1er to the top left of the plate, and No. 1 to the top right. This was conceived as the first in the "Collection de Costumes" series, which was to have been a collection of 56 plates with accompanying text showing costumes of the nations. This plate was deposited at the Library by Aumontle on November 2, 1814 at the same time as the "March of English Officers." The English are shown as fairly brutish, as is often in French prints of the time. A good strong print with attractive original hand colouring. There is moderate to strong foxing across the whole…
Paris: Ch Bance, 1814. An attractive hand coloured engraving by Debucourt after Carle Vernet. First state, with 1er to the top left of the plate, and No. 1 to the top right. This was conceived as the first in the "Collection de Costumes" series, which was to have been a collection of 56 plates with accompanying text showing costumes of the nations. This plate was deposited at the Library by Aumontle on November 2, 1814 at the same time as the "March of English Officers." The English are shown as fairly brutish, as is often in French prints of the time. A good strong print with attractive original hand colouring. There is moderate to strong foxing across the whole plate. plate area 36cm x 27cm. Sheet is 39cm x 28cm.
. Une belle gravure coloriée à la main par Debucourt d'après Carle VERNET. Premier état, avec le 1er en haut à gauche de la planche, et le No. 1 en haut à droite. Cette gravure a été conçue comme la première de la série "COLLECTION DE COSTUMES", qui devait être une collection de 56 planches accompagnées d'un texte montrant les costumes des nations. Cette planche a été déposée à la Bibliothèque par Aumontle le 2 novembre 1814 en même temps que la "Marche des officiers anglais". Les Anglais sont représentés de manière assez brutale, comme c'est souvent le cas dans les estampes françaises de l'époque. Il s'agit d'une estampe de bonne qualité, avec des couleurs originales attrayantes. Il y a des rousseurs modérées à fortes sur l'ensemble de la plaque. La surface de la plaque est de 36cm x 27cm. La feuille fait 39cm x 28cm.
Darmstadt: G. G. Lange, 1860. Original steel engraving of Rembrandt, in Rembrandtsplein in the centre of the city of Amsterdam. Undated, but circa 1860. Taken from: Het Koningrijk der Nederlanden - presented in a series of picturesque views drawn from nature. Under a grey mount / passe partout, so it's perfect for framing. Very good condition. 325 x 265 mm (12¾ x 10½ inches). Actual image size: 150 x 115 mm.
London: S. W. Fores, 1827. Hand coloured engraving of the bare knuckle boxer Reuben Martin, by T. Jones. Reads: Reuben Martin. Born at Bristol, 1801. Stands 5ft 9½ in, weighs 11st. 4lb. This portrait was created after a big fight between Martin and another boxer named Randal, on Crawley Downs. 440 x 305 mm (17¼ x 12 inches).
Paris: Galerie Lutetia, 1926. Signed oval shape drypoint etching with aquatint, and small detail coloured by hand. Circa 1926, Paris. The etching depicts Pierrot in an embrace with a woman, watched from the bushes by Harlequin. The work is signed in pencil by Jean Hardy on the bottom, lower right. Numbered in pencil # 165 of 350. In plate: Paris, copyright Galerie Lutetia. Print is now unframed, in excellent condition, with just the edges showing signs of previous framing. 510 x 610 mm (20 x 24 inches). Gravure à la pointe sèche de forme ovale signée à l'aquatinte, et petit détail colorié à la main. Vers 1926, Paris. La gravure représente Pierrot dans une étreinte avec une femme, observé…
Paris: Galerie Lutetia, 1926. Signed oval shape drypoint etching with aquatint, and small detail coloured by hand. Circa 1926, Paris. The etching depicts Pierrot in an embrace with a woman, watched from the bushes by Harlequin. The work is signed in pencil by Jean Hardy on the bottom, lower right. Numbered in pencil # 165 of 350. In plate: Paris, copyright Galerie Lutetia. Print is now unframed, in excellent condition, with just the edges showing signs of previous framing. 510 x 610 mm (20 x 24 inches). Gravure à la pointe sèche de forme ovale signée à l'aquatinte, et petit détail colorié à la main. Vers 1926, Paris. La gravure représente Pierrot dans une étreinte avec une femme, observé depuis les buissons par Arlequin. L'oeuvre est signée au crayon par Jean Hardy en bas, en bas à droite. Numéroté au crayon # 165 sur 350. Dans la planche : Paris, copyright Galerie Lutetia. L'impression est maintenant non encadrée, en excellent état, avec juste les bords montrant des signes d'encadrement précédent. 510 x 610 mm (20 x 24 pouces).
Aug. Vind. [Augustae Vindelcorum] Augsburg, Germany: Johann Christian Leopold, 1760. A lovely copy of this original, first edition engraving by LANDERER after SCHMIDT. Plate 8 from the series "12 character heads". 20cm x 13cm on backing paper of 29cm x 22cm. Clean and tidy engraving on slightly darkened paper. laid onto heavy laid backing paper. A little marking only. Printing details to base of engraving. The backing paper has a crease to the bottom left edge. Identified, named and dated from identical copies in the Philadelphia Museum of Art. Johann Christian Leopold (1699-1755) Print publisher based in Augsburg; son of Joseph Friedrich Leopold (q.v.); published mezzotints after Piazzetta; until 1760 at the earliest. His son Johann Christian Leopold the…
Aug. Vind. [Augustae Vindelcorum] Augsburg, Germany: Johann Christian Leopold, 1760. A lovely copy of this original, first edition engraving by LANDERER after SCHMIDT. Plate 8 from the series "12 character heads". 20cm x 13cm on backing paper of 29cm x 22cm. Clean and tidy engraving on slightly darkened paper. laid onto heavy laid backing paper. A little marking only. Printing details to base of engraving. The backing paper has a crease to the bottom left edge. Identified, named and dated from identical copies in the Philadelphia Museum of Art. Johann Christian Leopold (1699-1755) Print publisher based in Augsburg; son of Joseph Friedrich Leopold (q.v.); published mezzotints after Piazzetta; until 1760 at the earliest. His son Johann Christian Leopold the Younger (1729-1779), continued his business under the same name. Ferdinand Landerer (1730 Stein unter der Enns - 1795 Vienna) Engraver. Martin Johann Schmidt (Grafenworth, 1718 - Stein an der Donau 1801) Austrian baroque painter. This is an original antique engraving / print from 1760, not a reproduction.
. Un bel exemplaire de cette gravure originale de première édition par LANDERER d'après SCHMIDT. Planche 8 de la série "12 têtes de personnages". 20cm x 13cm sur un papier de 29cm x 22cm. Gravure propre et soignée sur papier légèrement assombri, posée sur un support épais. Quelques marques seulement. Détails d'impression à la base de la gravure. Le papier de soutien présente un pli sur le bord inférieur gauche. Identifiée, nommée et datée d'après des copies identiques conservées au Philadelphia Museum of Art. Johann Christian Leopold (1699-1755) Éditeur d'estampes basé à Augsbourg ; fils de Joseph Friedrich Leopold (q.v.) ; a publié des mezzotintes d'après Piazzetta jusqu'en 1760 au plus tôt. Son fils Johann Christian Leopold le Jeune (1729-1779) poursuivit son activité sous le même nom. Ferdinand Landerer (1730 Stein unter der Enns - 1795 Vienne) Graveur. Martin Johann Schmidt (Grafenworth, 1718 - Stein an der Donau 1801) Peintre baroque autrichien. Il s'agit d'une gravure ancienne originale de 1760, et non d'une reproduction.
Scarce signed etching from a watercolour painted by Paul Emile Lecomte (1877-1950). Under glass in a gilt frame. Signed in pencil to lower right. In excellent condition. Numbered.
Born in Paris, Lecomte was the son of renowned landscape painter Paul Lecomte. Paul Emile studied at the École des Beaux-Arts under portraitist and history painter Fernand Cormon; his works were often featured in prestigious galleries like the Paris Salon.
2003. Limited edition print # 33 of 50. Limited lithograph of a cellist by the German artist Aloys Ohlmann (1938 - 2013). The work is part of a 'Good luck for 2004' New Year message (in pencil) to a friend from the artist and his wife, Maria. Also inscribed in pencil on the reverse, with artist's stamp, framed under passe-partout and glass. Can be sold with or without frame. Postage costs will differ. 275 x 190 mm (10¾ x 7½ inches). Aloys Ohlmann studied at Werkkunstschule Saarbrücken; and was a co-founder of der Gruppe Sieben Künstlerforum Galerie in Zwinger.
Paris: Jean Paul Caboche, 1991. A lovely black and white photograph of a fashion shoot for Guy Laroche Haute-Couture. Original photograph held under passe partout. Model (anonymous) in a gabardine jacket and felt hat. To the verso, the credits show that this is from the Guy Laroche Autumn / Winter collection. Photograph in as new condition, held under stiff passe partout with thin card backing board. Photograph is in practically as new condition. Passe partout is clean and neat, with a touch of edge tape only. Photograph dimensions 29.5cm x 21cm. Passe partout is 45cm x 36cm. It is perhaps symptomatic of the fashion industry that although the hair stylist and make up artist are both credited, the model…
Paris: Jean Paul Caboche, 1991. A lovely black and white photograph of a fashion shoot for Guy Laroche Haute-Couture. Original photograph held under passe partout. Model (anonymous) in a gabardine jacket and felt hat. To the verso, the credits show that this is from the Guy Laroche Autumn / Winter collection. Photograph in as new condition, held under stiff passe partout with thin card backing board. Photograph is in practically as new condition. Passe partout is clean and neat, with a touch of edge tape only. Photograph dimensions 29.5cm x 21cm. Passe partout is 45cm x 36cm. It is perhaps symptomatic of the fashion industry that although the hair stylist and make up artist are both credited, the model herself is not names. Laroche (1921-1989) was one of the first designers to introduce separates (ie. jacket and trousers). His company continues today.
. Une belle photographie en noir et blanc d'une séance de photos de mode pour Guy Laroche Haute-Couture. Photographie originale conservée sous passe partout. Modèle (anonyme) en veste de gabardine et chapeau de feutre. Au verso, le générique indique qu'il s'agit de la collection automne/hiver de Guy Laroche. Photographie en état neuf, maintenue sous un passe partout rigide avec un support cartonné fin. La photographie est pratiquement à l'état neuf. Le passe-partout est propre et net, avec seulement un peu de ruban adhésif sur les bords. Les dimensions de la photographie sont de 29,5 cm x 21 cm. Le passe-partout mesure 45 cm x 36 cm. Il est peut-être symptomatique de l'industrie de la mode que, bien que le coiffeur et le maquilleur soient tous deux mentionnés, le mannequin lui-même n'est pas nommé. Laroche (1921-1989) a été l'un des premiers créateurs à introduire des vêtements séparés (c'est-à-dire une veste et un pantalon). Sa société existe encore aujourd'hui.
Nieuwe Kerk
from Beschryvinge van Amsterdam
Book ID: 4317More details Price: £125.00
Old Chairs to Mend.
A lovely twentieth century image from the "Cries of London" series, signed by Appleton.
Old Village, Shanklin, Isle of Wight.
Original Late 19th Century Etching.
Old woman reading
Book ID: 4264More details Price: £150.00
Ooster Kerk
from Beschryvinge van Amsterdam
Book ID: 4315More details Price: £125.00
Original artwork for Van Nelle's Varinas Rotterdam Tobacco Packaging
Pannemann's Traum : Operagout
mit einem Vor- u. einem musikalischen Nachtheil
Book ID: 4296More details Price: £125.00
Parrot / Papegaai
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PÉTITION - Dernier effort d'un parti malheureux.
Picture Posters.
A Short History of the Illustrated Placard, with many Reproductions of the most Artistic Examples in all Countries
Posters 1900.
Projecting Britain: Ealing Studios Film Posters.
Promienade Anglaise
Book ID: 4369More details Price: £175.00
Rembrandts Statue, Amsterdam
Reuben Martin.
[Full length portrait engraving. In boxing stance].
Scène romantique avec Pierrot et Urlequin - signée
Book ID: 2984More details Price: £250.00
Sculptor with a drawing
Book ID: 4290More details Price: £150.00
Shepherd tending sheep
Signed limited print of a cellist
Silver Gelatin photograph of Guy Laroche Haute-Couture
Book ID: 4368More details Price: £75.00
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